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Gulag Orkestar (Vinyl)
 
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Gulag Orkestar (Vinyl)

Beirut LP Record
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Album Description

Special two CD reissue on the 4AD label of this critically-adored release featuring a bonus disc with five tracks: 'Elephant Gun', 'My Family's Role In The World Revolution', 'Scenic World' (Version), 'Long Island Sound' and 'Carousels'. Beirut’s debut album ‘Gulag Orkestar’ swirls and swayswith a procession of horns, violins, cellos, ukuleles, mandolins,glockenspiels, drums, tambourines, congas, organs, pianos, clarinetsand accordions, a wonderfully brash, drunken sound which whirlsaround Zach’s histrionic and bewitchingly plaintive vocals. From thelush trumpet, rhythmically plucked ukulele and somersaulting,emotive croon of ‘Postcards From Italy’, through to the bustlingghetto sound of ‘Bratislava’. ‘Gulag Orkestar’ is abrave and passionate global mélange full of energy, beauty andmystery. 'Beautiful and disarming'-Pitchfork, 'Precocious, other-worldly and vividly ambitious'-Drowned In Sound, 'This is serious music for serious listeners'-Billboard. 4AD. 2006.

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Customer Reviews

3 Reviews
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4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
5.0 out of 5 stars Play, Orkestar!, Feb 22 2007
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: Gulag Orkestar (Audio CD)
To be honest, when I think of psychedelic bands I don't usually think of Balkan folk music. But with the release of Beirut's "Gulag Orkestar," I may have to revise my thinking.

This new band consists of teenage musician Zach Condon, along with people from Neutral Milk Hotel and A Hawk and a Hacksaw, making bittersweet folkpop and danceable marches. Imagine a band of slightly drunk gypsies on parade, and you'll have the general idea of how it sounds.

It opens slow, with a gentle piano and blaring horns. The title track meanders in circles and finally dies away... only to be reborn as a swaying march. Halfway through, Condon joins in with some mournful wails and equally mournful singing. That turns around in "Prenzluerberg," where the singing is just as melancholy, but the music is a cheerier march.

From there on, the trio tries out those styles and everything in between -- rattly folk with tambourines and horns, danceable folkpop, and tinkly klezmer music. Yes, tinkly klezmer. They get downright happy in "Scenic World," a colorful glockenspiel song that is just barely grounded by some quick violins.

After that, "Gulah Orkestar" is pretty upbeat, with a string of swaying marches and upbeat folk acoustics. The album's finale is a bit of a head-scratcher, though. "After the Curtain" is a relatively bare-bones song with Condon singing over applause and a dancing glockenspiel. I don't know how to fit that one in.

And it's a good thing Condon's musical talents are being backed by experienced musicians, so we can get a bittersweet, atmospheric taste of whatever he heard there. The main problem is that the less folky songs don't really fit in -- without them, the album would have been a lot better. But as it is, it's a remarkable achievement.

Condon has a pretty deep voice for someone so young, and he fills it with the longing and beauty that traditional singing often has. And he's assisted by some very talented musicians: Jeremy Barnes and Heather Trost, both of whom work in the psych-folk band A Hawk and a Hacksaw. So of course, they have a good ear for this sort of thing.

So how do they manage? Soundwise, it's like someone took the gypsy out of Gogol Bordello and slapped it on Neutral Milk Hotel. The songs are brimming with violins, horns, accordion, mandolin, pianos, ukeleles, glockenspiel and many others. These instruments are so smoothly blended that it sounds like at least a dozen people are playing at any one time, and that they've played this music their whole lives.

"Gulag Orkestar" is a pretty, heart-tugging album that will make you think of quaint European villages in the springtime. Definitely worth listening to, many times.
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2 of 2 people found the following review helpful
4.0 out of 5 stars A Hidden Gypsy Gem, Sep 29 2006
This review is from: Gulag Orkestar (Audio CD)
I've never reviewed anything so please have patience. I'll give you a basic, to-the-point opinion because I really want people to experience this cd if they haven't already!

I bought this album after listening to one track ("Postcards From Italy") I found on some obscure snobby music website and I am extremely glad I went with a gut instinct.

This album is the result of a now Brooklyn-based nineteen year old Zach Condon's most likely drunken adventures in Europe. He quit high school in Albuquerque at the age of sixteen and travelled the continent. Along the way somewhere, he was exposed to Balkan gypsy music and became entranced by it. When he eventually returned to the US, he began creating an album using organs, horns, violins, cellos, ukuleles, mandolins, clarinets, you name it. Adding his own unique vocal talent and with help from Neutral Milk Hotel's Jeremy Barnes and A Hawk & A Hacksaw's Heather Trost, he creatively combined the gypsy feel of Eastern European and folk music into "Gulah Orkestar". The songs on this album are both uplifting and heartbreaking at the same time. Condon's deep, haunting, mature, almost "crooning" voice will captivate you long before you realise you're swaying along to the swelling string and brass instrumentals. I, personally, think "Gulag Orkestar" would appeal to anyone who enjoys traditional and modern folk music, and music involving elaborate backing sounds/instrumentals. Fans of Jens Lekman, The Magnetic Fields, Sufjan Stevens, and possibly Devendra Banhart should definately give this one a try!
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5.0 out of 5 stars perfection, Sep 26 2010
This review is from: Gulag Orkestar (Vinyl) (LP Record)
zach condon is truly a prodigy and has really helped european folk reach closer and closer to mainstream listeners it's inspiring that music of this caliber and passion with the soul of the old world can still exist today, and i couldnt be any happier than owning it on vinyl if this music intrigues you at all i suggest you buy all of it. as most music these days is half music half image its really quite great to find pure 100% music
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