This is of course one of the most famous works of literature in the world, especially thanks to the Japanese, who realised a consistent amount of cartoons for the home-video market inspired by it.
I must say I was not very surprised by this work, as I knew from the start whre everything would go. The letter and the spirit of Gulliver's Travels are one of the most divulgated to students from primary till high school. That's why I particulartly liked the account of Laputa, which is one of the lesser known episodes (and I looked forward to it, since Italo Calvino had done a remarkable publicity for it once). Especially the Academy of Sciences of that noble country had an interesting Sadian feeling (Swift is one of those philosophic minds which delight in fustigating philosophers); plus, you could witness the explosion of a dog.
There's rather a disquieting feeling hanging around these pages. From neurotic midgets who receive rains of urine on their heads, giants with a deformed and stinking skin (not different from our own, if we could magnify it adequately, the author says), to people who after they've come home from a long voyage, prefer talking to two horses and have to hold a handkerchief in front of their nose when they're with their wives and children. Vanitas vanitatum, memento mori. No wonder Swift was an Irish clergymen. But this exposes also a difficulty in his social criticism; generally, we point towards him as a spur to reform. But, how can a work with such a deeply rooted convinction in the decline of humanity stimulate to politicalaction. rather, ity is an invitation to a stoic ideal of life, not unlike Voltaire's in "Candide".