Gutterballs (Ryan Nicholson, 2008)
I grant you, Gutterballs is only going to appeal to a limited demographic. Probably a very limited one. But for those of us who get it, Gutterballs is a fun, albeit extremely mean-spirited, romp through our nostalgic pasts, yet it does something so few movies like this even attempt, much less pull off: updating the nostalgic for a modern audience. As such, you can't really call Gutterballs simply an homage; it is more than that.
The story, as you may be able to tell from the title, takes place in a bowling alley. Time: the eighties. And I will pause here to warn you that the soundtrack to the film is dead on, especially if you lived in Canada at the time (Chilliwack were a one-hit wonder down here south of the border). If you are under the age of twenty, you will never hear that much Loverboy concentrated in one area again, but believe me, as a teenager in the mid-eighties, I can attest it's accurate. In any case, two rival teams in a tournament come to blows. There is backstory to this, and much of it seems to have to do with Steve (Trapped's Alastair Gamble), the captain of the team of what we'll call the bad guys, having previously dated Lisa (Nicholson regular Candice Lewald), who dumped him for Jamie (Finder of Lost Children's Nathan Witte). I believe he's the team captain of the team we'll call the good guys. There's nothing subtle about this, by the way; the bad guys are all jocks (save the token nerd), while the good guys are ethnically and culturally diverse. Go figure. In any case, the owner of the alley (Retardead's Dan Ellis) chases them out, telling them they can finish the tournament the next night after closing. All is well and good, save that Lisa has forgotten her purse and needs to go back in to get it. She is ambushed by Steve and his cronies and brutally raped. The next night, the teams converge on the alley to play their game as promised, but they are not alone in the bowling alley... a killer who calls himself BBK is in there with them, taking them out one by one.
First and foremost, a warning for parents (like me) who let their kids watch horror flicks: there is a gorenography scene in this flick. As in hardcore. (And no, it's not the rape scene, at least.) Be aware before letting the kiddies watch this unsupervised. You were wondering what I meant by "updated"? Yeah. I'm not sure the idea of gorenography had even occurred to anyone back in 1985. Okay, strike that. I'm positive it had, but before the advent of widespread direct-to-video, I'm not sure anyone pulled it off. I mean, think about it; horror flicks, especially during the eighties, are cesspits of nudity, sometimes bordering on the softcore. You know where they wanted to go, and these days, a few directors are doing it. Ryan Nicholson is one, and I think that had he continued on making this a serious gorenography flick, he might have come up with the best one to date. But no, it's just a single brief scene (and you know what happens to people who have sex in slasher movies).
The rest of the movie, well, it's got a lot of detractors. And they're right about everything they say. What none of them seem to understand is that everything they're ragging on is, for those of us who couldn't get enough awful eighties horror flicks back in the eighties, exactly what makes us want to watch the movie. The acting is terrible because the acting in eighties horror flicks is terrible. The score is cheesy because the scores of eighties horror films were recorded cheaply using cheap equipment. Etc. Where Nicholson spent his budget, aside from nostalgia items (you'll howl at the ball-waxer), was on the best-quality effects he could get for his buck, and they are miles beyond what you would see in, say, The Boogens or Satan's Cheerleaders (from 1982 and 1977, respectively, and having watched both in the past two weeks, I can guarantee this to be the case). That's the other part of what I meant about updating the movie.
Like I said, vertical market. But if you're in the vicinity of forty and had a love affair with bad horror movies when you were a kid--or if you still have a love affair with them--this will be right up your alley. I loved it. ***