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Most helpful customer reviews
2 of 2 people found the following review helpful
5.0 out of 5 stars
Brilliant and moving story,
By
This review is from: Habibi (Hardcover)
Coming from the author of "Blankets," the intimate story of a first love, this sprawling, 700 page epic of the Arabian desert was an unexpected departure. And it wasn't subject matter that would normally draw me in, either. But this graphic novel of a love between two child slaves left me gobsmacked. It is a truly stunning artistic achievement as well as a brilliant and moving story.This love story spans years and is set down amidst an exploration of religion, culture and language without it feeling overly didactic or at all pedantic. A combination of imagery, calligraphy, symbology and simply great characters "drawn" with a sure hand. Eisner, Harvey, Ignatz... here comes Craig Thompson again. He is on fire in this master work of art, of literature and of pure story. Can't recommend highly enough. Mild spoiler warning: the book tricked me with its opening into thinking it was a historical piece, harkening back to the days of Ali Baba and the Forty Thieves or Prince of Persia. It proved to be a modern context, reflective of our contemporary social and environmental condition. Quite a reversal of expectations, which comes on the reader gradually.
5.0 out of 5 stars
A work of art.,
By Ken McCaskill (Rossland, British Columbia Canada) - See all my reviews
This review is from: Habibi (Hardcover)
Fascinating. This is the first graphic novel I have read and I am stunned by the research that went into this work. A sometimes dreamy but unblinking mix of history and contemporary issues surround the story line, it was one of those books that you don't want to put down.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.4 out of 5 stars (75 customer reviews) 69 of 76 people found the following review helpful
5.0 out of 5 stars
Beautiful, Brutal, Poetic, Prophetic,
By J. WOFFORD "wofford" - Published on Amazon.com
This review is from: Habibi (Hardcover)
Habibi is a fable of exploitation and the cruelty of the strong toward the weak. It is a love story, though the the kind of love it celebrates--maternal, platonic, erotic--remains elusive throughout. It is also a sermon complete with hell-fire and brimstone and strident pleading about the dangers of the sin of waste. Most of all it is prophecy dressed in poetry's clothing--an artful shriek announcing of the end of the world.All of this lovely fable-telling and street-preaching comes packaged in a graphic novel. And what a novel! And how graphic! Author and artist Craig Thompson gives us pages filled with toil, tears, and blood--whether his own or someone else's is hard to say. The book is beautiful, yes. Every dot, every line tells of human longing and agony. Every panel draws your eye, delights, repulses, demands--requires your attention. Many of the pages, with their intricate arabesque patterns, must have taken endless hours for Thompson to craft. No wonder that nine years have passed since Thompson's last major work, Blankets. The drawings in Habibi are a gift, bought at a price, and it does seem a sin to refuse them. The story, too, is masterfully crafted. It tells of two urchins, Dodola and Zam, who find each other in the mire of the Arab slave trade. Dodola survives by prostitution and wit, nurturing and protecting Zam until he, too, begins to yearn for her body. Their journey through the filth of a decaying world, through magic and old lore, and through their own damaged souls proves constantly engrossing. Thompson is not always the most elegant of writers. Sometimes the voice of the preacher oppresses Dodola's more underspoken narration. "Zam was soothed by stories," she explains early in the book. "He didn't realize the precipitation was acid rain," the narrator continues in an apparent non-sequitur, and now Dodola's voice has been lost. Thompson's urge to make explicit the symbolism between his characters' world and our own sometimes gets the better of him. "When the world is on its last breath," Dodola opines, "the masses will need something to distract them from the destruction--and my body will still be a commodity." Are these really the thoughts of an isolated sex-slave hidden away in an almost medieval modern Arabia? These narrative oversteps betray a lack of faith in either the story or the reader to draw the connections without commentary. Fortunately these oversteps are few, and the tale is always compelling even at those moments when the text is not. Thompson has given us the finest graphic novel of the past decade, and I will not be surprised, fifty years from now, to see it well-established in the literary harem of university English courses. (I don't think it will be studied in high schools--hardly a page passes without nudity or brutality.) Whether or not this book helps move the world to conviction and repentance, it will endure as a work of art. Habibi is that rare thing--that most literary of things--a pleasure that is also good for you. 27 of 31 people found the following review helpful
5.0 out of 5 stars
A masterpiece for mature readers,
By Kevin Taylor - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Habibi (Hardcover)
Craig Thompson's Blankets is one of my all time favorite novels, so it is not surprising that I was waiting in anticipation for this book, and it does not disappoint.If Blankets was a comforting quilt constructed from unrequited love and childhood innocence then Habibi is a tapestry; exotic, richly decorated and replete with signs and symbols easily understood but not always fully comprehended. It is also immense, even though it is only 100 pages or so lengthier than blankets the entire size and scope of the story seems exponentially larger. It is a MATURE graphic novel in that it deals with themes, which would be difficult to grapple in any medium, such as abandonment, sexual slavery, prejudice etc but always with a sensitivity and understanding which belies the notion that graphic novels are simply long-form comics. The usual poor reviews on account of the sex, violence and nudity are, I'm sure, inevitable. There is sex, violence and nudity but it is not gratuitous, it is employed to advance the story or develop the characters- still if you have overtly susceptible sensibilities then perhaps this book should be avoided. The plot is complex and meandering and not succinctly summarized, in tone it has much in common with the magical-realism form of writing- it is compelling and it is likely that, despite the length of the story, most readers will finish the book in only a few days. It also makes a great argument for the printed form; when you hold it in your hands you feel like you are holding an extraordinary tome, it is beautifully bound with tasteful gold lettering and the tactile sensation of turning these ornately decorated pages is not something which could be easily approximated in the digital format 68 of 88 people found the following review helpful
2.0 out of 5 stars
A Waste....,
By Syed Aman Qadri - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Habibi (Hardcover)
All of the reviews here are glowing about the artwork in the book, and I fully second this commendation, especially for those who are not familiar with Arabic calligraphy. Thompson has clearly studied his calligraphy thoroughly and he weaves a beautifully-illustrated tale that doesn't falter in quality when moving from barren landscape to medieval middle east to sprawling urban. He also has clearly done his homework when it comes to Islam and Arab culture making allusion to appropriate Islamic cognates of Jewish or Christian stories or historical events. Unfortunately, I'm not entirely sure what the point was, other than to show off his newly accumulated knowledge. Many of the stories are referenced at haphazard times, and seem forced as story-movers and context-givers. Indeed, their very reference seems a contrived attempt to indulge the stereotype of the oral tradition in the Middle East and enhance the ethnic flavor of the book. Thompson also makes copious use of Arabian Night-sensuality to move the story forward, a feature that isn't presented in any novel fashion and feels more than a little trite. The love story between Dodola and Zam, the two main characters, is well-done and touching, even if spruced up too gaudily with Arab/Islamic dressing. I was excited when I initially heard of this book, hoping it to be a great modern retelling of some Arabian Night stories. However, in the end, I think Thompson tries to do too much, melding religious mythology, various middle-east history, a sweeping love story, and a reflection on industry in one story and the result ends up being a drawn-out mixed bag.
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