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Hades' Daughter
  

Hades' Daughter [Paperback]

Sara Douglass
3.0 out of 5 stars  See all reviews (27 customer reviews)

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In the ancient world, Crete is not the only land with a Labyrinth at its heart. Labyrinth magic protects Troy and the Greek city-states, as well. Then Theseus steals away Ariadne, Mistress of the Cretan Labyrinth, who for love of him betrayed her own father. But Theseus abandons Ariadne for her sister, and in revenge, Ariadne unweaves the magic of all the world's remaining Labyrinths, unleashing an age of catastrophe. The gods weaken, Atlantis sinks, and Troy falls. Then Brutus, the warrior king of lost Troy, is promised a new Troy and a new Labyrinth if he carries out the destructive will of a mysterious, beautiful figure who appears to him in visions. But is she the goddess Artemis, as she claims, or a vengeful woman who has abandoned both mortality and mercy?

Hades' Daughter is a dark, bloody epic of power, passion, and betrayal. The opening is bumpy--which is no surprise, for the early events range from Theseus's treachery to the fall of Troy and beyond. The prose and pacing become smoother as the saga focuses on Brutus and the princess Cornelia, whose father Brutus killed and whose city he destroyed. Brutus takes Cornelia as his wife with as horrible an act as possible, short of death. Nonetheless, a relationship grows between them. Unfortunately, given their extremely rocky start, it's never clear why Cornelia undergoes a change of heart, but this self-contained first novel of a new trilogy will appeal to some fans of high fantasy, historical fantasy, and those who enjoy Greek and British legends. --Cynthia Ward --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

In this dazzling start to a new trilogy, Australian author Douglass (StarMan) once again combines mythology, fantasy, magic and romance to produce a consistent, well-rounded story full of seriously flawed characters both abhorrently evil and enthrallingly empathetic. Ariadne, daughter of the Minoan king of Crete and Mistress of the Labyrinth, has betrayed her family for the sake of her lover, Theseus. When Theseus deserts her after she gives birth to a girl, Ariadne spits out a curse ("No one abandons the Mistress of the Labyrinth!... Not you, nor any part of your world!") that sets in motion a twisting, turning plot that centers a century later on Troy and the efforts of Brutus, the leader of that fallen city, to regain his kingdom. Brutus has already murdered his father to clear his path to the throne, and when an opportunity to seize another kingdom presents itself, he grabs it with no thought to the consequences. Ariadne, now in the form of Genvissa of Llangarlia, uses Brutus's greed and self-confidence to take another step forward in her revenge-a revenge that involves renewing "the Game" and the Labyrinth at its heart. The deliciously despicable main characters all play their part in the Game and in the making or breaking of the Labyrinth, leading to many unintended results. Douglass continually surprises, and readers will eagerly await the next two books, which promise to carry the action up to modern-day London. FYI: The author has won two Aurealis Awards.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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First Sentence
Confused, numbed, her mind refusing to accept what Theseus demanded, Ariadne stumbled in the sand, sinking to her knees with a sound that was half sigh, half sob. Read the first page
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Customer Reviews

27 Reviews
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3.0 out of 5 stars (27 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
1.0 out of 5 stars The worst book I've ever read, Jan 11 2004
By 
Ashley Megan "amazonfox" (Vernon, CT United States) - See all my reviews
This is easily the worst book I have read in a long, long time. What a mess this confusing jumble of pseudo-history, pseudo-feminist, pseudo-dark fantasy novel is - or should I say pseudo-novel? And what a disappointment from Sara Douglass, whose "Wayfarer Redemption" series I actually admired.

I honestly don't know where to start. How about with the characters, not a single one of which is likable or admirable in any way. Each one is invariably one or more of the following: cruel, shallow, power-mad, spoiled, self-centered, whining, manipulative, duplicitous, and vindictive. Brutus, the male "protagonist", rapes his 15-year-old wife Cornelia on their wedding night, smacks her around repeatedly (including once while she is in labor with their son), and cheats on her with Genvissa, a blasphemous priestess who has sucked dry her own goddess in her lust for power. Lovely. We're supposed to feel OK about this, because Cornelia forgives him and moons around after him regardless. Oh yeah, she's an inspiring heroine for women everywhere.

Then there's the plot, such as it is, a jumbled mish-mash of Greek and pre-Celtic mythological references used to support an utterly transparent and preposterous storyline that involves a disinherited patricidal Trojan (Brutus) and a spoiled and self-centered Greek princess (Cornelia) who travel to what will eventually become Britain to establish a new Troy. They're led there by Genvissa, an evil Llangarlian priestess (Llangarlia must be the silliest fantasy name I've yet to encounter) who wants access to the power Brutus wields over the Troy Game, an all-but-extinct form of labyrinth magic. Intrigued yet? Oh wait, there's more. Fathers rape daughters, sons kill mothers (and those are the *good* guys), and there is quite possibly the most disgusting and graphic miscarriage scene I have ever read. (No one who has ever given birth, or ever intends to, should read this scene. Do the words "ruptured placenta" mean anything to you?)

I don't mind characters that are a mix of good and bad; Douglass' previous hero, Axis, did some pretty crappy things while he was saving the world and didn't feel too darn bad about it. But there's a difference between a character who starts flawed and has to redeem themselves, or one who has to do some rotten things for the greater good, and a character who's just a jerk. I literally wanted to wash my hands when I set this book down. Don't waste the money.

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2.0 out of 5 stars Interesting premise undermined by annoying characters., July 13 2004
I have mixed feelings about this book. On the one hand, I liked it enough to finish it and to probably read the next volume in the trilogy. On the other hand, there were times that I couldn't wait to be done with it and move on to something better.

I'll not summarize the plot here, except to say that "Hades' Daughter" is a historical fantasy built around the relationship of three antagonistic major characters and one villain. The three antagonists also form a romantic triangle, of sorts. The heroine has a love/hate relationship with the hero, who is in love with the third. There are enough hints given by Douglass that the hero and heroine really should be together, but one or the other always manages to say or do the wrong thing and make the other mad. At times, reading the book was like watching a soap opera where you want to figuratively bash the lead characters over the head because they're making so many dumb mistakes.

Frankly, I didn't find any of the three major characters particularly likeable. Brutus, the hero, is best described by his name--brutal. He conquers the heroine's father's kingdom, forces her into marriage and rapes her, and then obsesses about another woman. Why Cornelia, the heroine, would ever care about him is beyond me, but she does. Genvissa, her rival, is manipulative and power-hungary. There were other minor characters that were more likable, but for me, the unpleasantness of the main characters destroyed much of the book's pleasure.

That's a shame, because in many ways I like the way Douglass writes. She has the ability write long, involving stories with interesting motifs. The idea of magical mazes underlying cities is an intriguing one, for example, and Douglass can move a narrative along with good descriptions. I also liked the idea of the same characters interacting again and again in different lives. In the end, I'll probably read the next volume, but I'll wait for the paperback.

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1.0 out of 5 stars Not so good., Mar 25 2004
By A Customer
This book is the reason I will never buy Sara Douglass in hardcover ever again. With her Wayfarer Redemption series I actually enjoyed it enough to order the rest of the 5 online from England in order to not wait on US publication. However, this book had no characters I could empathize with though I did finish it. I might buy the sequel in paperback if there's nothing else good out.
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