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3 of 3 people found the following review helpful
5.0 out of 5 stars
The Architecture of the Spirit, May 7 2002
This review is from: Hamlet's Mill (Paperback)
I've been reading and re-reading this book for over twentyfive years. My first reading inspired the work I've been doing ever since. Everyone, including me agrees, that it's not an easy book to read. It's written in a style that's not interested in accommodating the instant gratification reader. It's full of scholarship of the old kind, erudite, witty and demanding. It's also a subject for which, as the authors say, there is no map- 'From whichever way one enters it, one is caught in the same bewildering circular complexity'. You've got to bring your whole mind to it. But it's just beautiful; the authors take delight in their erudition as much as they do in debunking their fellow academics, at the same time celebrating those figures from the past who knew what was afoot. What inspired me most was the idea that what we'd been lead to believe were the flights of fancy of a primitive people living in ignorance, or the revelations of supernatural beings, (ie myths) were in fact the creation of profoundly human intelligences searching for meaning in their experience. What they discerned in the process was not only the patterns of the universe but also how those patterns were reflected in their own minds. Hamlet's Mill introduces us to the possibility of hearing the echoes of those ancient minds, and to understanding the profound influence that their insights have had on our spiritual lives. If you, like the authors, suspect, or are prepared to consider, that Plato has more to tell us about myth than psychology does, or if you think that somehow art and science are the same thing, then you should try this book; if it gets a hold of you, it will never let go; if it doesn't, you'll consider the authors tendentious and overbearing, and you'll miss the revolution in thought it offers: it's not everyone's cup of tea. The anthropologist Levi-Strauss called myth 'the Architecture of the Spirit'; this book was the first attempt to describe the grammar of that architecture. Other authors since have used the revelations of this book to pursue ideas about variuos esoteric events in history. What distinguishes this book is that, for all its focus on the starry sky, it remains firmly rooted in humanity. Someone should make a proper index though!
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2 of 2 people found the following review helpful
3.0 out of 5 stars
Interesting compendium, flawed synthesis, Jan 12 2004
By A Customer
This review is from: Hamlet's Mill (Paperback)
Hamlet's Mill is a lot of fun, but it is unfortunately flawed by the authors' insistence on seeing disparate myths as a coherent story rather than a set of stories that were created at different times and places and later became incorporated into more elaborate constructs. The "Hamlet story" seems to be a blend, or should I say blends, of very archaic myths concerning such things as a cosmic snake and a world tree, shamanistic beliefs in rebirth, renewal, and return, Middle Eastern astronomical musings on the wanderings of the ecliptic, and an early Indo-European myth of murder and a beer brewing vat that somehow turned into an ocean brewing vat. This last story underwent some remarkable transformations. Taken to India, it lost its beery associations and became a story about the churning of the Sea of Milk, though not before giving rise to a Taiwanese tale of a salt mill in the ocean. Taken to Scandinavia, it turned into a remarkable poetic essay on geological uniformism and a world mill that grinds out both fertile soil and sea salt, and from there into a Finnish tale about what seems to be a late Medieval mechanical gizmo of cranks and cogwheels. Taken to Britain, it finally turned into the Holy Grail. The fact that these different stories came from such diverse backgrounds is significant, because it raises a cautionary flag against trying to read too much into the fact that the same "story" can contain such diverse furniture as a wicked uncle, a starry sandal lost while crossing a stream, a dragon guarding an eastern tree, a fatal fall of snow and hail in a mountain pass, and a ship ferrying a set of cosmic weights and measures from Canopus to the ancient Uruk of Gilgamish. Hamlet's Mill is more of a starting point than a solution. At one point, the authors observe that, as soon as classical Greece comes into view, scholars have a way of thinking that everything is "explained", but then they themselves proceed to make the same mistake with regard to Mesopotamia. But, that much being said, Hamlet's Mill does introduce the reader to some fascinating strands of mythology.
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2 of 2 people found the following review helpful
5.0 out of 5 stars
The Science of the Ancients Uncovered!, Feb 19 2001
This review is from: Hamlet's Mill (Paperback)
The basic premise of the book ("essay") _Hamlet's Mill_ is that the myth of Hamlet (and its variants) and in general all the ancient myths can be interpreted as a code language expressing the astronomical knowledge of precession of the equinoxes among ancient cultures. The idea is that the archetype of the "mill" represents the heavens above and that by a mixing of the mill is meant the stirring of the heavens. The passing of the earth from the Age of Aries (the ram) to the Age of Pisces (the fish) in ancient times is determined to be a highly significant psychological event for "primitive" man. It is imagined that primitive man, gazing up at the night sky, was completely and utterly mystified. The paths of the stars and of those roaming stars - the planets - would have served as a source of astoundment for the primitive. In this way, the science of astronomy veiled beneath its pseudo-scientific cousin astrology was given birth to. The important thing to realize is that man's life here on earth is influenced much by psychological forces played out in the heavens. And, by this is meant that the heavens (and what occurs up there) can serve as portents of imminent doom. To the primitive, these astronomical occurrences must have given rise to indescribable emotions. These serve as a guide in understanding the primitive mythologies. Thus, myth is taken to be based on an astronomical (astrological) foundation. And, with the heralding in of new world ages, the psyche of man is greatly affected. Events taking place in the heavens served a special purpose to the primitive individual. By following the paths of the stars and planets in the sky as they trace out their motions, primitive man was able to briefly observe a small cross-section of the workings of the entire universe. By following along these lines, the primitive individual was capable of projecting the heavenly occurrences onto earthly matters. In this manner, the heavens were mirrored by the daily, mundane earthly events, and this gave rise to myth. To the ancients, the myth represented the corridor between man and the heavenly entities above. By traveling through this corridor, man was enabled to observe the world as it really is, in all its mystery. Consider the primitive stranded in a world in which he does not understand; in fact, one in which he is incapable of understanding, the daily flux of events as they unwind from the cosmic thread. The playing out of these cosmic events was of enormous significance. Imagine now gazing up at the night sky tens of thousands of years ago, awestruck with wonder. Then, the cryptic message of that enormous cryptogram must play an enormous role in the lives of the ancient individual. And, remember, that to the ancient, the primitive sky is available for all to observe (not just a select few). But, it was only those select, initiated few who were fully aware of these cosmic events. To the early Hebrew, the heavens were of especial significance. To these people, the heavens marked the location of the Kingdom of God (the one God). The advent of the monotheistic religion of the early Hebrew marked an enormous event in the history of mankind. The philosophical significance of this realization of a single deity is immense. By following along these lines, one can realize the great importance that the heavens must have had for the early diletante in monotheism. These "primitive" individuals gave birth to one of the greatest motivating factors of the modern era. To the ancient Hebrew, the word of the one God was recorded in the Torah, the Law of Moses. This marked the beginning of the Age of Aries, as demonstrated in the classical scene with the worshipping of the golden calf. This biblical scene illustrates the fall of the Age of Taurus and the progression into the Age of Aries. The molten, golden calf is a representation of the bull, Taurus. And, the God of Moses demands that those worshipping the calf must suffer for their misdeeds. Later, the birth of Jesus Christ is signified by a brilliant star in the sky (the Star of Bethlehem). What exactly this really is intended to be is obscure. However, notice that Jesus Christ is represented by the fish (pisces) and so his era is associated with the Age of the Fish. To the ancients, the heavens represented a vast virtual playground upon which the course of history was plotted out. The cryptological significance of this is mindboggling to the modern man, who views ancient man as primitive in both technological advancement and intelligence. The idea that ancient man could have possessed a capable intellect full of the mirth of the intellectual (semiotical) cryptogram is anathema to the modern man. The mere suggestion of this is considered absurd. However, the question that the discerning modern individual must ask is how absurd is it and why should one not attempt to fully appreciate all the events and their significances that have lead up to the psychological and mental development of modern man. Beneath the carpet of modern bias is an historical mystery of vast import awaiting a solution. An attempted solution to this historical puzzle is presented here.
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