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The Hard Facts of the Grimms' Fairy Tales [Hardcover]

Maria Tatar
4.0 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

November 1987
"Tatar's main concern is with the enduring hold of the tales on children's imaginations. Why should they enjoy stories about other children sent out to die in a wood, or being victimized by cruel stepmothers, or given impossible tasks to perform, and (if female) forced to marry frogs or bears? . . . The Hard Facts of the Grimms' Fairy Tales--related in language that is sharp, lively, and free of jargon--is delightful evidence that Grimm scholarship can give pleasure to the general reader." --Janet Adam Smith, New York Review of Books "For scholars, students, and general readers, Tatar's book is a balanced, sensitive, and informative guide to the content and context of Grimms' fairy tales." --Merle Rubin, The Christian Science Monitor " . . . intelligently eclectic and refreshingly commonsensical, a thoughtful ramble through the dark childhood woods that haunt our adult dreams."--Carl Maves, San Francisco Chronicle

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Product Description

From Publishers Weekly

This erudite, cogent perusal of Wilhelm and Jacob Grimm's Nursery and Household Tales is, for the most part, accessible to a lay audience. Tatar charts the evolution of the tales through manuscript form and the various editions, and offers what she maintains is the first complete English translation of the prefaces to the first and second editions. The Grimms abandoned a scholarly effort to salvage pure remnants of folk poetry, advances Tatar, and "with each new edition, the tales veered more sharply away from the rough-hewn simplicity of their first versions to a sanitized and stylized literary form that proved attractive to both parents and children." She demonstrates how the Grimms purged the collection of references to sexuality and incestuous desire but intensified violence, particularly when it took the form of revenge. In opposition to child psychologist Bruno Bettelheim, Tatar warns that some cautionary tales may instill fear, rather than confidence, in children; regarding "Bluebeard," she faults Bettelheim for turning a tale depicting the most brutal kind of serial murders into a story about idle female curiosity and duplicity. Tatar (Spellbound: Studies on Mesmerism and Literature) chairs the German literature department at Harvard University. Illustrated.
Copyright 1987 Reed Business Information, Inc.

From Library Journal

Tatar brings into focus both familiar and not-so-familiar fairy tales as she by highlighting a number of important areas: the genesis and editorial history of the tales as they evolved from folk material to children's stories; interpretive approaches; nature and structure; the humble, fearless hero and humbled, hard-working heroine; villains; and, briefly, revenge. Her observations are unburdened by Marxist, psychoanalytical, or pedagogical biases, instead resting on sound and thorough scholarship and careful reading and comparison of texts. The absence of a bibliography is lamentable but should not prevent acquisition of this exceptional study by every library with a fairy tale collection. Patricia Dooley, formerly with Drexel Univ., Philadelphia
Copyright 1988 Reed Business Information, Inc.

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First Sentence
FOR MANY ADULTS, reading through an unexpurgated edition of the Grimms' collection of tales can be an eye-opening experience. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

4.0 out of 5 stars
4.0 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars close look at the uncensored tales Jan 19 2003
Format:Paperback
It was really interesting to find out about how the Grimm's collection was put together and how it was rewritten. I was surprised to read that the Grimms added violence in order to make the stories more parent-friendly--I guess parents in those days really believed that punishments would produce virtue. Loved the stories at the end, which are pretty hair-raising.
I was surprised to learn that these stories went so far back in time and that they were originally for adults.
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3.0 out of 5 stars The Riddles Of Classic Fairy Tales April 7 2004
Format:Paperback
I have read several of Maria Tatar's books for critical fairy tales analysis.
The book is lush with beautiful drawings and the writing style is acutely very good, and very easy to read, and understand.
However, I just really wasn't impressed because I had known most of the information that was presented in thisvolume.
I acutely would recommend her novel The Annotated Classic Fairy Tales and her up coming book The Annotated Brothers Grimm ( this also looks very interesting. )
The Hard Facts of the Grimms' Fairy Tales ( to me at least. ) Would be a good starter point for someone who really wants to know the truth about fairy tales.
More recommend for new comers who want's great art work and something easy to read.
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4.0 out of 5 stars A Educational Dive into Grimm Aug 2 2000
Format:Paperback
I can't say how long getting this book as been on my mind. I'd tell my friends about this book I've seen, and we'd all giggle, unsure of what it actually was about. Seriously, I thought it was just some lady bashing fairy tales and digging up all the dirt on them.

Well, it's certainly the latter, but nothing was bashed. Tatar obviously has done a lot of research in creating this book. Many venerable references were used. Tatar dives into the world of fairy tales; their history, their content, the truth behind them. It is fascinating. I've been aware of some X-rated material behind Disney's works, but my eyes were still opened at the horrors hidden. Now I KNOW why all the *step*-mothers were jealous of the beautiful daughters.

A delightful addition were the several tales and prefaces at the back of the book.

"The Hard Facts of Grimm's Fairy Tales" is an fascinating, educational book for any student or lover of fairy tales. My one qualm is how Tatar seemed to be doing some name-calling and finger-pointing in several incidents. An unbiased approach would have been better.

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