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Hare With Amber Eyes
 
 

Hare With Amber Eyes [Hardcover]

Edmund Dewaal
4.0 out of 5 stars  See all reviews (3 customer reviews)

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"A family memoir written with a grace and modesty that almost belie the sweep of its contents: Proust, Rilke, Japanese art, the rue de Monceau, Vienna during the Second World War. The most enchanting history lesson imaginable." --"The New Yorker"

"An extraordinary history...A wondrous book, as lustrous and exquisitely crafted as the netsuke at its heart." --"The" Christian Science Monitor""

"A lovely, gripping book." --"The Wall Street Journal"

"Enthralling . . . [de Waal's] essayistic exploration of his family's past pointedly avoids any sentimentality . . . "The Hare with Amber Eyes "belongs on the same shelf with Vladimir Nabokov's "Speak, Memory."" --Michael Dirda, "The Washington Post Book World""This is a book Sebald would have loved." --"The Irish Times"

"At one level [Edmund de Waal] writes in vivid detail of how the fortunes were used to establish the Ephrussis' lavish lives and high positions in Paris and Vienna society. And, as Jews, of their vulnerability: the P --This text refers to an alternate Hardcover edition.

Book Description

The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.

The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.

The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.

Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.

The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.

In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.


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4.0 out of 5 stars (3 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful
5.0 out of 5 stars Masterpiece indeed - all about a a collection of connections, Sep 18 2011
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I read it myself, loved it, lived in it and couldn't put it down - so sent it as a birthday present to my 'daughter-out-law in Toronto. Haven't heard yet whether she is as enthralled by it as I was - and still am. But she darn well should be!

I bought my first copy in a a London (UK) book shop offering a 2-for-1. Made my first choice and scanned the rows for my 'bargain'. I spotted The Hare with Amber Eyes and remembered I'd read something about it, couldn't remember the review and short of time, picked it up.

What happenstance! This eloquently written, absorbing and unique family history with its complex relationships combines an eye-opening account of the horrors and dreadful depredations of the Jewish people by the Nazis. But it takes no shortcuts on the structuring of a Jewish family rising from not-quite rags to unimaginable wealth - and the means by which this is achieved.

This is a book written with considerable charm, insight and more than anything else, absolute truth.

I gave my first copy to a friend and now have another - read it and reread it again and again. A masterpiece like no other.
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7 of 8 people found the following review helpful
5.0 out of 5 stars The best book i have read in ages, Mar 12 2011
This book has it all:history, scenery, art, emotions, subtlety, great writing, and all this from a man who is a well known potter but not a writer.
I highly recommand it; you are in for a treat!
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1 of 1 people found the following review helpful
2.0 out of 5 stars bitter disappointment, Mar 31 2012
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The Hare With Amber Eyes begins so well and promises so much that when it fails, it leaves the reader feeling rather queasy. The problem is so obvious, and so easily fixed, that you wonder why some strong-willed editor didn't tell Edmund De Waal that he was systematically wrecking his own book and that by changing his approach, he might have produced an enduring classic.
The problem is De Waal himself: he is everywhere, in what is a remarkable account of 264 Japanese netsuke on their winding, sometimes tragic path from Japan to a niche in De Waal's own home in England. A world-famous ceramicist, De Waal is too precious by half and he can't stop pausing, often at length, to analyze his own reactions to everything he sees. That tendency, combined with his grating use of the present tense, will have readers gritting their teeth and wanting to re-edit it for themselves.
The book begins with its strongest section, on the Paris of Marcel Proust, Edgar Degas and De Waal's own ancestor, the fabulously wealthy collector Charles Ephrussi. It is strong again on the horrors inflicted on other members of the extended family in Vienna during both world wars. De Waal offers a real, horrid sense of what it was like when the Nazis first took over Vienna in 1938: no one in the Jewish Ephrussi family is sent to the camps, and yet we have a stronger sense of the fear and chaos of the time than we get from more graphic descriptions of the holocaust.
Unfortunately, De Waal just can't stop himself. He has to repeatedly stop and ask himself how he is reacting to his own discoveries, to the point that where you begin by liking him as a narrator, by the end of the book, you want to ask him to please just shut up. This is especially true in the last, brief section, set in Odessa, by which point you'll likely be skimming along and trying to resist the temptation to toss the book in the fire. After recommending the book to several friends while still reading the first section, I had to get in touch with all of them again to suggest, in the strongest possible manner, that they avoid the temptation to read a book that should have been so very much better than it is.
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