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The fifth book in J.K. Rowling's Harry Potter series follows the darkest year yet for our young wizard, who finds himself knocked down a peg or three after the events of last year. Somehow, over the summer, gossip (usually traced back to the magic world's newspaper, the Daily Prophet) has turned Harry's tragic and heroic encounter with Voldemort at the Triwizard Tournament into an excuse to ridicule and discount the teen. Even Professor Dumbledore, headmaster of the school, has come under scrutiny by the Ministry of Magic, which refuses to officially acknowledge the terrifying truth: that Voldemort is back. Enter a particularly loathsome new character: the toad-like and simpering ("hem, hem") Dolores Umbridge, senior undersecretary to the Minister of Magic, who takes over the vacant position of Defense Against Dark Arts teacher--and in no time manages to become the High Inquisitor of Hogwarts, as well. Life isn't getting any easier for Harry Potter. With an overwhelming course load as the fifth years prepare for their Ordinary Wizarding Levels examinations (O.W.L.s), devastating changes in the Gryffindor Quidditch team lineup, vivid dreams about long hallways and closed doors, and increasing pain in his lightning-shaped scar, Harry's resilience is sorely tested.
Harry Potter and the Order of the Phoenix, more than any of the four previous novels in the series, is a coming-of-age story. Harry faces the thorny transition into adulthood, when adult heroes are revealed to be fallible, and matters that seemed black and white suddenly come out in shades of gray. Gone is the wide-eyed innocent, the whiz kid of Philosopher's Stone. Here we have an adolescent who's sometimes sullen, often confused (especially about girls), and always self-questioning. Confronting death again, as well as a startling prophecy, Harry ends his year at Hogwarts exhausted and pensive. Readers, on the other hand, will be energized as they enter yet again the long waiting period for the next title in the marvelous, magical series. (Ages 9 and older) --Emilie Coulter
The smoothness of the previous books has also diminished somewhat; you can almost hear Rowling's labored breathing as struggled trying to add suspense to the scene when the big lummox gets whacked.
The dialogue is often very stilted, and this was alarming to me. You'll notice it too, particuarly when Hermione is speaking. I hope Rowling didn't think she was writing a film script.
Maybe the biggest problem is the lack of focus. The story goes off on several tangents, as usual, but unlike in the past, the "side-quests" as it were, are not integral to the story. This accounts for the bloated page-count. There was a lot of extraneous stuff going on.
Maybe the most interesting thing is the new role of the house elves and how they will affect the fight with ole Voldie.
Overall, OotP just isn't smooth. The thing about the series is that the writing has been so clean, so unfettered, that the reader became entire immersed. Now, too must of the story is throwaway tripe, stuff that should have been edited out or saved for the next book; God knows Rowling will need some ideas. There is some new stuff, but none of it is terribly interesting, barely enough to justify forcing 900-odd pages on readers. The only reason you should read this is if you've read the others books or plan to. In fact, if you even plan to read the others, don't even pick up this book. Don't even read the jacket. You'll be turned off from the series. This is easily the weakest book, style and content-wise. That shouldn't be surprising. Rowling did show signs of weakness when she repeatedly delayed the release date. The desperation shows in this book all too clearly. I only hope she can recover.