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Following his demise, the aristocratic Henry Van Cleve (Ameche), having no hope of Paradise, betakes himself "where all his life so many people had told him to go." Hell, or at least its antechamber, would appear to be a luxury hotel in neoclassical mode, and--this is a Lubitsch movie, after all--His Satanic Excellency (Laird Cregar) is a perfect gentleman and the most gracious of hosts. To establish his credentials for spending eternity there, Henry begins to narrate a life which, though lacking any notable crimes, "has been one continuous misdemeanor."
Centered in a Fifth Avenue mansion left over from 19th-century New York, the film is Lubitsch and writing partner Samson Raphaelson's valentine to "an age that has vanished, when it was possible to live for the charm of living." Spanning more than half a century, it chronicles the high points of Henry's life so delicately that--in a variation on the strategies of Lubitsch-Raphaelson's risque '30s classics--it leaves some of them entirely offscreen, their emotional impact measured by what the characters feel and say about them afterward. We'll leave it to you to find out what they are. Suffice it to say that Ameche and Gene Tierney--as Martha, the love of Henry's life--give performances far subtler than anything else in their Fox contract-player careers, and there are sublime opportunities for those peerless character actors Charles Coburn, Eugene Pallette, and Marjorie Main. --Richard T. Jameson
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Most helpful customer reviews
3.0 out of 5 stars
FORTIES LUBITSCH,
This review is from: Heaven Can Wait (VHS Tape)
I finally viewed this film after meaning to for years and I was a little disappointed. I felt that it contained passable but uninspired performances from the leads, and the Technicolor itself seemed gaudy. The supporting cast seemed more effective with Laird Cregar as Lucifer himself (he was great) plus the hilarious Marjorie Main and gruff Eugene Pallette as Gene's parents. I think that it was my subconscious comparing this work with the Lubitsch gems of the thirties. By 1943, his touch seemed a little outdated, therefore this little flick was just a tad disappointing (to me anyway).
3.0 out of 5 stars
Lubitch's film makes adultery acceptable and even cute!,
By taxi8C40@aol.com opr Marty (New York, NY) - See all my reviews
This review is from: Heaven Can Wait (VHS Tape)
Heaven Can Wait can be viewed as the director's attempt to introduce a "Lubitch touch" of sophisticated European sexual morality and attitude into the uptight moral structure that ruled Hollywood films in the 1940s. Lubitch came from a world where sexual relationships were based on "laisons dangereux," games, and loose sensual connections which evoke the court romances of Versailles in the reign of Louis IV. Armed with this attitude, Lubitch took on this film with a passion because here was material that was truly his cup of tea--a handsome, sophisticated gentleman who can't say No to the ladies from his earliest teenage years to his old age. In fact, Henry van Cleve is clearly a philanderer, a womanizer and a cheat! His wife realizes this early in their marriage and wants a divorce, but is convinced by her sweet-talking husband to "stand by her man." In fact Mrs. van Cleve is well aware of his habits and accepts them with a quiet and chuckling acceptance--and continues to do so until she dies conveniently off-stage. Strangely, she feels that her husband is finally hers when she notices he has a "little tummy." Of course, Mr. V continues his lecherous ways until the very moment of his demise which the audience is led to believe was brought on by the pretty blonde nurse who enters his sick room. Lubitch's moral position is strange indeed for a 40s Hollywood film. Through the character of the Excellency, he literally excuses or absolves the husband from his marital vow to stay true to his wife. He accomplishes this by having the husband continually announce his undying love for his spouse--and having the wife believe it!.Viewed from one angle, Lubitch seems to be saying that in the end it is the love of husband and wife that really counts. But I see it rather as Lubitch's sophisticated European approach to sex where "Love (all Love) Conquers All."
1 of 2 people found the following review helpful
3.0 out of 5 stars
Film Has Style But Little Substance,
By "tierneyfan" (New York, NY United States) - See all my reviews
This review is from: Heaven Can Wait (VHS Tape)
What was the point of the film? That adultery is forgivable and one can actually end up in heaven? The film lacks the wit of earlier Lubitsch films such as "Shop Around the Corner". It's way too talky and lacks action. For example, viewers would've sympathized with Martha the scorned wife more had the film shown her witnessing her husband's infidelity. Don Ameche is competent as the lead but lacks the spark and roguish charm the role requires. I found it hard to believe women would find him irresistable and that his wife would want to stay married to him. This film could've eliminated several scenes not quite pertinent to its story, which dilutes the impact of the storyline. Don't buy this film. Rent it first.
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