- Paperback: 112 pages
- Publisher: GROVE/ATLANTIC (Jun 1 2001)
- Language: English
- ISBN-10: 0802138063
- ISBN-13: 978-0802138064
- Product Dimensions: 20.8 x 14 x 1 cm
- Shipping Weight: 159 g
- Average Customer Review: 4.0 out of 5 stars See all reviews (9 customer reviews)
- Amazon Bestsellers Rank: #309,317 in Books (See Top 100 in Books)
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Product Details |
Product Description
From School Library Journal
Grade 9 Up-Ibsen's classic is well served by the talents of Juliet Stevenson and seven other British actors, all veterans of the Royal Shakespeare Company, stage, and film. With excellent diction and generally convincing emotion, the polished cast conveys the dark despair that touches everyone in the play, and eventually overwhelms Hedda. Brief, but pleasant music gently marks the end of each act, and sound quality is good throughout. Exceptionally complete liner notes make it easy to find a specific track, and there's plenty of playbill-style information about the performers and the play. While this recordings is not a must buy, it will be a helpful audio component to classes studying the work of Norway's great 19th century playwright.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
Juliet Stevenson inhabits the title Femme Fatale with such conviction that even a lesser supporting cast would have to rise to the occasion. But the cast here is first-rate as is the insightful and resonant direction by John Tydeman, retired head of BBC Radio Drama. Not only has he made this intense stage play perfectly intelligible for audio, but he delivers the most engrossing HEDDA this reviewer has encountered in any medium. The intelligent, spirited, and self-absorbed Hedda has a dull but devoted husband, an ardent ex-lover, and a lecherous old judge hanging around her. Her manipulations, instigated largely to spark her uninspiring existence, result in a tragically untragic shooting and her own virtual enslavement. Ibsen's masterful, flawlessly constructed character study, though written to reflect rural Norway of the 1880s, seems vividly contemporary. Here are characters we either know or hope never to meet--far more fascinating and real than any of the Carringtons or Ewings. Y.R. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.
Inside This Book
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First Sentence
A large drawing room. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
A large drawing room. Read the first page
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Concordance
Browse Sample PagesConcordance
Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews
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Most helpful customer reviews
5.0 out of 5 stars
Best translation for stage,
By Didi (Sweet Briar, VA) - See all my reviews
This review is from: Hedda Gabler (Paperback)
From the view of a Theater major, this translation and adaptation of Henrik Ibsen's 'Hedda Gabler' allows an audience (and a reader, for that matter) to follow all the intricate little jokes and personality quirks. Unlike other translations, the way each character speaks is distinct from all the others. The words aren't the only thing translated from the Norwegian; the nuances and attitudes are as well. George Tesman is amusingly obtuse, and his Auntie Julia isn't simply the sweet old lady she appears to be. Judge Brack and Hedda can share some wonderful inside jokes without the rest of the characters noticing. Eilert Lovborg isn't just bipolar in his actions but also in his words. And unlike many other translations, it is actually possible to be sympathetic to Hedda's situation and not simply loath her for her attitude. One of Ibsen's greatest talents is his way with words: the characters are forever saying one thing and meaning something entirely different. As 'Hedda Gabler' is a play, it is not meant to be simply read; it is meant to be seen, and Jon Robin Baitz certainly makes it easier for the actors to get across the message Ibsen was trying to send. And studying the play intensively during rehearsals and production of 'Hedda Gabler' really make it easier to appreciate exactly how much is going on. It takes much more than just a reading to understand 'Hedda': at its finest, it takes a really stellar cast, especially in the title role, to pull it off.
5.0 out of 5 stars
Bravo! Bravo!,
By "honeydick" (Toronto Canada) - See all my reviews
This review is from: Hedda Gabler (Audio CD)
A great audio play which pulls the listener in and never lets go. As the story progresses the tension mounts and mounts until you can't take the suspense no longer. Juliet Stevenson does a superb job in portraying the manipulative but reckless Hedda and the rest of the cast are top notch. This is a brilliant presentation of ibsen's play showing the foibles of life and the dangers of desire. A wonderful audio experience to be listened to over and over again. Highly recommended. This audio book contains two CDs and is a full cast presentation of Ibsen's play Hedda Gabler.
1.0 out of 5 stars
Thrift? I'll say...,
By Courtney Reardon (New Orleans, Louisiana United States) - See all my reviews
This review is from: Hedda Gabler (Paperback)
The gentleman's assessment below is KIND, if anything. This translation isn't even fit to recycle.
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