- Audio CD (March 20 2001)
- Number of Discs: 1
- Format: Import
- Label: Universal Music Group
- ASIN: B00005ABL2
- Other Editions: Audio CD
- Average Customer Review: 4.6 out of 5 stars See all reviews (45 customer reviews)
|1. Plane Crash|
|2. Push The Hand|
|3. Little Sin|
|6. You'll Come Down|
|7. Pressed Against The Sky|
|8. What We Have We Steal|
|9. Jigsaw Girl|
|11. Hell Below/Stars Above|
Seven years later, the band released their Rubberneck follow-up, Hell Below/Stars Above, and critics are still scratching their heads. The album offers highly charged, raw-throated vocals and a wall of aggressive rock built on solid bricks of distortion ("Sweetness," "Plane Crash," "Push the Hand," "Heel"), but it still lacks the intricacy and hooks of, say, a Foo Fighters album. Sure, there are some slower songs ("Pressed Against the Sky") that give front man Todd Lewis a break from the testosterone rants, but overall Hell Below feels like one long song of Warped Tour-era rock that too easily blends into itself. --Jennifer Maerz
"Plane Crash," the album's opener starts with a bang, an abusive punk rock riff coupled with a holler/scream reminiscent of Judas Priest's Rob Halford moonlighting as an alt-rocker. Intensity remains at just under too much, continuing with the Toadies signature sound through the next few tracks until the mid-tempo "You'll Come Down." Good, solid, rock that presents listeners with accessible yet intelligent melodies and lyrics.
Next up, we really see the Toads begin to shine: "Pressed Against the Sky" is one of the best songs that this reviewer has ever wrapped his mind around. A soft, building, not quite melancholy, not quite tender piece that reminds of "Tyler" from Rubberneck. This song really showcases the band's range from quiet, bluesy, almost Hawaiian guitar to ragy ballad. The album's closer features the Toad's rage-ballad as an encore: "Dollskin."
The title track took this reviewer some getting used to, given its 'in your face' beginning, mid tune mode shift, and gospel choir backup vocals. However, after a few spins, it won me over in the end.
The Toadies do what they do best on this album: Rock. There's a gentler texture at work here too though, not really seen on their previous efforts. This twelve song journey is not very long in real world time, so the high intensity won't tire out the listener before the end. Adding that the album closes on a melodic and almost sweet note, it'll have people reaching for the 'play' button on thei CD players to start the album over again.
Finding this CD in 2001 was like finding a 20 dollar bill in a pile of vomit. I love this CD, it is amazing.
It starts off with the power you know the Toadies are masters of injecting into your eardrums (Plane Crash. From there it only gets better. "Push the Hand" and "Heel" are genius in their simplicity. The point of this album, in my opinion, comes from tracks 5 through 8. "Little Sin", based on a bluesy riff, is a masterpiece of simplicity and power. The quirky "You'll Come Down" is one of my favorites. "Jigsaw girl" is a love song that only Todd Lewis could write and deliver. "What We Have We Steal" is....just.....beyond words. The album stays strong toward the end also, delivering a mixture of styles and techniques that leaving me angry that the Toadies didn't see fit to make this a double CD.
Better than Rubberneck? Without a doubt.
Why? Better songwriting, better songs. I love Rubberneck, but I can find weak points in that CD, I cannot in this one.
The Toadies were an amazing band, anyone unfortunate enough not to have discovered them and this CD should stop listening to music because they're obviously listening to the wrong stuff.
For those introspective, dark days, you can't go wrong with this album