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Henry & June (Widescreen)


List Price: CDN$ 12.95
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Frequently Bought Together

Customers buy this Movies & TV with 9 1/2 Weeks (Original Uncut Uncensored Version) (Bilingual) CDN$ 7.49

Henry & June (Widescreen) + 9 1/2 Weeks (Original Uncut Uncensored Version) (Bilingual)
Price For Both: CDN$ 19.48

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Product Details

  • Actors: Fred Ward, Uma Thurman, Maria de Medeiros, Richard E. Grant, Kevin Spacey
  • Directors: Philip Kaufman
  • Writers: Philip Kaufman, Anaïs Nin, Rose Kaufman
  • Producers: Peter Kaufman, Yannoulla Wakefield
  • Format: Closed-captioned, Color, Dolby, DVD-Video, Letterboxed, Widescreen, NTSC
  • Language: English, French
  • Subtitles: English, Spanish
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • MPAA Rating: NC-17
  • Studio: Mca (Universal)
  • Release Date: Feb. 23 1999
  • Run Time: 136 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (26 customer reviews)
  • ASIN: 0783230559
  • Amazon Bestsellers Rank: #12,465 in DVD (See Top 100 in DVD)


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Customer Reviews

4.2 out of 5 stars
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1 of 1 people found the following review helpful By Linda Linguvic on Oct. 26 2002
Format: VHS Tape
This 1990 film, directed by Philip Kaufman, is set in Paris in 1931. This was a time and place between the two world wars that attracted writers and artists to a bohemian lifestyle, a time of discarding old conventions and embracing experimentation. Here, Henry Miller, an American expatriate wrote his wildly erotic books, which were banned in the United States. And Anais Nin, known for her extensive diaries about her sensory experiences, began her literary career here. It's no wonder that the two of them would meet and couple. They were both married at the time and this film is about the complex relationships between Henry, Anais, and their respective mates, all searching of a kind of liberation which was endemic at the time.
Fred Ward plays Henry as a crass American with a Brooklyn accent that makes native New Yorkers, such as myself, cringe. He's all man though and it's easy to see why Anais Nin, played by the large-eyed petite Portuguese actress Maria de Medereiros, is attracted to him. Her own husband, Richard E. Grant, is attractive as well, and it's clear that they have a good romantic life together, but he's willing to look the other way at his wife's desire for others. When Miller's wife, June, played by Uma Thurman, a fiery androgynous mother-earth figure, comes on the scene, Anais Nin finds herself attracted to her as well. This sets the scene for some interesting complexities.
The video is two hours and 16 minutes long and I expected to watch only half of it one evening and the rest of it the next night. However, from the moment it started I was completely captured by the story and just had to watch it all the way through.
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1 of 1 people found the following review helpful By Andrew Parodi on July 23 2003
Format: DVD
Though HENRY AND JUNE is primarily thought of as an erotic tale, I view it as the journey of self-discovery, and quest for fulfillment, of the four main characters: Anais Nin and her husband Hugo Guiler; Henry Miller and his wife June. Since the setting of this journey is 1930s Paris it is only logical that it would occur within an erotic context, but I advise the viewer to look beyond the steamy scenes and to search out the underlying themes.
After a few viewings of this movie, and readings of Anais Nin's diaries upon which this movie is based, what comes clear to me is that the characters are two halves of a whole person:
1) Anais Nin, the bored housewife who dreams of erotic adventure but feels trapped by, and is financially dependent upon, her husband; June Miller, the worldly woman who shifts between New York and Paris, has affairs with women, and occasionally works as a prostitute to support her husband.
2) Hugo Guiler (husband of Anais Nin), the workaholic banker who eventually comes to be financially responsible for all four protagonists; Henry Miller, the unemployed writer who has abdicated all conventional responsibilities and who is dependent upon the charity of his friends in order to survive.
It's a highly unconventional story to say the least, but that's exactly what makes it so interesting. Watch it with an open mind and you will see that there is more to the story than just sex. You will see four people on a quest for fulfillment and self-discovery, doing so in the context of sexually liberated 1930s Paris.
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4 of 6 people found the following review helpful By darragh o'donoghue on Feb. 25 2002
Format: DVD
For all its notoriously explicit subject matter - the story of an affair between two famous writers on sexuality, Anais Nin and Henry Miller, the film features many heterosexual and lesbian couplings, mini-orgies, screenings of period pornography, scenes in bordellos etc. - 'Henry And June' doesn't further the Hollywood biopic beyond the reductive absurdities of the 1930s and 40s. Throughout, the film's grinding (DEFINITELY no pun intended) and endless 130 minutes, I was irresistably reminded of the mythically silly Curtis Bernhardt film about the Brontes, 'Devotion' (1946), which featured the classic exchange: 'Hello, Dickens'; 'Hello, Thackeray'. Kaufman's film groans with moments like these, not just in the introduction of characters - 'This is my friend, the writer Henry Miller...he'll never be published' - but in the way locals greet the bohemian leads ('Bonjour, Mussyuur Meelur' 'Sah vah?'); the way intellectual discussion is reduced to crass platitudes; the telegraphed reminders of cultural or historical signposts (a screening of 'L'Age D'Or' with mild heckling; Hitler bleating on the radio); the dopey use of literal montage (Nin and Miller making love while a pot bubbles, or Hugo plucks the guitar).
Anais Nin was arguably the first major writer to ask for writing, especially writing about sex, to be written for and by women, from a woman's point of view and experience, rather than having to make do with the usual hand-me-down male fantasies.
The film tries to show this gap between male and female ways of looking, not only by setting up spectacles in which we concentrate on the voyeurs of each sex, and the different way they react to what they see; but in offering two paralell, gendered narratives.
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