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Henry V: The Criterion Collection

Laurence Olivier , Robert Newton , Laurence Olivier    Unrated   DVD
4.1 out of 5 stars  See all reviews (16 customer reviews)
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Product Description

Product Description

Olivier mustered out of the navy to film this adaptation of Shakespeare's history. Embroiled in World War II, Britons took courage from this tale of a king who surmounts overwhelming odds and emerges victorious. This sumptuous Technicolor® rendering features a thrilling recreation of the battle of Agincourt, and Sir Laurence in his prime as director and actor.

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4 of 4 people found the following review helpful
5.0 out of 5 stars This is the Gold Standard May 1 2004
This is a brilliantly conceived movie-within-a-play-within-a-movie that showcases the genius of Laurence Olivier. Today's audiences are exposed mainly to Olivier the movie star. But if you want to see a purer form of acting, see Olivier the stage actor. This is possible by watching his Shakespeare plays on film. And these films are by Olivier the "auteur," long before the title was coined. Olivier's is the legacy to which Branaugh, the darling of the current generation, fancies himself the pretender.
And lest you're expecting a camera pointed at a stage, don't worry. Olivier, who produced and directed most of his Shakespeare films, has actually used the film medium to enlarge his plays' visual scope, while maintaining the intimacy that is the essence of live theatre. Moreover, Olivier is mindful of how daunting the language of Shakespeare is for modern audiences and has modified much of the original script to be more comprehensible, while preserving the feel of Elizabethan English.
Olivier's "Henry V" was to England what Eisentein's "Ivan the Terrible" was to Russia - a familiar history rendered as a national epic, for morale purposes, while audiences were fighting off the Germans during World War II. There are other parallels. For example, both use static, formalized composition, in Henry V's case, meant to resemble the images in medieval illuminated manuscripts and books of Hours. (In Ivan's case, according to Kael, like Japanese Kabuki.) Thus, a soundstage "exterior" backdrop becomes a tableau that serves to enhance, with its flat perspective and subjective scale, the view we have of that fabulous Age of Chivalry, for which the play's Battle of Agincourt was the closing act.
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4 of 4 people found the following review helpful
5.0 out of 5 stars Improves with age April 12 2004
By A Customer
When I first saw this film, in about 1948, I only really enjoyed the battle scenes, and then mainly the first flight of arrows streaking into the French cavalry. Since then I have revisited it countless times, most recently just now, and my admiration for it steadily grows. I sympathise with those reviewers who couldn't understand the circumstances of the film's production, were disappointed, or thought the actors foppish. It is true the English stage of the day was somewhat overloaded with old queans, some of whom appear here. But these things are basically irrelevant. Olivier's delivery, his perception of the significance of every word that Shakespeare wrote, is impeccable. Appreciation of it sinks in deeper every time his performance is re-savoured, and the bits I was bored with 50 years ago --- eg the opening, the death of Falstaff, the discussion of "nationhood", and the courtship scenes --- grow more and more enjoyable and interesting. By comparison, Branagh is almost totally insensitive to the rhythms and latent meanings of the text. Both versions are heavily edited: Branagh wallows more in the brutality, but Olivier is infinitely more subtle and perceptive. Branagh tries to be different, but several of Olivier's speeches and scenic exchanges are just so fine and powerful that all Branagh can do is produce pale copies of them. Not everyone will agree. Time will tell. I know the arrows were just scratched into the celluloid.
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3 of 3 people found the following review helpful
4.0 out of 5 stars Olivier breaks new ground Aug. 6 2001
The first succesful Shakespeare film adaptation, Laurence Olivier's HENRY V dazzles. He took many liberties with the original text, many to move the story along, and some to excise entire elements. Olivier begins the film in a re-creation of the Globe Theatre in a 1600s production of Henry's story. We stay watching the play for the first 25 minutes or so (with Olivier taking extreme liberties with the Shakespeare work). The on film audience responds to the stage work in realistic reactions. Literally, it helps the movie viewer appreciate the language barrier and highlight the humor so often overlooked. The film eventually breaks from the Globe stage environment but, the setting remain beautifully painted colorful set backdrops. The music by Wiliam Walton is grand although it does not resemble modern film music. The story leads to the Battle of Agincourt in France. Much has been noted of this huge element. However, by today's film standards, the battle is very confusing and looks more like a crowded city square then a fight to the death. Still, its the Bards words that drive the story and they are well presented here. The film culminates with a brief return to The Globe theatre production, a nice bookend to a classic film. The Criterion DVD has a couple interactive text offerings as well as a caring Commentary done by a scholar. Henry V was re-imagined again by Kenneth Branagh in 1989, a brilliant film itself. Both take many liberties with the work. If you have never seen Henry V, I would watch the Branagh version as it has a greater visual splendor and reality.
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5.0 out of 5 stars A Truly Regal Experience Feb. 26 2004
From various reference sources, in brief, here's the historical background both to Shakespeare's play and to this film. Henry V, the eldest son of Henry IV and Mary Bohun, was born in 1387. An accomplished and experienced soldier, at age fourteen he fought the Welsh forces of Owen Glendower; at age sixteen he commanded his father's forces at the battle of Shrewsbury; and shortly after his accession he put down a major Lollard uprising and an assassination plot by nobles still loyal to Richard II . He proposed to marry Catherine in 1415, demanding the old Plantagenet lands of Normandy and Anjou as his dowry. Charles VI refused and Henry declared war, opening yet another chapter in the Hundred Years' War. His invasion of France served two purposes: to regain lands lost in previous battles and to focus attention away from any of his cousins' royal ambitions. Henry, possessed a masterful military mind and defeated the French at the Battle of Agincourt in October of 1415. By 1419 he had captured Normandy, Picardy, and much of the Capetian stronghold of the Ile-de-France.
By the time when the Treaty of Troyes was signed in 1420, Charles VI not only accepted Henry as his son-in-law but passed over his own son to name Henry heir to the French crown. Had Henry lived a mere two months longer, he would have been king of both England and France. However, he had prematurely aged because of having lived the hard life of a soldier, became seriously ill, and died after returning from yet another French campaign. Catherine had given birth to his only son while he was away but Henry died without ever seeing the child.
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Most recent customer reviews
4.0 out of 5 stars Keep watching - it gets better
A newly anointed king must prove his mettle, weed out treachery and go to war to gain his just territory. Read more
Published 10 months ago by bernie
4.0 out of 5 stars Visually splendid
I've seen this movie only once, and what thrilled me was the design -- the colors, the costumes, the amazing sets. Read more
Published on May 15 2004 by Clifford Story
1.0 out of 5 stars Horrendous version of a great play
My parents bought this DVD for my brother for Christmas, an acting major at the time and a huge fan of Shakespeare. Read more
Published on Jan. 28 2004 by Taryn
3.0 out of 5 stars Interesting but Propagandistic
This is described often as the first successful screen version of a Shakespeare play. I'd have to disagree, there is a Max Reinhardt version of A Midsummer Night's Dream... Read more
Published on Nov. 4 2003 by R. Albin
3.0 out of 5 stars Anti-War Play done in Pro-war style
This is significantly Olivier's first play, and it was made unfortunately in Pro-War times. An examination of the script shows that Shakepeare was trying to show Henry to be a... Read more
Published on Oct. 16 2003 by Drew
5.0 out of 5 stars Pro Henry
Sir Laurence Olivier's 1945 version of Henry V was not the first attempt to bring Shakespeare to the screen, but it was the first to be successful. Read more
Published on Jan. 28 2003 by P Magnum
2.0 out of 5 stars very disappointed
I'm sure I'm going to get a lot of flack for this, but am I the only person can't figure out why eveyone loves Laurence Olivier?? Read more
Published on Oct. 28 2002 by Caren
5.0 out of 5 stars Larry is the Man!
Stung by the lack of commercial success of As You Like It, Olivier undertook to make a popular success of a film version of a Shakespeare play. Read more
Published on Jan. 25 2001 by Scooter
5.0 out of 5 stars OUTSTANDING!
As mentioned in other reviews this movie is a MASTERPIECE. I will not go into which one I think is better,wether is this one or the more recent production of Keneth Branaugh, I... Read more
Published on Nov. 3 2000 by E. Gonzalez
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