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Her Fearful Symmetry Hardcover – Oct 6 2009


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Product Details

  • Hardcover: 416 pages
  • Publisher: Knopf Canada; American First edition (Oct. 6 2009)
  • Language: English
  • ISBN-10: 0307397459
  • ISBN-13: 978-0307397454
  • Product Dimensions: 3.8 x 16.5 x 23.5 cm
  • Shipping Weight: 635 g
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Bestsellers Rank: #265,221 in Books (See Top 100 in Books)

Product Description

Review

NATIONAL BESTSELLER

"An engrossing read by someone who really knows how to keep a story rolling. . . . she makes us really care about her characters, but it’s her storytelling chops that make Her Fearful Symmetry a winner."
NOW (Toronto)

"[An] awesomely good read."
Chatelaine

"Quirkily observed and rich on every level: plot, character, mood and theme. . . . She conjures a memorable world, and grants most of her characters happy endings, though perhaps not the ones they would have asked for."
The Globe and Mail

"Entertaining. . . . The reader is pleasantly carried along by the author’s ability to create credible characters and her instinctive narrative gifts. . . . The most powerful parts of Her Fearful Symmetry . . . deal not with paranormal events but with the ordinary pleasures and frustrations of life."
The New York Times

"Niffenegger deftly creates and maintains suspense. . . . Niffenegger has created a startling cast of characters whose eccentricities make them both more memorable and more believable."
The Gazette

"A modern Victorian novel revolving around a London cemetery, ghostly hauntings and a well-kept secret. . . . A bewitching modern-gothic tale that is at once unsettling and intriguing."
Chicago Sun-Times

"Talk about time travel: The novel blends the history of London’s famed Highgate Cemetery, the remarkable phenomena of mirror-image twins and the question of life after death into a ghost story that feels as if it could have been written a century ago."
National Post

"Odd and disturbing but intensely mesmerizing and memorable. . . . Niffenegger spins such a riveting story — just like she did in The Time Traveler’s Wife — that suspending disbelief is a pleasure. . . . Niffenegger’s writing is bewitching. . . . Niffenegger delivers with great skill a chilling and haunting story."
The Miami Herald

"Vivid prose. . . . Perverse fun. . . . The occult-loving Victorians would have been captivated. Her Fearful Symmetry begins slowly, but it ends with a shiver."
Toronto Star

"Filled with originality and beauty, along with a touch of creepiness. . . . Niffenegger has managed it again, producing another book that is immensely readable, strikingly original and — forgive the pun — simply haunting. It’s a delightful read and well crafted."
The Record (Kitchener-Waterloo)

"Stylish, easy to read and . . . a dark delicious plot which has several neat twists. . . . Clever in its deviousness."
The Scotsman

"Niffenegger creates . . . marvelous scenes of muted sadness and smothered affection. . . . A disorienting shift into the dark logic of fairy tales. But keep the children away and dust off the Ouija board; you’re about to make contact with something deliciously creepy."
The Washington Post

About the Author

Audrey Niffenegger was born in 1963 in the idyllic hamlet of South Haven, Michigan. Her family moved to Evanston, Illinois when she was little; she has lived in or near Chicago for most of her life.

She began making prints in 1978 under the tutelage of William Wimmer. Miss Niffenegger trained as a visual artist at the School of the Art Institute of Chicago, and received her MFA from Northwestern University's Department of Art Theory and Practice in 1991. She has exhibited her artist's books, prints, paintings, drawings and comics at Printworks Gallery in Chicago since 1987.

Her first books were printed and bound by hand in editions of ten. Two of these have since been commercially published by Harry N. Abrams: The Adventuress and The Three Incestuous Sisters.

In 1997 Miss Niffenegger had an idea for a book about a time traveler and his wife. She originally imagined making it as a graphic novel, but eventually realized that it is very difficult to represent sudden time shifts with still images. She began to work on the project as a novel, and published The Time Traveler's Wife in 2003 with the independent publisher MacAdam/Cage. It was an international best seller, and has been made into a movie.

In 1994 a group of book artists, papermakers and designers came together to found a new book arts center, the Columbia College Chicago Center for Book and Paper Arts. Miss Niffenegger was part of this group and taught book arts for many years as a professor in Columbia College's MFA program in Interdisciplinary Book and Paper Arts. She still teaches at Columbia College; currently she is teaching writing courses that specialize in text-image relationships. Miss Niffenegger has also taught for the Newberry Library, Penland School of Craft and other institutions of higher learning.

Miss Niffenegger is a founding member of the writing collective Text 3 (T3). Recent T3 endeavors include the litmag little Bang and some rather amusing dinner parties.

Miss Niffenegger's second novel, Her Fearful Symmetry, was published in 2009 by Scribner (USA), Jonathan Cape (UK) and many other fine publishers around the world.  She recently made a serialized graphic novel for the London Guardian, The Night Bookmobile, which will be published in book form in 2010. Other current projects include an art exhibit at Printworks Gallery in September, 2010, and a third novel, The Chinchilla Girl in Exile.

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Customer Reviews

2.7 out of 5 stars

Most helpful customer reviews

23 of 23 people found the following review helpful By J. Tobin Garrett on Oct. 2 2009
Format: Hardcover
There's always a mixture of anxiety and excitement when reading the new book by an author whose first book you loved so much (in this case, The Time Traveler's Wife). And, although I tried really hard, I couldn't help but compare the two books while reading Her Fearful Symmetry. Let me just come out right now and say: this book is not as good. But does that mean it's bad? Not at all.

Her Fearful Symmetry has an intoxicating idea behind it: the idea of what happens after we die. And this is an idea that has been written about a million times before. What I enjoyed so much about The Time Traveler's Wife was that she took a subject like time travel and gave it a new twist, brought it out in a way that I hadn't seen before. Her Fearful Symmetry doesn't quite accomplish this task. I was still drawn into the world, the characters, the story...but there was something stilted about the whole thing, something a little less magical.

This book has many characters and the third person POV oscillates back and forth between their stories. Niffenegger weaves her theme of obsession well into each story. There is also the theme of (obviously) symmetry and mirror-images, of being attached to someone, whether that attachment is love, family, genetic, or otherwise. A few times she pushes this theme a bit too much, leaving her authorial fingerprints behind a few too many times.

Niffenegger's writing, as in her first book, is simple and effective. She tells a good story and the pacing works well, leaving me reading for hours on end without boredom. The last quarter of the book, however, contains some plot elements (which I can't delve into here for fear of ruining things) that were a bit difficult for me to swallow, believability-wise.
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8 of 8 people found the following review helpful By Lisa Douglas on Oct. 8 2009
Format: Hardcover
I found the Her Fearful Symmetry very engrossing and couldn't put it down. Niffenegger's handling of ghosts and life after death was very intriguing, it definitely pulled me into the novel and captured my imagination.

That being said, it's not quite as good as The Time Traveler's Wife (I imagine it would be very difficult to follow up such a successful debut). My main quibble with the novel would be some odd character choices in the last quarter which seemed a little heavy-handed.

All in all, I think the book is definitely worth a read.
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1 of 1 people found the following review helpful By John M. Ford TOP 100 REVIEWER on Feb. 19 2013
Format: Paperback
Elsbeth Noblin has not seen her twin Edie for twenty years. Letters have been exchanged, but without resolution of the family secret which has kept them apart. Elsbeth dies and leaves her London flat and considerable estate to Edie's twin daughters, stipulating that they must live in the flat for at least a year. Just turned twenty-one, Elsbeth's nieces, Julie and Valentina, arrive from America and move in. Their neighbors include Robert, Elsbeth's lover, and Martin, whose wife has fled from his worsening obsessive-compulsive disorder. The twins begin to explore London and venture into the neighboring Highgate Cemetery, where Elsbeth is buried.

Then Elsbeth begins communicating. First with the twins, then with Robert. There are things she wants them to know. And do. As this part of the story unfolds, we learn much about Elsbeth's afterlife as a ghost--the constraints she lives under and the powers she slowly develops. Author Audrey Niffenegger gives us a unique and very personal view of the afterlife.

Its characters are the book's strength. Some emerge briefly. We know solicitor Xavier Roche by what we see during a single visit to his office. The Little Kitten of Death speaks not a word, but has great influence on her human caregivers. However, the book is mostly about pairs of characters and the...asymmetry of their relationships. Julie and Valentina are mirror twins down to their internal anatomies. One remarks that what she sees in the mirror each morning is more her sister than herself. But the twins' different personalities create a tension that is hidden by their identical clothes and shared lives. We understand Robert through flashbacks to his life with Elsbeth, his deeply felt grief at her death, and his conflicted feelings when she returns.
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1 of 1 people found the following review helpful By Samantha TOP 500 REVIEWER on May 7 2010
Format: Hardcover
When I began Her Fearful Symmetry, I was tickled that I'd finally found a good book to read after three stinkers in a row. Much to my chagrin, I was wrong: it was my fourth stinker. I was so confused by the peculiar turn of events in the last fifth of the book that I felt like I'd fallen into the Twilight Zone. The carefully drawn characters became flat despite improbable recklessness; the story careened from a cogent family mystery and English ghost story to unconvincing, outlandish, incoherent balderdash. I read on, hoping that the ending would somehow make amends. It didn't; it just kept falling further over the cliff. Conversations were truncated, chapters left dangling. The big mystery was so simple-minded and untenable, perhaps Ms. Niggenegger thought some other over-the-top drama was required. I would have been happy to have the foolhardy mystery explained without the insane double climax. Also, the disturbed twin thing is an overused gimmick. The two sets of twins in this novel have created messy dramas of their lives, not because they are twins, but because they are individuals with problems everyone struggles with, like jealousy, obsession, depression, narcissism.
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