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Here is New York Hardcover – Jan 1 2000

4.7 out of 5 stars 15 customer reviews

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Product Details

  • Hardcover: 58 pages
  • Publisher: Little Bookroom; First Edition Thus edition (Jan. 1 2000)
  • Language: English
  • ISBN-10: 1892145022
  • ISBN-13: 978-1892145024
  • Product Dimensions: 13.7 x 1.3 x 18.5 cm
  • Shipping Weight: 136 g
  • Average Customer Review: 4.7 out of 5 stars 15 customer reviews
  • Amazon Bestsellers Rank: #161,005 in Books (See Top 100 in Books)
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Product Description

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"On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy." So begins E.B. White's classic meditation on that noisiest, most public of American cities. Written during the summer of 1948, well after the author and editor had taken up permanent residence in Maine, Here Is New York is a fond glance back at the city of his youth, when White was one of the "young worshipful beginners" who give New York its passionate character. It's also a tribute to the sheer implausibility of the place--the tangled infrastructure, the teeming humanity, the dearth of air and light. Much has changed since White wrote this essay, yet in a city "both changeless and changing" there are things here that will doubtless ring equally true 100 years from now. To wit, "New Yorkers temperamentally do not crave comfort and convenience--if they did they would live elsewhere."

Anyone who's ever cherished his essays--or even Charlotte's Web--knows that White is the most elegant of all possible stylists. There's not a sentence here that does not make itself felt right down to the reader's very bones. What would the author make of Giuliani's New York? Or of Times Square, Disney-style? It's hard to say for sure. But not even Planet Hollywood could ruin White's abiding sense of wonder: "The city is like poetry: it compresses all life ... into a small island and adds music and the accompaniment of internal engines." This lovely new edition marks the 100th anniversary of E.B. White's birth--cause for celebration indeed. --Mary Park


"Just to dip into this miraculous essay—to experience the wonderful lightness and momentum of its prose, its supremely casual air and surprisingly tight knit—is to find oneself going ahead and rereading it all.White’s homage feels as fresh as fifty years ago." —John Updike

“New York was the most exciting, most civilized, most congenial city in the world when this book was written. It’s the finest portrait ever painted of the city at the height of its glory.”—Russell Baker

“The wittiest essay, and one of the most perceptive, ever done on the city.”—The New Yorker

 “Part reverie, part lament and part exultation, the essay has long been recommended by Manhattanophiles as the best sketch ever drawn of the place. But since September 11, 2002, several sentences near the end—sentences 55 years old—resound with a prescience so eerie they bear repeating. 'The city, for the first time in its long history, is destructible,' White writes. 'A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.'”—The Los Angeles Times

“… a masterpiece of travel writing. This edition contains an introduction by White's stepson, Roger Angell, himself a longtime New Yorker writer and the author of a number of best-selling books about baseball. After Sept. 11, readers will find this book touching, and prescient, in striking ways. Consider this paragraph: 'All dwellers in cities must live with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself, and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer might loose the lightning, New York must hold a steady, irresistible charm.' The charm isn't just the city. It is also the utterly perfect prose of E.B. White.”—Lousiville Courier-Journal

“White epitomized the lucid and penetrating essayistic voice so treasured at the New Yorker, an impeccable style employed to powerful effect in this exquisitely precise contemplation of the New York City of his youth, and, by extrapolation, of humankind at large. Written in 1948, this witty and perceptive praise song to New York is a classic.”
Booklist, February 1, 2004

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Top Customer Reviews

Format: Hardcover
... unless he is willing to be lucky.
NYC, notes E.B. White, is neither a state capital nor a national capital, but a capital of the world.
Written in June 1948, White captures the essence of new York which does not change, and not the minute details which he acknowledges will change many times over within minutes. "To bring New York down to date", he writes, "a man would have to be published with the speed of light --- and not even Harper's is that quick."
White writes how, more so than the natives and commuters, newcomers to New York is what gives the city her passion. How at any given location, one is near a site where someting that would make front-page news in a small town is a foonote in this teeming city where big things happen every day. How NYC is amazing because it does not have enough air and light yet nevertheless its population increases and survives. How the city is tolerant because the incredible diversity and international community it hosts would be a radioactive powder keg if it didn't. Why else is the United Nations headquartered there?
Perhaps what is most amazing is in 1948, White wrote "The subtlest chang in New York is somthing people don't speak much about but that is in everyone's mind ... a single flight of planes no bigger thana wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions." The city is both the perfect target and the perfect demonstration of nonviolence, he says. This is why it is a capital of the world.
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Format: Hardcover
Prompted by his son-in-law to return to New York City to write a magazine article, E.B. White wound up writing one of the most elegant, compact and poignant books on the subject. And although White rhapsodized about the New York of youth, and was a little saddened by the New York he was revisiting in the mid-40s, there is no doubting his love and fascination with Gotham. His descriptions of a walk through The Park in the evening, the sounds of ships' horns in the distance, and the comings and goings of commuters are especially provocative.
One of the central theses of this little tome is that so much of the destinies of New Yorkers are measured in inches. He describes how everyday New Yorkers can wind up inches away from a celebrity at a luncheonette, and that at any time you can be as close to or as distant from any significant event or person. He describes the fate of one New Yorker who was crushed by a falling piece of masonry from an old building. If that person had been six inches away in any direction on the sidewalk, that person would've gone on living. A matter of inches.
And so it is with this slender volume, which is not even a half- inch thick. And yet it, like the crowded little island of Manhattan, is filled with so much richness, humanity, and life that it draws you in like a supermagnet. And only E.B. White could have pulled off something as beautiful as this book. Buy it, read it.
Rocco Dormarunno, author of The Five Points.
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Format: Hardcover
Anyone who has ever read the children's book, "Charlotte's Web" will know what a fine and accomplished writing style E. B. White possesses. This book is another fine example of the author's capabilities.
There is something about New York that has fascinated and captivated people since time began. It is a city rich with history, culture, style, charisma, and, yes, tragedy. However, through the years the city has had many stories to tell, and to visitors, it has long been considered the city of excitement and action, with a zillion things to visit and do.
The year is 1948 and E. B. White takes the reader on a trip down memory lane, to the city of his youth, a city of splendor and wonder. There have been some very evident changes over the years; however, some aspects will always remain, "typically New York." Perhaps residents of the city and surrounding area take much of what the author portrays for granted; however, for one who is not an American, the city still holds a uniqueness unmatched by few cities in North America.
The only downside of the book is it's length; it is extremely short, but I still highly recommend the book. As White indicates, "the city is like poetry". The magic, music and wonder of the city still draw people to its core like a magnet.
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Format: Hardcover
No one could say, "I Love New York," better than E.B. White did in this slim volume of stylish, moving caresses for her lovely, loving face. To each of us, though, New York shows a different face. E.B. White has captured the universal elements of that face in his perceptive observations about what you have noticed and felt about New York, but never shared with anyone.
I have many relatives and friends in New York City who are over 70 and have told me many wonderful stories about the late 40s there. Imagine my delight when I discovered that E.B. White had written this magnificent 7,500 word essay about his experiences in the city during the summer of 1948! I have the perfect gift now to help these warm-hearted people happily relive their more youthful days. And those who love New York, regardless of their age, will love this book, as well. So I will need to buy and give many copies of this book.
The book begins with a new introduction by Roger Angell, who is E.B. White's stepson. Mr. Angell was an editor at Holiday who helped arrange for this assignment for Mr. White. Mr. White had gone to live permanently in Maine by this time, so coming to New York was a travel assignment. You may recall that Mr. White had done a stint at The New Yorker during World War II that had brought him to Manhattan, so it was also a homecoming. Mr. Angell points out that many of the scenes described in the essay are now gone, something that Mr. White also pointed out in his introduction to the essay in 1949. In addition, many of Mr. White's complaints would be even more vociferous if uttered today. But one aspect of the work is unchanging, "Like most of us, he wanted it [New York City of an earlier time] back again, back the way it was.
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