From Amazon.co.uk
It's tempting to describe Andreas Scholl's voice as one of the most sheer and beautiful around today. Certainly as far as countertenors go (of which we seem to have an epidemic at the moment) he's at the very top of the pile. But there's more to his art than simple beauty; it's the way he uses his voice, leaning on this word or that to indescribably plangent effect. In that respect he brings his great predecessor, Alfred Deller, to mind, though technically he's more assured than the older figure. The disc is titled
Heroes; if you have to give it a name, it could just as easily have been called
Greatest Baroque Hits for Countertenor because they're all here, from the melting "Ombra mai fu" from Handel's
Serse to Gluck's "Che farò senza Euridice" from
Orfeo ed Euridice. And among these heroes there are also plenty of men of action--sample Mozart's "Venga pur, minacci e frema" from
Mitridate or "Vivi, tiranno" from Handel's
Rodelinda. The accompaniments directed by Roger Norrington provide a perfect backdrop for the soloist and the recording is well up to Decca's usual high standards. Perhaps this is Scholl's best disc yet, which is high praise indeed--buy it and find out for yourself. --
Harriet Smith
Chronique amazon.fr
Andreas Scholl est la nouvelle coqueluche du chant baroque. La voix céleste de cet alto et son élégance naturelle en font l'un des plus brillants représentants, avec le français Gérard Lesne. Comme ce dernier, Andreas Scholl est doué d'un sens musical inné, qui rend naturelle chacune de ses interprétations. Dans cet album dont il est le héros, le musicien allemand fait une belle démonstration de ses dons et de sa virtuosité. Un album-portrait.
--Marc Aigneaux