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Hey Nostradamus!: A Novel Hardcover – 2003


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Product Details

  • Hardcover
  • Publisher: Bloomsbury USA (2003)
  • Language: English
  • ISBN-10: 1582343586
  • ISBN-13: 978-1582343587
  • Product Dimensions: 14.6 x 2.8 x 21.9 cm
  • Shipping Weight: 340 g
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Bestsellers Rank: #1,972,443 in Books (See Top 100 in Books)

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5 of 5 people found the following review helpful By Penmachine on Aug. 4 2004
Format: Hardcover
I read plenty of books, but few of them are novels, probably because, as I age, I can "hear the devices clanking away" (in the words of Richard Rodriguez, author of "Brown," who knows what he's talking about).
Nevertheless, I remain drawn to the novels of Douglas Coupland, who like me is from Vancouver. That despite his being an extreme example of "write what you know"--his characters are pretty much all young, white, and middle class; they live in the Western United States or just across the border in Canada; when they travel, they go to Vegas or Oregon or Seattle, never to Alberta or New York (forget about Japan or Madagascar); they all talk and think in some variation of semi-ironic, simile-heavy, pop-referencing Coupland-speak; their themes are sudden loss, pointless death, loneliness, running away, and vague dread, even from the afterlife; their tales often start strong and then slowly vaporize rather than coming to a strong conclusion. Clanking devices indeed.
Somehow, though, I don't care. His novels are better than his non-fiction, which (while entertaining) feels dashed-off, undisciplined, and improperly researched. In fiction, he takes advantage of those same tendencies to write with a strange propulsion, even when his characters are doing nothing but sitting and thinking. The stories are short but dense. His eye for detail evokes the true feelings of a place. Even his weakest books, such as "Shampoo Planet," "Girlfriend in a Coma," and "Miss Wyoming," have something to say, although neither the reader nor the writer might know exactly what that is.
"Hey Nostradamus!," from 2003, is an extreme example.
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1 of 1 people found the following review helpful By elfdart TOP 1000 REVIEWER on Jan. 10 2011
Format: Audio CD
This is a story about high school massacre in Vancouver in 1988 and how that massacre affected various characters in the novel, at least on the surface. More than this story being about a cause and effect play by play of an unfortunate event, it is about how people deal with situations with faith and the difference between religion and spirituality. Before I get ahead of myself here I would like to say that this book is not at all preachy, nor is it accusatory or abrasive. It is not so much a book about religion as it is a book about how people act when being 'religious' or not, and what that actually means. Each of the main characters in turn display a fervent belief and then a denial or realization that what they once believed may not be what they supposed it to be. Some people may not want to read this book because it has religion in it, and to those under that category I say that you will not be offended and will enjoy the book. To those who may read the book because it is about religion I want to say that it is more about individual interpretation and potentially exploitation for personal gain than it is a celebration of any faith, and you may be offended at some parts, but not deeply.

The novel told through the eyes of four people, and each person was strongly impacted by the narrator before him or her. The story begins with two high school sweethearts, Cheryl and Jason, who love each other immensely and get secretly married (both because they love each other and because they want to have sex without committing a sin).
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Format: Hardcover
"Hey Nostradamus!" has an atypical structure, each of its four chapters being narrated in first person by a different character. The first part of the story is told from the point of view of a victim of a high school massacre that is obviously patterned after the Columbine incident. Her recounting of that violent day sets the pace for the rest of the book, as the subsequent characters are, in turn, effected by its events. Each of them is lead, at some point, to question his or her religious convictions - some are strengthened and others are lost.
By the time the novel reaches its fourth segment, it has morphed into a completely different tale than what is expected from the beginning. The transitions can be jarring, but then, so can life itself.
I found myself sympathizing with each character as he or she took hold of the story, despite the fact that they were each capable of some pretty horrible or foolish acts. The moral flaws of the individual characters don't seem to matter though. It's the rest of the world that's a mess, and they're just trying to get through it.
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Format: Hardcover
Hey Nostradamus! deals with themes that are common in Coupland's previous works; relationships, love, cultural alienation, death and the self. Here he has branched out a little further, looking at these concepts on, what feels to be, a broader, more encompassing scope. Whilst his earlier work doesn't consider God in relation to these themes, Hey Nostradamus! puts faith, religion and a sense of God towards the forefront, and whilst the book is easily more spiritual than its predecessors, it is by no means a book doused with spiritual cues.
It is written from four seperate points of view, stretching in time from 1988 to 2003. Each character brings something new to the table in terms of angle and perspective, and helps to give the reader a well defined picture of the characters.
Spiritually speaking, all the characters have different beleifs and concepts of faith raging from Jason's (the novel's main character) antediluvian father Reg to the religiously disinterested Heather, who herself claims to be "weak on religion". It is through these religious differences that Coupland focuses on interpersonal relationships, a common theme of his and ultimately what the book falls back upon. He paints a strong, rather emotional, picture of how religious persuasions can influence and be influenced by, major events in our lives.
The book is certainly well written, Coupland is no doubt one of the better pop writers of the time, although it did leave me wanting a little more. Whilst the subject matter is rather emotional, I was expecting to be a little more overwhlemed by the book, quite possibly a flaw in my expectations rather than the novel itself. Having said that, it is a highly engaging book that will entertain you and make you think, if not about your own beliefs, then about how you consider other people's.
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