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  • High Art [Import]
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High Art [Import]

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Product Details

  • Average Customer Review: 4.3 out of 5 stars  See all reviews (25 customer reviews)
  • ASIN: B00002JWZT
  • Amazon Bestsellers Rank: #160,086 in DVD (See Top 100 in DVD)

Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

5 of 5 people found the following review helpful By "eurotrashgirl" on Nov. 6 2001
Format: VHS Tape
High Art has got to be one of the best films I've seen, at least in a long, long while. I say that because it is so finely paced, so intricate in its rhythms and moods, that it has the quality of real life, or perhaps more aptly, a real dream. Between the music and the color of the sets, and the relaxed, subtle acting which fits right in with both, Cholodenko creates a world apart, and the viewer is drawn in like a lover in an entryway.
High Art tells the story of an aspiring assistant editor at a photography magazine who by chance meets a brilliant photographer (Lucy), who, after much acclaim years earlier, has stopped being active in her art. The editor, Syd, is entranced by Lucy's nonchalant affect, the aura of her apartment, the steady stream of friends coming in and out, and most importantly, her photography. In turn, Lucy is attracted to Syd for her drive, her ambition, and her uncharted youth. Their mutual attraction rocks the drug-filled boat that is Lucy's flat, and a new love, and a resurgence of Lucy's art, is born. Whether they are allowed to thrive is up to Lucy, her long-time lover Greta, and all the other hangers-on.
The characters here don't feel like characters so much as real people who can make mistakes, who can try starting over, but who might have to deal with fate, (not to mention old habits and barely functioning relationships), along the way.
Ally Sheedy's performance here is truly amazing, mainly because it ends up not feeling like a performance at all. She plays each emotion with subtlety and depth and her timing and moods are right on the money, time after time. Rhada Mitchell is right there with her, giving a deeply moving performance as the young woman who sheds light on the shadowed Lucy only to question her reasons for doing so.
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2 of 2 people found the following review helpful By Linda Linguvic on June 2 2001
Format: VHS Tape
I guess I've been culturally deprived. I never heard of Ally Sheedy before. I understand she was once part of a brat pack and did very different roles than this, but I have no other frame of reference. Anyway, in this ambitious modern tale, she plays the part of a lesbian photographer who's into drugs. She lives with her heroin-addicted girlfriend and has prematurely given up a promising career. They hang out in their seedy apartment doing drugs with a variety of other people and that seems to be the sum total of their lives. In the apartment below lives a young professional woman, Radha Mitchell, and her boyfriend. When there is a leak from the apartment above, the young woman goes upstairs and meets the photographer and her assorted friends. She works as an assistant editor for a photography magazine and is immediately drawn into the art of the photos as well as an attraction for Ally Sheedy and drugs.
One of the things I liked most about this video is what I thought of as its authenticity. There are several sex scenes that have the feel of real people in bed. If anything, they were so real that they went on a little too long but the reality of attraction, shyness, conversation, and exploration deepened the characterizations of the people involved. Perhaps this is the intention of the screenwriter, the long and lingering views of the relationship. There were also long and lingering views of drug taking and again I felt they were a little too much. The film though seemed to be trying to be an art form in itself and although the two star's performances were excellent, some of the minor characters just didn't quite seem real, such as Ally Sheedy's mother or the druggie girlfriend. The mood of the video is melancholy, the pace slow, the acting uneven. But for what it was, I enjoyed it.
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1 of 1 people found the following review helpful By Sharon D. Spiller on Feb. 4 2001
Format: VHS Tape
I rented High Art not really knowing what to expect from this film. I am so glad I had no preconceived notions about what I was about to see. Ally Sheedy gives the performance of her career as Lucy, a drug addicted, semi-retired photographer who shows no willingness to stop her self destructive behavior. Aided by her equally strung out German lover, wonderfully portrayed by Patricia Clarkson, this is one romantic pairing that personifies loathing and apathy like nothing else on screen.
Radha Mitchell gives a very worthy performance as the youthfully naive Syd, an editorial assistant at a pretentious art magazine who takes on the task of pulling Lucy out of her stupor and back into the high stakes art world she left behind. In the process, she becomes mesmerized with the reclusive photographer and is drawn into Lucy's world of alcohol and cocaine.
Lisa Cholodenko portrays the dark underside of the art world and the elusive nature of human relationships with a wonderful eye for detail. This is definitely not an upbeat film and Cholodenko refuses to glamorize the self destructive behavior that exists throughout. She is, however, able to bring out the best performances in her actors and is thus able to deliver a powerhouse of a film that will stay with you well after it is over.
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By A Customer on Dec 1 2000
Format: VHS Tape
Great movie, I highly recommend it. Of all the reviews I read Jerry Renshaw's editorial review was one of the most on-target. As someone with a passing acquaintance of the art world, it's errie how many of the characters remind me of people I know. Not surprsingly a lot of artists didn't like it. I admit all the liquified people poured over various couches & consuming what appear to be half the Columbian GDP is a bit of a stereotype. But if the behavior is exxagerated, the mentality is not. Another side note - people keep saying that the folks at the photo mag are alternatively "painfully pretentious" or "avaricious corporate-types". I tend to see them as rather sincere and serious-minded about their post-modernist mumbo-jumbo (though the average person may find such talk ludicrous - but hey, Syd was a semiotics major and she talks about Foucault with a perfectly straight face) and, being in the (very hard) business of running a magazine, do what they have to do to keep the boat afloat. In this regard I really have no sympathy for the self-indulgent "art-genius" types who consider a deadline the most onerous burden on earth yet somehow expect the world to owe them a living.
However I think Syd was only a supporting character in the story - at least a less-interesting main character. Contrary to what has been implied, Syd was not the ambitious schemer who sees every bed as a rung on the corporate ladder. Overall she's basically a wide-eyed innocent in awe of Lucy and a bit bewildered by the career opportunities suddenly open to her because of her connection to Lucy - not that she took undue advantage of it anyway.
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