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High Art
 
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High Art

Radha Mitchell , Ally Sheedy , Lisa Cholodenko    R (Restricted)   DVD
4.3 out of 5 stars  See all reviews (23 customer reviews)
List Price: CDN$ 15.27
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Syd (Radha Mitchell) is an editor at a painfully pretentious art magazine; by chance, she becomes acquainted with lesbian photographer Lucy (Ally Sheedy) and her weirdo German girlfriend (Patricia Clarkson, in a strange Dietrich-like role). Syd becomes captivated with Lucy and her work and, smelling a career move, offers to feature her in the next issue of the magazine. The two become attracted, but their relationship is fraught with perils--Syd loses her rather square boyfriend, Lucy's girlfriend takes a hike, the avaricious management at the magazine pressures Syd, and, most importantly, the pair begins to travel down the road of heroin addiction. Besides the lesbian theme, High Art addresses such subtexts as what an artist will (or won't) be willing to do for recognition, and what price that recognition carries. High Art is a remarkably honest work, painful at times but understated and thoughtful. It does an excellent job of portraying the heroin-induced torpor of Lucy and her bohemian friends as they lie around and become consumed with the stuff. It's a cautionary tale, a sincere love story, a reflection on the nature of art, and a "lesbian film" for which the lesbianism is integral but not part of an overriding agenda. Sheedy is excellent, as is Mitchell in a very expressive role. It's far from being a feel-good movie, but High Art undeniably has some power behind it that will stick with you past the closing credits. --Jerry Renshaw

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Customer Reviews

23 Reviews
5 star:
 (15)
4 star:
 (5)
3 star:
 (1)
2 star:    (0)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (23 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful
5.0 out of 5 stars Haunting Portrayal of Art, Sexuality, Addiction, Redemption-, Nov 6 2001
This review is from: High Art (VHS Tape)
High Art has got to be one of the best films I've seen, at least in a long, long while. I say that because it is so finely paced, so intricate in its rhythms and moods, that it has the quality of real life, or perhaps more aptly, a real dream. Between the music and the color of the sets, and the relaxed, subtle acting which fits right in with both, Cholodenko creates a world apart, and the viewer is drawn in like a lover in an entryway.

High Art tells the story of an aspiring assistant editor at a photography magazine who by chance meets a brilliant photographer (Lucy), who, after much acclaim years earlier, has stopped being active in her art. The editor, Syd, is entranced by Lucy's nonchalant affect, the aura of her apartment, the steady stream of friends coming in and out, and most importantly, her photography. In turn, Lucy is attracted to Syd for her drive, her ambition, and her uncharted youth. Their mutual attraction rocks the drug-filled boat that is Lucy's flat, and a new love, and a resurgence of Lucy's art, is born. Whether they are allowed to thrive is up to Lucy, her long-time lover Greta, and all the other hangers-on.

The characters here don't feel like characters so much as real people who can make mistakes, who can try starting over, but who might have to deal with fate, (not to mention old habits and barely functioning relationships), along the way.

Ally Sheedy's performance here is truly amazing, mainly because it ends up not feeling like a performance at all. She plays each emotion with subtlety and depth and her timing and moods are right on the money, time after time. Rhada Mitchell is right there with her, giving a deeply moving performance as the young woman who sheds light on the shadowed Lucy only to question her reasons for doing so.

Gabriel Mann makes a welcome appearance as Syd's boyfriend, James. His James is the right mix of attractive, caring boyfriend, yet somehow dimmer counterpart to the magnetic Lucy. He may love Syd, but he can live without her. Lucy's pull is stronger, she needs Syd more. And the love she offers is real.

I give this movie five stars. Does well with multiple viewings, so a good one to own. Recommended for those who are old enough to not confuse the drug use in the film for glamour. Just the opposite.

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1 of 1 people found the following review helpful
4.0 out of 5 stars Ally Sheedy and Patricia Clarkson are wonderful...., Sep 1 2001
By 
J. H. Stewart "jayesse" (New England) - See all my reviews
(REAL NAME)   
This review is from: High Art (VHS Tape)
...even if the film is not. Still, it is worth a look if you are interested in the lesbian genre. I found it to be compelling viewing, albeit rather disturbing in parts. Ally Sheedy is quite different from her BRAT PACK days... actually, that's a good thing! Patricia Clarkson as the German lover gets it - i.e., she takes on the Dietrich persona and succeeds. Rahda Mitchell is good, but even I could have played her part! I especially liked seeing Tammy Grimes back on screen. She doesn't disappoint. But her performance is all too fleeting. This movie isn't for everyone, but if you like the cast then do give it a try.
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1 of 1 people found the following review helpful
4.0 out of 5 stars The film strives to be an art form in itself, Jun 2 2001
By 
Linda Linguvic (New York City) - See all my reviews
(REAL NAME)   
This review is from: High Art (VHS Tape)
I guess I've been culturally deprived. I never heard of Ally Sheedy before. I understand she was once part of a brat pack and did very different roles than this, but I have no other frame of reference. Anyway, in this ambitious modern tale, she plays the part of a lesbian photographer who's into drugs. She lives with her heroin-addicted girlfriend and has prematurely given up a promising career. They hang out in their seedy apartment doing drugs with a variety of other people and that seems to be the sum total of their lives. In the apartment below lives a young professional woman, Radha Mitchell, and her boyfriend. When there is a leak from the apartment above, the young woman goes upstairs and meets the photographer and her assorted friends. She works as an assistant editor for a photography magazine and is immediately drawn into the art of the photos as well as an attraction for Ally Sheedy and drugs.

One of the things I liked most about this video is what I thought of as its authenticity. There are several sex scenes that have the feel of real people in bed. If anything, they were so real that they went on a little too long but the reality of attraction, shyness, conversation, and exploration deepened the characterizations of the people involved. Perhaps this is the intention of the screenwriter, the long and lingering views of the relationship. There were also long and lingering views of drug taking and again I felt they were a little too much. The film though seemed to be trying to be an art form in itself and although the two star's performances were excellent, some of the minor characters just didn't quite seem real, such as Ally Sheedy's mother or the druggie girlfriend. The mood of the video is melancholy, the pace slow, the acting uneven. But for what it was, I enjoyed it.

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