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Most helpful customer reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars
GRAND-DADDY OF THE COP MOVIE GENRE,
By
This review is from: High and Low (The Criterion Collection) (DVD)
And I thought Kurosawa was big on Samurai movies. This is a stunning cop thriller grounded in real-life Japan of the 60s. Toshiro Mifune is an honest and hugely successful businessman who loves his job as a shoe factory exec and is in a battle for corporate control against a pack of hyenas. He has mortgaged and borrowed and scraped to raise the money for a surprise coup to takeover the firm. Until his son is kidnapped. But then there is a major plot twist: it is not his own son who was taken but his son's friend, the chauffeur's kid, and the ransom demanded is atrocious. If he forks the dough, he stands to lose everything he has worked so hard for, but can he simply sacrifice the chauffeur's child because it is not his? From here on High and Low (perhaps better translated as Heaven and Hell) is a riveting "police procedural." Watching Kurosawa's maestro camerawork is a rare, almost unique experience, he is a man in complete control of his visuals and his subject matter. The DVD is letterboxed and the print B&W. This not only lends beautifully to a cinematically compelling human drama, but it also draws you into the theme emotionally. A superb film, captivating from start to finish. Highly recommended!
1 of 1 people found the following review helpful
5.0 out of 5 stars
Another Fine Movie From Akira Kurosawa,
By "solid117" (Branford, CT United States) - See all my reviews
This review is from: High and Low (The Criterion Collection) (DVD)
A wealthy shoe tycoon plans to take over the company, and things go wrong. Intrigued?...me neither. I watched this movie expecting a mediocre showing from my favorite director, but what I got was a wonderfully done film with a lot to say. Toshiro Mifune plays Kingo Gondo, a successful shoe tycoon with dated ideas. He believes that shoes are important because they support the entire weight of the body, while his partners just want to produce cheap stylish shoes that women will buy over and over. His partners want to vote him out of power, so Gondo comes up with a plan to buy enough of the company so he can sway the vote. Things go wrong when a man calls and says he has kiddnapped Gondo's son and he'll need to pay an amount of money, nearly equal to what he needs to keep himself in the company, he cooperates right away, but he finds out that the kiddnapper made a mistake and has kiddnapped his driver's son instead. what follows is a interesting look into the process of catching a criminal and a study on the social structure of japan (one of Kurosawa's favorite subjects). What makes this movie stand out is the fact that it is not exagerated, the process of solving the crime seems long and drawn out, yet it still manages to hold your attention. Another interesting detail is the fact that Mifune owns a shoe company, in most kidnapping movies, the target is some rich AND famous person. Gondo, while rich, is certainly not famous, he is basically a glorified shoe salesmen, which makes the story that much more realistic. Along with the kidnapping, the movie also focuses on the differences in classes. Gondo lives high on a lofty hill, while the kidnapper lives down with everybody else in the sweltering heat, hence the title high and low (or heaven and hell). I'd recommend this movie to anyone who like crime dramas or japanese cinema.
1 of 1 people found the following review helpful
5.0 out of 5 stars
A masterpiece,
This review is from: High & Low (Widescreen) (VHS Tape)
Kurosawa's study of a crime is like nothing I've ever seen. It begins wrenchingly with the kidnap of a rich industrialist's child, but the kidnapper has snatched the wrong child and the industrialist must confront his own financial ruin to save his chauffeur's child. The movie shifts its focus in the second third of the movie to the detectives who try to catch the kidnapper. They are dogged, heroic, determined to catch the kidnapper. They succeed, and the last third of the movie shifts to the kidnapper who is portrayed with the greatest empathy so that the viewer is left wondering who after all is the villain (or is it all of us?). A movie that can be seen and re-seen without ever giving up all its meanings. Toshiro Mifune heads the superb cast. This movies has it all, deep compassion, enormous suspense, dramatic situations, wonderful characters. It was Kurosawa's interpretation of Dostoyevsky's "Crime and Punishment."
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