|1. Two Highways|
|2. I'm Alone Again|
|3. Wild Bill Jones|
|4. Beaumont Rag|
|5. Heaven's Bright Shore|
|6. Love You In Vain|
|7. Here Comes Goodbye|
|8. As Lovely As You|
|9. Windy City Rag|
|10. Lord Don't Forsake Me|
|11. Teardrops Will Kiss the Morning Dew|
|12. Midnight Rider|
The last two tracks will be the most familiar. Teardrops will kiss the morning dew was originally recorded by the Osborne brothers, an excellent bluegrass outfit, and was also covered by Billie Jo Spears. Both those versions are somewhat obscure, but Alison's own version was selected for inclusion on Now that I've found you A collection, the hugely successful compilation of Alison's music. If you are thinking of buying this album, you surely own that compilation already - and if not, you should buy that first. The final track is a cover of Gregg Allman's classic Midnight rider, here adapted to bluegrass - brilliantly.
You are not likely to know many (if any) of the first ten tracks but they are definitely worth a listen. They are a varied mix of ballads and up-tempo but the overall feel of the album is upbeat. Possibly the best is Heaven's bright shore though it is difficult to pick out highlights on an album of such quality.
If you already have Now that I've found you A collection and you want to explore Alison's early music further, this is for you.
The album features both traditional material like "Wild Bill Jones" (sung by Jeff White - now performed exquisitely by Dan Tyminski in Alison's Band), and innovative arrangements of material from other genre's. The Allman Brother's "Midnight Flyer" gets turned from rhythmic yearning ballad into a banjo-driven barn burner, with vocals that soar and harmonies that are absolutely hair-raising.
Alyson's voice is noticeably smoother than in the debut album and I would guess it was about HERE that critics began saying that she had the voice of an angel.
I don't personally know what an angel sounds like, but it would be a HIGH compliment to say one sounded like Alison Krauss on "Two Highways".