This is a revised second edition of Dr. Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to a thorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and inparticular composers and writers on music in the Baroque, Classical, and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat (bright-dark) principle of key-distinctions. Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.
| ||||||||||||
Book Description
Product Details
Would you like to update product info or give feedback on images?
|
Product Description
About the Author
Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
Customer Reviews
There are no customer reviews yet on Amazon.ca
5 star
4 star
3 star
2 star
1 star
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.0 out of 5 stars
1 review
8 of 8 people found the following review helpful
4.0 out of 5 stars
Good resourse
Mar 28 2007
By Elizabeth Wolff
- Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
I find this a useful book in coming to conclusions about why 19th century composers made certain key as well as key related decisions, especially in regard to their piano works. A great deal of the book is bibliography, as well as German untranslated source material. But there is enough food for thought to enhance the premise that keys are indeed built on specific character, and that composers have gravitated to or away from them, basing choices on their individual and national "characteristics."
›
Go to Amazon.com to see the review
4.0 out of 5 stars
Listmania!
Look for similar items by category
Feedback
Would you like to update product info or give feedback on images?
|
