From Amazon
D.D. Guttenplan's
The Holocaust on Trial is a thorough account of a landmark trial in the ongoing controversy over Holocaust denial. In 1977, the publication of
Hitler's War by the British historian David Irving caused a stir with its sweeping revisionist claims about the Holocaust. According to Irving, Hitler did not command the murder of millions of European Jews; in fact, he was barely aware that the Holocaust had happened. In 1994, American historian Deborah Lipstadt refuted Irving's findings in
Denying the Holocaust. In 2000, Irving sued Lipstadt for libel--in England, where there is no analog to the First Amendment, and libel laws strongly favor plaintiffs. The ensuing trial raised questions about how "history is judged, as well as made." As a journalist, Guttenplan is particularly skilled at drawing sharp character sketches. (For instance, Irving's swaggering success as a wunderkind historian is epitomized by his fancy Mayfair flat and his Rolls Royce.) The author's talent for character sketches shapes his larger perspective on the trial as well. In this book's conclusion, Guttenplan notes the massive number of empirical facts cited as evidence on both sides of the argument, and rues the lack of "witnesses, memories,
testimony," which, he argues, is another central and necessary aspect of historical truth.
--Michael Joseph Gross
From Publishers Weekly
Like Hannah Arendt's Eichmann in Jerusalem, born of her New Yorker essays, Guttenplan's book springs from his Atlantic Monthly articles. In 1996, British military historian David Irvingauthor of WWII studies, biographer of Hitler, Himmler and Goebbelssued American scholar Deborah Lipstadt for her book Denying the Holocaust, which labeled Irving an extremist liar and "one of the most dangerous spokespersons for Holocaust denial." Guttenplan, contributing editor at the Nation, makes the complex case navigable, from issues of the historian's craft to British libel law (which, unlike American libel law, favors plaintiffs). Although Irving, Lipstadt and Judge Charles Gray unambiguously stated that history was not on trial, everyone else saw otherwise. Lipstadt's British publisher Penguin incurred considerable expense for the legal defense for its author, who also had problematic Anti-Defamation League supporters; Irving received assistance from neo-Nazi acquaintances and from reputable historians (John Keegan) and iconoclastic journalists (Christopher Hitchens). Guttenplan's fine journalistic style proves equal to the subject's gravity. Readers not familiar with the intricacies of Holocaust historiography or British libel laws may flounder at times, but Guttenplan fluidly guides readers through most of the rough spots. In his hands, Irving is infinitely more interesting than the sympathetic Lipstadt, perhaps for the same reason that Dante's Inferno engrosses more than his Paradise. Guttenplan only touches on deeper epistemological, historiographical and philosophical issues, but maybe these are for historians and philosophers. Although we know the trial's outcome, the book creates delicious courtroom-thriller tension. Most important, it expertly introduces a crucial trial of our time. Four b&w photos. Agent, Andrew Wylie. (May 21)Forecast: Norton has planned an author tour to New York and Washington, D.C., where the combination of Irving's notoriety and Guttenplan's readable treatment will stir up a great deal of interest and debate.
Copyright 2001 Cahners Business Information, Inc.