Chinua Achebe is Africa's most prominent writer, the author of Things Fall Apart, the best known--and best selling--novel ever to come out of Africa. His fiction and poetry burn with a passionate commitment to political justice, bringing to life not only Africa's troubled encounters with Europe but also the dark side of contemporary African political life. Now, in Home and Exile, Achebe reveals the man behind his powerful work. Here is an extended exploration of the European impact on African culture, viewed through the most vivid experience available to the author--his own life. It is an extended snapshot of a major writer's childhood, illuminating his roots as an artist. Achebe discusses his English education and the relationship between colonial writers and the European literary tradition. He argues that if colonial writers try to imitate and, indeed, go one better than the Empire, they run the danger of undervaluing their homeland and their own people. Achebe contends that to redress the inequities of global oppression, writers must focus on where they come from, insisting that their value systems are as legitimate as any other. Stories are a real source of power in the world, he concludes, and to imitate the literature of another culture is to give that power away. Home and Exile is a moving account of an exceptional life. Achebe reveals the inner workings of the human conscience through the predicament of Africa and his own intellectual life.It is a story of the triumph of mind, told in the words of one of this century's most gifted writers.
Home and Exile (The W.E.B. Du Bois Institute Series)
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Based on three lectures distinguished Nigerian novelist Chinua Achebe gave at Harvard University in 1998, this short but trenchant work does not pretend to be a full-fledged autobiography. Instead, Achebe makes forceful use of his personal experiences to examine the political nature of culture. Born in 1930, the son of a Christian convert, young Achebe received a privileged colonial education and "was entranced by the far-away and long-ago worlds of the stories [in English books like Treasure Island and Ivanhoe], so different from the stories of my home and childhood." Yet he and fellow university students indignantly rejected Anglo-Irishman Joyce Cary's highly praised novel Mister Johnson, which bore no resemblance to their knowledge of Nigerian life. This encounter "call[ed] into question my childhood assumption of the innocence of stories," Achebe comments, using scathing assessments of white Kenyan writer Elspeth Huxley and Indian/Caribbean expatriate V.S. Naipaul to remind us that all literature reflects its creators' beliefs and prejudices. Achebe is not an enemy of Western culture; he merely asserts Africans' right to their own perspective and their own art, as exemplified in works like his groundbreaking 1958 novel, Things Fall Apart. Though blunt, his argument is tempered by humor and a passionate belief in "the curative power of stories." --Wendy Smith
From Publishers Weekly
Though it is labeled autobiographical by the publisher, this small book, which originated as three lectures given at Harvard University in December 1998, barely covers the rudiments of Achebe's long and productive life (he is now 70). But the great Nigerian novelist and poet, a master of compression, needs little more than 100 pages to tell the dramatic story of the emergence of a native African literature; in the 1950s, students at English-dominated universities started speaking out against the long European tradition of depicting Africans as "a people of beastly living, without a God, laws, religion," which dates back to Captain John Lok's voyage to West Africa in 1561. "Until the lions produce their own historian," says Achebe, quoting an African proverb of uncertain provenance, "the story of the hunt will glorify only the hunter." With characteristic ease and economy, he traces the long African tradition of asserting the worth of the individual, born of Igbo myths that described each community as created separately with its own original ancestor. This notion of individuality, which made the Africans vulnerable to the Atlantic slave traders and to colonial occupation, is the same quality that defined the native African fiction and poetry that emerged in the 1950s, at the time of independence for many African nations. This slim volumeDtold in Achebe's subtle, witty and gracious styleDis one of those small gems of literary and historical analysis that readers will treasure and reread over the years. (June)
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
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One of the earliest memories I can summon from the realm of childhood was a home coming that was extraordinary even for such recollections. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
One of the earliest memories I can summon from the realm of childhood was a home coming that was extraordinary even for such recollections. Read the first page
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Customer Reviews
Most helpful customer reviews
By "xirsi"
Format:Paperback
Long live the proud son of Africa and our respected statesman.
Achebe the honest and truthful dispenser of both sides of the story. Colonial griots (to borrow Achebe's words) such as Elspeth Huxley and other apologists have for too long been left alone to justify the dispossession of precious lands and cultures. Until the proud son of Africa made them eat their own words and exposed them for what they are. Dishonest griots deftly laying the groundwork for self-enrichment at the expense of peace loving and decent Human Beings.
Chinua Achebe as exemplified by his few but precious books writes not to make money but only when he must say something useful. Unlike modern day "authors" who are more about money than substance. I have no doubt Achebe can write profound and moving accounts of African and world issues at the rate of one book a day but he chose only to spend his time teaching.
It is obvious why the Nobel Prize went to Wole Soyinka instead of Chinua Achebe. Achebe refuses to write for a "foreign" audience and does not take his marching orders from anybody. He is his own man. Africans and honest people all over the world have in their own ways given Achebe the best prize in the world.
Continuous interest in his worthwhile classics such as Things Fall Apart,The Man of the People,No longer at Ease,Anthills of the Savannah, Morning Yet on Creation Day,Hopes and Impediments and many others.
Achebe the honest and truthful dispenser of both sides of the story. Colonial griots (to borrow Achebe's words) such as Elspeth Huxley and other apologists have for too long been left alone to justify the dispossession of precious lands and cultures. Until the proud son of Africa made them eat their own words and exposed them for what they are. Dishonest griots deftly laying the groundwork for self-enrichment at the expense of peace loving and decent Human Beings.
Chinua Achebe as exemplified by his few but precious books writes not to make money but only when he must say something useful. Unlike modern day "authors" who are more about money than substance. I have no doubt Achebe can write profound and moving accounts of African and world issues at the rate of one book a day but he chose only to spend his time teaching.
It is obvious why the Nobel Prize went to Wole Soyinka instead of Chinua Achebe. Achebe refuses to write for a "foreign" audience and does not take his marching orders from anybody. He is his own man. Africans and honest people all over the world have in their own ways given Achebe the best prize in the world.
Continuous interest in his worthwhile classics such as Things Fall Apart,The Man of the People,No longer at Ease,Anthills of the Savannah, Morning Yet on Creation Day,Hopes and Impediments and many others.
Home and Exile may be a small book but has enough three pence (from Achebes "somebody knock me down and have three pence!") to liberate nations and individuals from the grip and stench of colonial and racist apologia masquerading as literature.
Long live Achebe, proud son of Africa and citizen of the world.
To know Achebe (by reading his books) is to know how to be an unassuming and proud Human Being who quitely and calmly states his truth for the benefit of us all.
By Raquel B.
Format:Hardcover
Achebe's work was informative, thought provocing, and at times amusing. His work is another example of how important it is for all people to tell their own story/history, especially people who were once disposessed. This little book inspired me to write a few ideas to prevent my experiences from being misinterpreted.
By A Customer
Format:Hardcover
The physical brevity of Achebe's "autobiography" truly belies the intrisic wisdom he so effortlessly spews upon his listeners. Mr. Achebe sets out to deconstruct the manifold, post-colonial ills (endemic to the dispossessed of African diasopora) with the assistance of historical literature, creation fables, and his own personal memories. Indeed, a thought provoking manifesto for any fan of the great Achebe; one which will aid the reader to pursue further literature with a new sense of enlightenment.
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