From School Library Journal
PreS–Rhythmic, somewhat dialectal prose combines with Keeter's warm and expressive oil paintings to convey a sense of song and motion across the pages of this simple book. Heartwarming scenes of an African-American mother and child cuddling, playing, dancing, and napping together are sure to evoke powerful feelings of love, nurturing, and security in both parent and child. Pair this lyrical offering with one of these other stories depicting young children, mostly African American, within the context of a loving family: Trish Cooke's
So Much (1994) and
Full, Full, Full of Love (2003, both Candlewick); Ann Tyler's
Baby Dance (1999); and Vera B. Williams's
"More More More," Said the Baby (1990, both HarperCollins).
–Mary N. Oluonye, Shaker Heights Public Library, OH
From Booklist
PreS. This picture book could have been published as a sturdy board book, but it's easy to see why a full-size, hardcover format was ultimately chosen: Keeter's satiny oil portraits of an African American mom and her handsome toddler deserve to be reproduced in large format. Setting off the warm skin tones with bright tropical hues, Keeter enfolds iconic moments of babyhood in a cocoon of burnt-sugar warmth and sweetness. There is something a bit off-putting in the smothering maternal impulses that sometimes surface in Duncan's text (this mom wants to squeeze and kiss her "sweet Puddin' 'n' Pie" until "the sugar's gone"). Still, the poetic narrative will especially appeal to many African American families for language that reflects the sounds and rhythms of their households ("I'm gone always be yo sweet Ma'Dear"), and the reassuring words and joyful images should touch an even broader audience.
Jennifer MattsonCopyright © American Library Association. All rights reserved