6 of 7 people found the following review helpful
4.0 out of 5 stars
Hoshruba is fascinating but two-dimensional, Jun 8 2009
By Syed Imran - Published on Amazon.com
This review is from: Hoshruba: The Land and the Tilism (Paperback)
Hoshruba is a very good example of the kind of stories we grew up hearing. The good hero always wins and the evil sorcerers who imprison fair damsels get killed. The characters in Hoshruba do not rise above these stereotypes. Farooqui does a good job of translating the magical and mythical nature of Hoshruba. But I wish that instead of being a faithful translator, he would cut to the chase and add some modern dimensions to the story.
After a while, it gets tedious reading about how the tricksters get trapped by sorcerers and then kill them using their cunning. There is no middle ground in Hoshruba: the tricksters are the pinnacle of cunning, the fair damsels are all beautiful beyond imagination, the sorcerers are vile and powerful and the lovers are the epitome of fidelity. Its black or white with no shades of gray.
The characters are well-described - but not well developed. Familiarity with the characters, their motives and thoughts is assumed.
5.0 out of 5 stars
The Magic of the Urdu Epic, Mar 5 2012
By Robert Lebling - Published on Amazon.com
This review is from: Hoshruba: The Land and the Tilism (Paperback)
Imagine "The Lord of the Rings" told from the viewpoint of the Dark Lord Sauron. Imagine it as eight volumes instead of three, totaling more than 8000 pages. That in simplest terms is "Hoshruba."
But in this case we're talking about an Urdu epic, a vast magical fantasy penned in India in the 19th century. The translator is fresh from a publishing triumph, "The Adventures of Amir Hamza." The Prophet's uncle Hamza, transformed into a superhero, is a key player in this tale as well. But the story centers on Afrasiyab, a sorcerer/emperor who rules over Hoshruba (meaning "Senses-Ravishing"), a magical world or tilism where anything can happen and usually does.
Look for deceit, betrayal, romance, war, violence, bizarre plot twists and of course magic. Sorcerers and sorceresses abound in the thousands; giants, monsters and demons materialize when you least expect it. In the most common clashes, sorcerers battle "tricksters" - warriors who use cleverness to prevail, rather than spells.
Afrasiyab may be an "evil emperor," but his character and foibles, coupled with the great challenges arrayed against him, make him far more interesting than any conventional hero.
This cycle of tales was born in Lucknow, brainchild of storyteller Mir Ahmed Ali, who wanted to thrill audiences with a turbocharged, freewheeling variant of the much older Indo-Persian Amir Hamza epic. The first published version of the Hoshruba tales was written by Jah, another Lucknow storyteller, in the early 1880s.
Translator Farooqi brings a magic of his own to this first book in the series. He prepares the reader with useful background on magical matters, Amir Hamza and the Tilism and its Master. Also appended are useful lists of characters and notes on their powers and weapons. The adventures are crafted for English audiences in a comfortable, readable style, and are packed with color and amazement, zipping by at breakneck speed.
[A version of this review appeared in Saudi Aramco World, Sep/Oct 2009.]