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3.0 out of 5 stars
Schizoid, May 4 2004
Schizophrenic film that can't decide whether it's Playhouse 90 or Airplane!. In one corner are Scott and Chayevsky making with the intense psychological realism and some really powerful moments; in the other is chaotic urban hospital laboring at zany gallows humor with a few scattered laughs. In between is director Hiller hoping for single workable whole. Result is awkward pastiche that doesn't live up to super-rich potential. Film is object lesson in how miscasting of even top-notch talent can produce disappointment. I keep wishing gifted amateurs like Zucker Bros. & Jim Abrams had gotten hold of idea first. Sure, Scott is great actor, but he's so authentic he overwhelms ambient efforts at satire; yes, Chayevsky gets off some good lines, but keeps piling on the prose long after it's peaked out. What the movie really needs are more sight gags and a lot less talky angst. In short, let the visuals carry the message -- something word fiend Chayevsky could never allow. My advice: once hippie chick Rigg starts bragging about Scott's restored virility, switch off, because it's a downhill ride from there.
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4.0 out of 5 stars
The Hospital plus 33 years, Jan 29 2004
This review is from: The Hospital (DVD)
Its amazing to look back and view this film again to see how " we made out"! Well we didnt! "The Hospital" underscores the malaise that was beginning in the early 70,s in hospitals. That malaise has now spread into a full blown epidemic. Today, 2004, the hospital,mostly any hospital is one of the most dangerous places to reside in. They are unhealthy,replete with staff shortages, racked with mal practice suits, hammered by HMO's subverted by medicare rules and regulations and emeregency rooms that are packed with aliens getting their initial health care! This film shows how organized mayhem effects health care and converts that to disorginized health care. George C. Scott is totally defeated physician who is rejuvenated by the allure of Diana Rigg( who wouldnt be) Its too late for Scott and many of the patients that fall to DR. Wellbeck's unsteady hands or Bernard Hughes' philosophy. In the end Scott stays on in his quagmire sort of like a Capt who chooses to go down with his ship. Unrelenting and terrific film hits all the marks so get ready! CP
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4.0 out of 5 stars
The Hospital as microcosm of world's problems circa 1971, Oct 13 2003
This review is from: The Hospital (DVD)
Paddy Chayefsky, the screenwriter of "The Hospital," introduces many of the themes here that he will perfect and revisit in 1976's essential film "Network" and his spiritual/psychedelic experiment "Altered States" (1980). "The Hospital," more or less, is about spiritual malaise -- when work can no longer replace sex as a primal drive (to loosely paraphrase one of Freud's maxims) ; when technology and scientific knowledge work to conspire against those it is supposed to help ; when generation gaps form as a result of all these changes. George C. Scott plays Bock, a middle-aged, "male menopausal" suicidal doctor who is trying to figure out where his lust for life is as well as who is killing off his doctors in a Manhattan hospital one by one. Like another classic George C. Scott film, Kubrick's "Dr. Strangelove," this is unusually dark terrain even for dark comedy. The cure for Bock's lack of passion comes in the person of Diana Rigg, a mid-twenties spiritual eclectic and acid-head. Ironically, she is presented as a complete space-case, but is the only object that can bring Bock to his central realization -- that he is "middle class" and that for him, love does not conquer all, but, rather, responsibility. Chayefsky shows himself off here to be a master technician, deploying language that would later sound at home in the TV show "ER," as he weaves a skewed realism with his particular brand of post-Marxist social commentary. An odd film, for sure, but definitely worth checking out.
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