1 of 1 people found the following review helpful
4.0 out of 5 stars
A very good soft rock album, Oct 25 2003
This review is from: Hours... (Audio CD)
I was really suprised when I first heard this album because it was so different from the first album I heard by David Bowie (Space Oddity), but it's quite good in a different way. The lyrics are a little confusing but nice nonetheless, all of the tracks are pleasant to listen to, and the song "Seven" really stands out - i'd say its among the most beautiful and touching rock songs I've heard. I'm not giving it 5 stars because it dosen't quite have the oomph of the REALLY good albums like Kid A or Sgt. Peppers, or even Space Oddity, but if you like soft modern rock, it's definatley worth your 15 bucks.
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1 of 1 people found the following review helpful
3.0 out of 5 stars
Not entirely fascinating, but pleasant enough, Oct 1 2002
This review is from: Hours... (Audio CD)
Bowie's problem these days is he can't get used to getting on in life. Still siring children, squiring super models, becoming the internet and, all the while, purporting to retaining footing on the leading edge of the artistic world (mates with Moby, you know), all this in his fifties ... it isn't a modus operandi I'd follow to retain my dignity if I were him.
But, with a pleasing showing at Glastonbury last year, and now this record and (to an extent) the more recent Heathen, maybe the signs are there that Bowie's finally preparing to reach for the pipe and slippers.
Not before time.
Finally, a record with no complicated double-album length concept art murders to tax your credulity (per 1. Outside); no drum machines played back at 78 rpm to have you groping for the Tylenol (per Earthling); no peroxided quiffs, china girls, red shoes, glass spiders, screaming lord Byrons, hobgoblin kings, pet shop boys remixes - nothing like that. Just updated middle rock, contemporarily produced nice tunes and lyrics of a nostalgic bent. The nearest thing I can put it to is the more straightforward (and hence less interesting) parts of The Buddha of Suburbia.
And that's exactly the problem. It just isn't all that interesting. Despite what the papers said, it is not Hunky Dory (nothing like it, in fact) and, unless you lock yourself in, it'll be over before you realise it and you'll have wandered off to do something round the house, or started reading the paper, it's that engaging.
Basically, it's cafe music. That's quite an indictment, so I qualify it by saying it would be a *nice* cafe, one sophisticated enough to deliberately not own the Gypsy Kings or Simply Red, but still cafe music all the same.
Sorry, David.
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1 of 1 people found the following review helpful
5.0 out of 5 stars
Simply Spectacular, Feb 28 2002
This review is from: Hours... (Audio CD)
Some of the times an album gets drowned out by an artist's former successes. If an album, from such a performer, does not break new ground it somehow gains less attention than the upstart's albums. This, my fellow legion of Bowie fans, is simply a spectacular album. This is David Bowie easing on the cutting edge for a moment to settle into sound song craftsmanship. How many artists out there can lay claim to so many incredible and unique albums. In my opinion, Bowie has had ten albums I would call incredible, and this fits into that groove. Subtlety rules on this album. A deft hand by both Bowie and Reeves Gabrels has been used on this album to at times fill the empty spaces, and at other times let it flow. To say that I am impressed by this album would be a grand understatement. This is a probably not a great starting point for those not initiated into the Bowie craftsmanship, but to those who love him as much as I do...it's great punctuation to the progressive brilliance.
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