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House of Games (Widescreen/Full Screen)


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Product Details

  • Actors: Lindsay Crouse, Joe Mantegna, Mike Nussbaum, Lilia Skala, J.T. Walsh
  • Directors: David Mamet
  • Writers: David Mamet, Jonathan Katz
  • Producers: Michael Hausman
  • Format: Closed-captioned, Color, DVD-Video, Full Screen, Letterboxed, Widescreen, NTSC
  • Subtitles: Spanish, French
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Fox Video
  • Release Date: April 1 2003
  • Run Time: 102 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (29 customer reviews)
  • ASIN: B00004ZBVL
  • Amazon Bestsellers Rank: #51,107 in DVD (See Top 100 in DVD)


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Customer Reviews

3.9 out of 5 stars
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By Luigi Di Serio on Oct. 14 2009
Format: DVD Verified Purchase
A story about a writer who gets mixed up with a con-artist. A psychological thriller with twists all over. A classic Mamet film with his classic "abrupt cuts" in the dialogue, acting, film cuts and scene styles. Excellent stuff for 1987.
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By S. Harris on July 16 2004
Format: DVD
David Mamet's "House of Games," is another of that director's giant flip jobs. I've been working my way through the Mamet catalogue, and one can't help but feel the director sees the world itself as a giant con. Well, that's perhaps a bit simplistic, but Mamet does cling, in movie after movie, to some core principles. One of these is that you must trust no one. In "Spartan," "The Spanish Prisoner," and "House of Games," this very line is uttered, usually by a villain to an innocent. This sounds like a negative credo, but it really isn't. First, consider who's issuing the warning: the villain. Will the innocent learn from experience? And will the learning result in corruption? (Important questions for Mamet.) Second, trusting yourself and knowing yourself (weaknesses included) in a dangerous world is advisable, necessary, in order to survive . I have to believe Mamet is a big reader of Joseph Conrad.
The story behind "House of Games," involves Lindsay Crouse as Margaret Ford, a doctor and popular author. Her "big book" is titled "Driven," about compulsive and addictive personalities. It doesn't take long to figure out the book is about herself. So driven is Margaret that she is beginning to make Freudian slips in her conversations, slips that reveal dark corners of her own personality. She may be heading for a breakdown - and a teaching colleague warns her, tells her she must slow down. But "slowing down" comes as another writing project presents itself, seemingly accidently due to the dilemma of a patient , when Margaret is introduced to the world of the Con at a local bar and pool hall called "House of Games." This introduction comes at the hands of Mike (Joe Mantegna), a handsome and slick con man who is willing to provide a tour - though he does warn her: "Trust no one.
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Format: DVD
As one other reviewer here very accurately put it: "we've become smarter since this movie was made". Especially when we've since seen mega-stunners like the "Usual suspects" or "Sixth Sense", movies that took the "film with a twist"-genre to a whole new plataeu.
A hotshot psychologist finds out the hard way that her trade doesn't cut it much down at the streets when she becomes emotionally (and otherwise) involved with a con-man and his circuit. As she's awed by all the "rules" and even more so the tricks that make the con-world spin, she asks to be "shown more", only to see that being shown more includes being caught in an invisible and catastrophic spider web. I don't want to give the plot away since this is obviously the strength of the film, but "House of Games" was one of the premier twist films for the time it was made, even if it might seem dated today.
Some of the twists might (emphasis on the "might") be somewhat predictable but that would be the case only for the very initiated viewer.
Mamet has got some great scripts under his belt, but if there's one thing that seriously undermines his film hee (he also directed it) is the acting of J.Crouse. While Joe Mantegna (the other lead in the movie) is in my opinion absolutely great, Crouse gives a half-dead performance, wooden and surreally uninspired, especially when one considers that she was acting (?) a part in a solid story. Were it not for her terrible performance this movie would be elevated into whole new heights.
Some people thought that the dialogue was problematic, but in my view it's exactly the bizzarity of the dialogue that makes the "House of Games" all the more special.
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Format: DVD
....or, "The Large Con consists of a series of Small Cons put in an 'attractive' order".
....or, "Everybody's got a little bit of small con in them. Well, some folks have larger cons..."
I saw this movie again and, despite my distaste for certain aspects of the Mamet approach (He wishes actors to read the dialog as written, without emoting too much. The emoting is somehow brought across in the words. In my opinion sometimes the dialog comes off as more staccato than true life, but who am I? Mamet is the world renown author/director, here. I am simply a hack reviewer--but I digress)...this, I think, is a very cool movie with a lot going for it. The chemistry with Crouse and Mantegna is subtly packaged...the cool psychologist becomes child like to the swaggering, but one step from being oily, con-man. She wanted so much to believe that she was being allowed in a world of secrets, privy to only a few, so she trusted this guy to Father her thru this mesh of crosses and double-crossings.
Those moments with the con-artist to her were romantic, exciting, hell, downright sexy and she was feeling more alive than the sterile clinical environment offered to her as a psychologist. Until, that is, The Big Tell gave her a kick in her nether regions.
What makes the movie a surreal experience is that on one level anyone who is in movie making and story telling (or sometimes health services like psychiatry/psychology) is some what of a con artist that we all surrender to one way or another. And we in the audience usually have to remind ourselves to Look Out for The Tell...do you see where I'm going with this? Good. Remember then. And see this movie. It's a good one.
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