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House Of Niccolo 04 Scales Of Gold [Paperback]

Dorothy Dunnett
3.9 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

Aug 1 1993 The House of Niccolo
'A glorious panorama of medieval times ...The historical research is impeccable' - "Sunday Express". The year 1464 finds our hero Nicholas in Venice. Plagued by enemies bent on dissolving his assets and smearing his character, he sets sail for Africa, legendary location of the Fountain of Youth and the source of gold in such abundance that men prefer to barter in shells. He will discover the charms of the beautiful Gelis - a woman whose passion for Nicholas is rivalled only by her desire to punish him for his role in her sister's death. Erotic and lush with detail, "Scales of Gold" embraces the complexity of the Renaissance, where mercantile adventure couples with more personal quests behind the silked curtains of the Age of Discovery.

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From Publishers Weekly

From the glassworks of Murano to the commercial hub of Timbuktu--and through fearsome peril on land and sea--entrepreneurship, religion, gold fever, friendship and revenge fuel this rich historical romance from a masterful raconteur. In 1464, adventurer and merchant banker Nicholas van der Pole (hero of three previous Dunnett novels) returns to Venice to find his financial empire in jeopardy due to the Crusades and the onslaught of powerful, unscrupulous competitors. Closely guarding the specifics of his mission, Nicholas sets out for Africa and its gold trade, taking with him his closest friend Loppe, guide and former slave; Father Godscalc, a would-be missionary to Ethiopia; Diniz, his impetuous young cousin; and Gelis van Borselen, a strong, brilliant woman who blames Nicholas for the death of her sister. Relying on Nicholas's unflappability, his instinct for leadership and especially his ever-calculating intelligence, the unlikely group make their way deep into the continent's perilous, uncharted interior. Moving briskly from thick jungles to barren deserts to opulent salons throughout Europe, Dunnett ( Race of Scorpions ) fills each page with wit and winning detail.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Kirkus Reviews

Medieval entrepreneurial whiz Nicholas van der Poele now finds gold, uncharted African territories, and inner peace in the Sahara desert--in this fourth novel in a series that began with Niccol• Rising (1986). Returning to Venice from Cyprus, Nicholas the dyemaker's apprentice, who by 24 has become one of Europe's great merchant- bankers, finds the bank he founded in trouble and his own reputation beset with rumors. Enemies (and he has naturally a great many) are claiming that he murdered trading rival Simon St. Pol's wife Katelina, as well as seduced Simon's nephew Diniz. The Turks are also threatening to retake their lost lands; Venice itself needs money; and arch-banking-rivals want to destroy Nicholas, which is just the sort of situation he thrives on. Through complex maneuvers and deals, he manages to arrange an expedition via the sea route to the south to find gold and the legendary kingdom of Prester John in Ethiopia. The expedition that sets off from Madeira includes beautiful but feisty Gelis, Katelina's younger sister bent on avenging her murder; Loppe, the freed black slave who has promised to lead Nicholas to the fabled gold mines of Africa; Bel, a formidable Scotswoman; and Father Godscale, who hopes to make Christian converts. In Africa, Nicholas fights his rivals; is appalled by the slave trade; treks (with Loppe as his guide) to fabulous Timbuktu, where he is tempted to linger; makes an arduous but futile search for Prester John; and returns to Venice via the Sahara desert--the setting of a significant epiphany--with enough gold and heroic reputation to restore his fortunes. Only true love is elusive as Nicholas, prepared to settle down and raise a family, finds unexpected obstacles--so presumably there's a lot more adventure still ahead for our hero. Great stuff for all Dunnett fans. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

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Customer Reviews

3.9 out of 5 stars
3.9 out of 5 stars
Most helpful customer reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars Just a Bit too much for my taste this time. Mar 29 2001
Format:Paperback
I love Dorothy Dunnett's writing, and the way she describes the exotic places that our hero visits is extraordinary. This book covers the mysterious land of Africa. We see so much majesty and grandeur here, especially in fabulous Timbuktu. We see a much more mature Nicholas as he finds and admits real friends into his world. Godsalc and Loppe finally get to see some of the true Nicholas. Diniz is a real treasure and I really like this character. Nicholas' group faces real danger and privation in this book and none of them that attempt the adventure come back the same. Nicholas does manage to regain and even add to his fortune. Something that is different in this book is that there is not much description of what happened on the trip that Nicholas and Godsalc took to find Ethiopia. We also didn't hear much about the trip across the Sahara. This is indeed different for Ms. Dunnett, since these two events are what really changed Nicholas outlook and his dealings with his people. She always goes into quite vivid details about side trips that Nicholas has taken in previous books. Now why, after I have extolled all the virtues of this book have I only given it a 4 instead of a 5? Because I felt cheated at the end of the book. Yes, it's a clever cliffhanger, and it does make you want to continue reading the other books to find out if Nicholas does find his true love, but to me it seemed like "grandstanding", and that's not like the Dorothy Dunnett that I know and love. I won't reveal the ending for those of you who want to read the book because it would spoil it for you, but suffice it to say that there is nothing in the previous 500 pages to explain why she chose this way to end the story. Yes, I will continue to read the series, but I must admit that I was disappointed and angry after I closed the covers on this one.
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1.0 out of 5 stars confusing & disappointing Sep 18 2001
By A Customer
Format:Paperback
This review should be read with the following caveat: I did not know that this was part of a series. Consequently, much of the confusion that I experienced would not be experienced by a dedicated fan of the series. That being said, there is still much that is confusing about this book. The author has us linger for chapter after chapter in particular spots for no apparent reason, as there is no significant plot or character development that occurs. Ms. Dunnett often seems to be swept away in her characterization of renaissance Europe & pre-colonization Africa, so much so that she loses herself (and her reader) in description of places and events that turn out to have little (if any) relation to the underlying story. More disappointing, however, is the ending. This book is at its heart about individuals looking for peace from their pasts and from the ghosts that they carry with them. The ending could easily be a commentary on how each have the personal power to free ourselves from our pasts, and that only we as individuals have that power. Instead however, the ending turns the story into nothing more than a tale of bitterness and rivalry, with potentially great people giving into pettiness and hate.
Was this review helpful to you?
1.0 out of 5 stars confusing & disappointing Sep 18 2001
By A Customer
Format:Paperback
This review should be read with the following caveat: I did not know that this was part of a series. Consequently, much of the confusion that I experienced would not be experienced by a dedicated fan of the series. That being said, there is still much that is confusing about this book. The author has us linger for chapter after chapter in particular spots for no apparent reason, as there is no significant plot or character development that occurs. Ms. Dunnett often seems to be swept away in her characterization of renaissance Europe & pre-colonization Africa, so much so that she loses herself (and her reader) in description of places and events that turn out to have little (if any) relation to the underlying story. More disappointing, however, is the ending. This book is at its heart about individuals looking for peace from their pasts and from the ghosts that they carry with them. The ending could easily be a commentary on how each have the personal power to free ourselves from our pasts, and that only we as individuals have that power. Instead however, the ending turns the story into nothing more than a tale of bitterness and rivalry, with potentially great people giving into pettiness and hate.
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