House of Meetings [Hardcover]

Amis is a fine writer, and I think he lets his skill get in the way of his book. If he had been more concerned with writing a good book than writing well, it might have been better. House of Meetings contains much gripping material, especially in the first half that focuses on life in the Gulag, but I found the characters not too credible.

The material about life in the camps is harrowing, and Amis' skill is well used here. His phrase about the cold "grabbing you and frisking you," will stay with me through all my thoughts and reading about the Gulag. His passages about erotic and violent encounters can pack quite a wallop, no question. But I found the characters in the love triangle to be rather too familiar, and I really couldn't muster much interest in how their lives would turn out. The narrator talks like a, well, like a litterateur...how did he get that way after such a brutal life? No clue. His brother, a man of iron principles...why? No clue. The love interest, a Venus of Wittemberg type, all earth, sex, sensuality. (And it's all written to his step daughter, Venus, a typical American girl - the irony is a bit too thick.)

The sentences in the book can be marvelous, the descriptions haunting, but they don't seem like the sort of thing that would come out of the character who's telling the story. They seem more like Amis trying to sound like an intellectual Gulag survivor. Not bad, but once they get out of the camp, not too compelling. The plot is supposed to be tragic and weirdly contorted, but it just seems contrived to me. Would anyone really talk about their lives as these people do?

I've been a big fan of Martin Amis' work since I discovered "Money", which forced me to devour all his previous and subsequent books. And I have read with dread fascination a lot of the history of the Soviet Union, including many of the books used by Amis to prepare "House of Meetings" and the great earlier historical essay Koba the Dread: Laughter and the Twenty Million Amis is a natural with the English language; it's like watching Steve Young throw touchdowns. His earlier, darkly comic novels were a lot of nasty fun, but he went through something of a slump in the last decade. It seemed he was searching for larger tragic themes for his fiction. He may have found them. I think "House of Meetings" is his best book since "London Fields" and may just be his finest book yet. It's like one of those massive Russian novels compacted into a brisk 240 pages; imagine Dostoevsky crossed with Nabokov. In "House of Meetings" he is able to combine a harrowing historical novel about Soviet Russia and serve his own preoccupations with black comedy, human destructiveness, and tragedy. It's a novel about the cruelties of ideology and the annihilating power of twisted sexual obsession.

This is a very rare novel by a major Western writer about the Gulag; perhaps it will begin to correct the increasingly embarrassing absence of attention this subject has gotten from Western literary intellectuals. The basic triangular situation of the characters is a familiar Amis situation, but one he has adapted to the tortured history of the times. The nameless narrator is a vital barbarian who grows more sensitive and intelligent with the more and more torment Amis puts him through (although not sensitive enough perhaps to save him in the end.) His brother Lev is not so handsome or assured. He is in fact very passive and inadequate, but because he is a poet he manages to wed Zoya. She is one of Amis' earthly goddesses who becomes the catalyst for the brothers' destruction. During World War II the narrator "rapes his way across eastern Germany" in the Red Army. (That Amis is able to keep us involved with such a morally compromised character is a measure of his great talent.) After the war the brothers end up in Norlag, near the Arctic Circle, "sold into slavery" in the huge concentration camps of Siberia. Amis presents a horrifying but compelling and convincing portrait of those times and places, layered with actual events gleaned from the best histories (like Solzhenitsyn, and Anne Applebaum's definitive Gulag : A History.) After ten years the brothers are set free but discover that freedom is not granted, but struggled after with hideous cost. The epigraph of this novel could be from Shakespeare: "There's a destiny which shapes our ends, rough-hew them as we will." Amis' narrator comes to believe there is a damnation set aside for each of us. But we come to see how unreliable he is. There is an assignation in the so-called "house of meetings" in the camp, used for conjugal visits, which haunts the book like a ghost and the nature of which is revealed only at the end after a series of events which leads to disaster for all. Amis is famous for his bleak surprise endings, and this one gave me chills. Because it is so cruel and yet so in keeping with what has gone before. If you enjoy fine literary fiction and are interested in the terrible history of the 20th century, like me, you must read "House of Meetings."

Fans of Martin Amis will recognize a narrative dynamic in HOUSE OF MEETINGS. This is fraternal competition, which manifests in the novels SUCCESS, MONEY, and THE INFORMATION as the hilarious but sad interplay between dependent men.

But in HOUSE OF MEETINGS, Mart gives his fans a twist. This time, he takes this same dynamic and imagines its expression between two brothers in Soviet Russia, the older a soldier brutalized by his experiences in World War II. In HOUSE OF MEETINGS, Mart explores how this dynamic, which drove the lives of his characters in 1980's London and New York, would withstand years of slave labor in Stalin's Gulag.

One Amazon.co.uk wag (the review has disappeared) called this book ONE DAY IN THE LIFE OF MARTIN AMISOVITCH. Mart's fans who read HOUSE OF MEETINGS will see this comment is spot-on, since this novel explores such familiar Amis themes as male competition, loveless sex, retribution, and bad teeth, this time in heavy-handed Soviet society. It's fascinating stuff and the writing, especially in the first and last sections, is brilliant.

One word of warning: The experience of reading this book is similar to reading EVERYMAN, the latest from Philip Roth. I'd call each novel a short and mesmerizing page turner. But neither book is happy reading, even with the guilt plagued narrator of HOUSE OF MEETINGS finally earning profound but ironic praise from his younger brother.

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