3.0 out of 5 stars
Not Elfman's best, but a solid score nonetheless, Oct 10 2003
This review is from: Hulk (Audio CD)
Seemingly abandoning his more melodic tones for a heavier orchestral vibe, Danny Elfman has churned out another solid film score with The Hulk. Elfman's score was one of the few bright spots of the film; fusing sounds which are very similar to some of his past works with some Middle Eastern-ish tones and electronical blips to create something that isn't very memorable, but enjoyable nonetheless. Elfman's past few scores have either been solid or disappointing; I like his Hulk score more than I did his scores for Spider-Man and Planet of the Apes, but not as much as Sleepy Hollow or Nightmare Before Christmas. The final track on this disc is a song called "Set Me Free" which is performed by Stone Temple Pilots vocalist Scott Weiland and old members of Guns 'N Roses. That track is a nice little extra thrown on the disc, but Elfman's score is the main highlight.
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2.0 out of 5 stars
. . . . . . . . . . . . Not Exactly Among Elfman's Best., Aug 6 2003
This review is from: Hulk (Audio CD)
Early rumors on the Web stated that John Williams (the single greatest film composer of all time) would be scoring for HULK. Well, I was naturally ecstatic about this news! This would mean Williams' return to the genre of comic-turned-movie after more than twenty years since SUPERMAN (easily one of his best). But these rumors were soon proven to be false, and now Danny Elfman was to write the music. Well, I was overall not impressed with this decission, and for many reasons:
1)He just scored SPIDER-MAN, for cryin' out loud! Anyone else sense a certain lack of originality, here?
2)The Hulk is BIG! Hulk is BAD!! HULK SMASH!!! HULK is the exact type of film/character that needs a booming score full of percussion and . . . . well, BOOMs! And that is exactly why John Williams would be the perfect choice for composer; think about it: STAR WARS, SUPERMAN, INDIANA JONES, E.T. . . . . all Williams, as well as much, much more. Meanwhile, Danny Elfman's style is for the most part the exact opposite: slow, mysterious, eerie, unsettling. In short, anything BUT loud, percussion BOOMS!
3)A THEME! I need a THEME, for cryin' out loud!! One of the most important reasons Williams is the #1 film composer is that he is the king of THEME! Think of all the films I previously stated (as well as the rest of his entire filmography); all had recognizable themes. I can only think of one time which Danny Elfman did this: in BATMAN. And that's another thing . . . . . from the man who gave The Dark Night his ultra-memorable score, I would expect much better! The Hulk has no recognizable theme whatsoever. SPIDER-MAN had the exact same problem. This is utter blasphemy; it is practically a written RULE that a superhero MUST have his/her own good theme that one can easily recognize!
In short, Danny Elfman was simply the wrong person to write the music for HULK. John Williams was, on the other hand, the RIGHT guy.
Allright, you're all probably getting tired of this Williams-Elfman comparison. So I'll just concentrate on the actual music now. Once again, HULK suffers the same problems that SPIDER-MAN did. Both are bland scores overall. But while SPIDER-MAN was just that, HULK is bland AND feels incredibly rushed. It has no direction, and it's all very random.
Okay, enough with the cons. Do not think that I feel HULK's music is necessarily BAD . . . . . . . it's just not that GOOD. Oh, and maybe I was wrong to state that HULK has no theme. It has one, allright. I've got it! The problem is that the theme doesn't match the actual character/movie! If the music were put in another movie it would be another story. Or, another idea would be to have two seperate themes: one for the actual Hulk, and the existing theme (more psychological than BOOM) for Bruce Banner. But alas, such is not so.
Why then, through all these cons and shuns do I give this CD three stars instead of 2 or 1? Well, like I said before, While it ain't terrific, it ain't terrible, either. It's one of those CDs that you just put on for the sake of listening to music that you don't really have to pay attention to/you can dual-task with. John Wiliams writes music that truly captures your entire attention. HULK does not. However, despite the numerous bland tracks, a few actually are pretty good. Just try and not think of Hulk smashing tanks while listening. Instead, try to think of Bruce Banner's psychologically-torn persona. In that case, it actually works very well.
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