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Hunky Dory
 
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Hunky Dory [Enhanced]

David Bowie Audio CD
4.7 out of 5 stars  See all reviews (50 customer reviews)
Price: CDN$ 11.35 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Customers Who Bought This Item Also Bought


Product Details


1. Changes (1999 Digital Remaster)
2. Oh! You Pretty Things (1999 Digital Remaster)
3. Eight Line Poem (1999 Digital Remaster)
4. Life On Mars? (1999 Digital Remaster)
5. Kooks (1999 Digital Remaster)
6. Quicksand (1999 Digital Remaster)
7. Fill Your Heart (1999 Digital Remaster)
8. Andy Warhol (1999 Digital Remaster)
9. Song For Bob Dylan (1999 Digital Remaster)
10. Queen Bitch (1999 Digital Remaster)
11. The Bewlay Brothers (1999 Digital Remaster)

Product Description

From Amazon.co.uk

The precursor to Bowie's masterpiece, The Rise And Fall of Ziggy Stardust And The Spiders From Mars, Hunky Dory points in many of the same musical directions as Ziggy, with Bowie camping it up outrageously through a mixture of cabaret piano, coquettish lyrics and soaring vocals. After the hard rock "The Man Who Sold The World", Mick Ronson's guitar is turned down in favour of plenty of piano and acoustic guitar, as Bowie proves his mettle as a masterful singer-songwriter. Not a dull note is struck on the whole album, which flits from opener "Changes" to the vampy "Oh! You Pretty Thing" to the heart-wrenching "Life On Mars" with a seemingly impeccable ear for a tune. Flirty, sexy and irresistibly seductive. --Amber Cowan

Chronique amazon.fr

Quand David Bowie publie Hunky Dory, le monde n'est pas tout à fait prêt à entendre ces histoires d'androgynes, adeptes d'Oscar Wilde. Lui, en revanche a pensé toute son entreprise, et avec cet album, il s'apprête à installer durablement son nom, ses métamorphoses et ses obsessions dans le paysage musical. Hunky Dory renferme tous ces ingrédients, des chansons comme "Changes" et "Life On Mars ?" diffusent instantanément l'insolent génie de Bowie. Un brin de cynisme pour ces textes irrévérencieux, et surtout un sens redoutable de la mélodie et des arrangements dont l'artiste sait depuis longtemps que les meilleurs ont été inventés entre 1960 et 1965. Des chœurs nubiles, bercés de cordes élégantes, une voix qui doit un peu à Ray Davies des Kinks, à Lou Reed, à qui il dédie le foudroyant "Queen Bitch", et à Bob Dylan, un piano – Rick Wakeman, alors clavier de Yes, magistral dans "Oh You Pretty Thing" – et enfin la guitare de Mick Ronson, pour sceller la musique dans le durable. Hunky Dory devient l'un des trois meilleurs albums de Bowie. --José Ruiz

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Customer Reviews

50 Reviews
5 star:
 (40)
4 star:
 (5)
3 star:
 (4)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (50 customer reviews)
 
 
 
 
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4.0 out of 5 stars Good but not great., Jun 30 2010
By 
This review is from: Hunky Dory (Audio CD)
Alot of people seem to love this album, even calling it his best. But it's definitely not his best. That doesn't mean i don't like it. I love the songs Changes, Life on Mars, and Quicksand. The Bewlay Brothers is pretty good too. But some of the songs are sort of dull and too tame compared to his other greater works, such as Ziggy Stardust and Scary Monsters. Hunky Dory is certainly a classic, but not the greatest.
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5.0 out of 5 stars Let Me Make it Plain: Gotta Make Way for the Homo Superior!, Jun 8 2004
By 
Nobody! (The Infinite Beyond) - See all my reviews
This review is from: Hunky Dory (Audio CD)
Hunky Dory (1971) is David Bowie's second album--released after The Man Who Sold the World and prior to The Rise and Fall of Ziggy Stardust. Hunky Dory is the most enjoyable and entertaining of all of Bowie's albums to me--unlike most, every song is very entertaining and pleasant here. If you don't know any other of his records, I certainly recommend that you start with this one. Albeit this is the most commercial of all his works, it still possesses that guaranteed Bowie "edge." Even though Ziggy Stardust--the supreme concept album of the 1970s--is more purposeful and focused, Hunky Dory is more musically amusing and accessible than that one. While most of the tracks are not incredibly intellectual or may not require deep analysis, when it comes to writing great pop songs, Bowie is a genius. Although he doesn't usually write cheesily or with cliché, he [along with Bob Dylan] is one of the few people who can successfully pull it off when he decides to--"Kooks" is one of the silliest and funniest songs ever written, and even though it is ridiculous, it's without a question my favorite. I also really like, of course, the fittingly mournful "Song for Bob Dylan"--it's quite possibly the best tribute ever written! "Changes," the hit of the album, along with "Fill Your Heart," both integrate well and embellish the rest of Hunky Dory's childish animation and hopefulness. Directly following the release of Ziggy Stardust, David Bowie publicly announced his bisexuality, and Hunky Dory certainly has more than a few hints of this budding flamboyance. Though many of the songs are very light, many of them also expound upon Bowie's frustration with his bland society, especially "Oh! You Pretty Things:" "What are we coming to? ...Homo sapiens have outgrown their use... Gotta make way for the Homo Superior!" Bowie's style changes from album to album, but the songs on Hunky Dory are upbeat and extravagant, yet still very simple [if that's possible]. I really don't have much else to say, except that this album is very good and very nice and you should hear it as soon as you can.
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3.0 out of 5 stars 3.5 stars - Still finding his way, May 10 2004
By 
Taylor X "Taylor X" (Las Vegas, NV (USA)) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: Hunky Dory (Audio CD)
Hunky Dory (1971.) David Bowie's fourth album.

David Bowie had only been making music for about half a decade when the seventies came around, but he had already shifted his sound more times than most artists do in their entire careers. He'd gone from an oldies-pop sound to more of an acoustic-style folk rock one. And come the new decade, and he was about to shift his stylings once again, in more of a rock-style direction. With guitarist Mick Ronson, he recorded his third album, The Man Who Sold The World. One year later, he recorded his fourth LP, Hunky Dory, also featuring Ronson. Read on for my review.

Let me start by saying that this album is a step up from Bowie's previous albums (I feel each one of the first five David Bowie albums is an improvement over its predecessor), but he still hadn't found his voice as a rock star yet (that wouldn't happened until 1972's Ziggy Stardust.) Despite this, Bowie serves up a pretty good album. Changes would become one of Bowie's biggest hits, and why not? It's seventies-style pop rock at its very best. The other tracks are hit and miss, but there are a few gems here. Life On Mars would become a fairly popular track, and the favorite of many Bowie fans. It's not my favorite, but solid nonetheless. The acoustic stylings of Quicksand are also excellent - you've gotta love the lyrics here. Andy Warhol, Song For Bob Dylan, and Queen Bitch are also very good. In the end, this album seems like a definite improvement over its predecessors, but at the same time, it leaves a lot to be desired - some of the tracks are subpar.

Like with the other David Bowie remasters, the foreign Ryko versions have bonus tracks that can't be found on the American reissues. If you're a Bowie maniac, I suggest shelling out the extra cash and getting the remasters; you may enjoy the extra tracks. However, if you're just a typical Bowie fan, the American reissues will do just fine.

In the end, this is a good album, but I remain confident that it could have been done better. I really only recommend this album to David Bowie die-hards - It may give his casual fans the wrong idea about his music, and we sure as hell don't want that happening (getting the wrong first impression of a musical artist is NEVER a good thing - and David Bowie is no exception.)

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