- Actors: Burt Reynolds, Catherine Deneuve, Ben Johnson, Paul Winfield, Eileen Brennan
- Directors: Robert Aldrich
- Writers: Steve Shagan
- Producers: Burt Reynolds, Robert Aldrich, William Aldrich
- Format: Color, Dolby, DVD-Video, Subtitled, Widescreen, NTSC
- Language: English
- Subtitles: English
- Region: (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
- Aspect Ratio: 1.66:1
- Number of discs: 1
- MPAA Rating:
- Studio: Paramount
- Release Date: Jun 21 2005
- Run Time: 120 minutes
- Average Customer Review: 3.0 out of 5 stars See all reviews (3 customer reviews)
- ASIN: B0008KLVC8
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Amazon Bestsellers Rank:
#23,042 in DVD (See Top 100 in DVD)
- #62 in DVD > Mystery & Suspense > Neo-Noir
- #67 in DVD > Mystery & Suspense > Crime > Cops
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Product Details |
Product Description
From Amazon.com
Among the films that made the '70s an "American Renaissance" decade, Hustle merits a place of honor. As vigorous as the groundbreaking work of such Young Turk contemporaries as Scorsese, Spielberg, and Coppola, its distinction lies in being a throwback to the '50s glory days of its director, Robert Aldrich, when he was making corrosive, Establishment-baiting classics like Attack! and Kiss Me Deadly. The same sardonic spirit, bracing socio-political anger, and bold, hard-edged moviemaking inform this look into the soul of Los Angeles by way of a murder investigation that may not, in fact, have a murder at its core.
Steve Shagan wrote the script, and like his 1973 Save the Tiger, this movie's central character is a burnt-out case with a nostalgia for lost values: an LAPD detective (Burt Reynolds) whose spiritual/ethical touchstones are film-noir Bogart and soft-focus French movies of the '60s. He should have a girlfriend played by Catherine Deneuve--and he does, a Deneuve whose first signs of aging on screen are an evocative element of the film. Her character is a high-class courtesan whose clients include a prominent attorney (Eddie Albert); he also appears to have had some connection with a 20-year-old hooker/druggie whose corpse just washed up on a California beach. Throw in Ben Johnson as the dead girl's seething war-veteran dad, Eileen Brennan as his wife, Paul Winfield and Ernest Borgnine as Reynolds's fellow cops, and you've got one potent ensemble. Reynolds isn't equal to the task of selling some of Shagan's most florid rhetoric (probably no actor would be), but he makes an honorable stab at it. And as an urbane power-broker who can contemplate an assassination while finishing his Cobb salad, the late Eddie Albert is chilling, just chilling. --Richard T. Jameson
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Customer Reviews
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Most helpful customer reviews
4.0 out of 5 stars
Good noir that should have been better,
By
This review is from: Hustle (1975) (DVD)
A good movie that could have been a great movie if Burt Reynolds was a better actor. It's dark, bitter noir, abut cop in love withhigh priced call girl. He gets sucked - against his will - into the case of a murdered wild teen girl. Some amazing scenes, and powerful (if obvious) last twist, but Burt can't ultimately sell the complexity of the man. Still, interesting enough that it's sad to see it seems to be out of print.
3.0 out of 5 stars
"Everybody Hustles.",
By B-MAN "B" (Earth, occasionally. Until I get bored.) - See all my reviews
This review is from: Hustle (VHS Tape)
One of the last 5 films by director Robert Aldrich (Kiss Me Deadly, Apache, The Dirty Dozen) and starring pre-moustache/Bandit Burt Reynolds (who also starred in Aldrich's previous film, "The Longest Yard") as Phil Gaines, a L.A. cop who would rather be living in the 1930s when life was cleaner. Ironically, he is in love with a prostitute (Catherine Deneuve). They have dreams of going away and starting a new life together, but never make it. The other side of the story concerns Gaines' case of Gloria, a teenage girl found dead on the beach and the Father refuses to believe that she committed suicide. His reckless investigation and obsession with revenge on his daughter's "killer" ends in the murder of an important, yet crooked and slimy attorney, Leo Sellers (Eddie Albert). Also co-starring is Ernest Borgnine as Santori, Gaines' boss, but he doesent quite seem on the "up & up". "Hustle" is not that bad, although it's also not spectacular. It is a pessimistic film, like a modern film noir, that in the hands of any other director or actors would probably not have had much significance. Many elements, especially the vulgar language and the drugs/porno theme (common in the 1970s) are what help this to get lost within the slew of 70s exploitation films. I would probably not have seen it if it were not for taking a film course where the focus was on the films of Robert Aldrich. As of yet, the film is not available on DVD and you're lucky if you can even rent the VHS, let alone own it. Still worth a look for fans of Aldrich, Reynolds (before "the bandit") and 70s cop or exploitation film. Trivia:
2.0 out of 5 stars
Despite efforts, Hustle falls short,
By A Customer
This review is from: Hustle (VHS Tape)
Hustle is an attempt at the film noir of the 1940s. A clean shaven (and tougher looking) Burt Reynolds is a streetwise L.A. detective with a problem. He's fighting crime while committing somewhat of a crime himself: his girlfriend is a hooker (played by the venerable Catherine Deneueve). What a premise! Perfect for film noir...but. But the entire idea wasn't thought out enough to achieve its goals. First off, film noir is visually darker, slicker. Hustle's locale should have been New York(even Seattle, if you want to stay on the left coast)--someplace with stints of bad, dreary weather. But L.A.? Director Aldrich had to stretch it by actually putting in several rainy, night sequences. Second, film noir is supposed to have an sense of mystery about it. Hustle (despite a cast of several Oscar winners) has all the awe and mystery of an episode of Starsky and Hutch. Last, film noir dialog is gritty, memorable. Hustle's dialog is too gritty--more filthy than gritty. It's full of too many sexual inuendoes that are memorable but unrepeatable. Despite its efforts, Hustle falls way short of classic noir. It's instead mired somewhere in that muttled gray mess of bad 70's cinema.
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