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I Am Legend [Paperback]

Richard Matheson
4.5 out of 5 stars  See all reviews (232 customer reviews)

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Product Description

From Amazon

One of the most influential vampire novels of the 20th century, I Am Legend regularly appears on the "10 Best" lists of numerous critical studies of the horror genre. As Richard Matheson's third novel, it was first marketed as science fiction (for although written in 1954, the story takes place in a future 1976). A terrible plague has decimated the world, and those who were unfortunate enough to survive have been transformed into blood-thirsty creatures of the night. Except, that is, for Robert Neville. He alone appears to be immune to this disease, but the grim irony is that now he is the outsider. He is the legendary monster who must be destroyed because he is different from everyone else. Employing a stark, almost documentary style, Richard Matheson was one of the first writers to convince us that the undead can lurk in a local supermarket freezer as well as a remote Gothic castle. His influence on a generation of bestselling authors--including Stephen King and Dean Koontz--who first read him in their youth is, well, legendary. --Stanley Wiater

From Publishers Weekly

Starred Review. Robert Neville has witnessed the end of the world. The world's population has been obliterated by a vampire virus, though Neville has somehow survived. As he toils to make sense of it all and protect himself against the hounding vampires who seek out his life force, Neville embarks on a series of projects to discover the source of the plague and hopefully put an end to the vampires. In a tale that plays with the slippery slope of sanity, Dean makes the perfect choice for a narrator. His powerful performance proves chilling and haunting. As Neville teeters on the edge of sanity, Dean manipulates his tone, speed, emphasis and projection accordingly, making listeners tremble with his narration. While some might rebuke his narration for being too dramatic or providing too much interpretation, Dean's intensity adds to the book in a way that benefits listeners over readers. The visceral nature of his performance evokes the image of a foamy-mouthed Dean growling at a microphone with spittle flying. A Tor paperback. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

Review

"The most clever and riveting vampire novel since Dracula." --Dean Koontz

"I think the author who influence me the most as a writer was Richard Matheson. Books like I Am Legend were an inspiration to me." --Stephen King

"One of the Ten All-Time Best Novels of Vampirism." --Fangoria

About the Author

Richard Matheson was The New York Times bestselling author of I Am Legend, Hell House, Somewhere in Time, The Incredible Shrinking Man, A Stir of Echoes, The Beardless Warriors, The Path, Seven Steps to Midnight, Now You See It…, and What Dreams May Come, among others. He was named a Grand Master of Horror by the World Horror Convention, and received the Bram Stoker Award for Lifetime Achievement. He has also won the Edgar, the Spur, and the Writer's Guild awards. In 2010, he was inducted into the Science Fiction Hall of Fame. In addition to his novels Matheson wrote several screenplays for movies and TV, including “Nightmare at 20,000 Feet,” based on his short story, along with several other Twilight Zone episodes. He was born in New Jersey and raised in Brooklyn, and fought in the infantry in World War II. He earned his bachelor’s degree in journalism from the University of Missouri. Matheson died in June, 2013, at the age of eighty-seven.

Excerpt. © Reprinted by permission. All rights reserved.

PART ONE: January 1976

CHAPTER ONE

On those cloudy days, Robert Neville was never sure when sunset came, and sometimes they were in the streets before he could get back.

If he had been more analytical, he might have calculated the approximate time of their arrival; but he still used the lifetime habit of judging nightfall by the sky, and on cloudy days that method didn’t work. That was why he chose to stay near the house on those days.

He walked around the house in the dull gray of afternoon, a cigarette dangling from the corner of his mouth, trailing threadlike smoke over his shoulder. He checked each window to see if any of the boards had been loosened. After violent attacks, the planks were often split or partially pried off, and he had to replace them completely; a job he hated. Today only one plank was loose. Isn’t that amazing? he thought.

In the back yard he checked the hothouse and the water tank. Sometimes the structure around the tank might be weakened or its rain catchers bent or broken off. Sometimes they would lob rocks over the high fence around the hothouse, and occasionally they would tear through the overhead net and he’d have to replace panes.

Both the tank and the hothouse were undamaged today.

He went to the house for a hammer and nails. As he pushed open the front door, he looked at the distorted reflection of himself in the cracked mirror he’d fastened to the door a month ago. In a few days, jagged pieces of the silver-backed glass would start to fall off. Let ’em fall, he thought. It was the last damned mirror he’d put there; it wasn’t worth it. He’d put garlic there instead. Garlic always worked.

He passed slowly through the dim silence of the living room, turned left into the small hallway, and left again into his bedroom.

Once the room had been warmly decorated, but that was in another time. Now it was a room entirely functional, and since Neville’s bed and bureau took up so little space, he had converted one side of the room into a shop.

A long bench covered almost an entire wall, on its hardwood top a heavy band saw, a wood lathe, an emery wheel, and a vise. Above it, on the wall, were haphazard racks of the tools that Robert Neville used.

He took a hammer from the bench and picked out a few nails from one of the disordered bins. Then he went back outside and nailed the plank fast to the shutter. The unused nails he threw into the rubble next door.

For a while he stood on the front lawn looking up and down the silent length of Cimarron Street. He was a tall man, thirty-six, born of English-German stock, his features undistinguished except for the long, determined mouth and the bright blue of his eyes, which moved now over the charred ruins of the houses on each side of his. He’d burned them down to prevent them from jumping on his roof from the adjacent ones.

After a few minutes he took a long, slow breath and went back into the house. He tossed the hammer on the living-room couch, then lit another cigarette and had his midmorning drink.

Later he forced himself into the kitchen to grind up the five-day accumulation of garbage in the sink. He knew he should burn up the paper plates and utensils too, and dust the furniture and wash out the sinks and the bathtub and toilet, and change the sheets and pillowcase on his bed; but he didn’t feel like it.

For he was a man and he was alone and these things had no importance to him.

* * *

It was almost noon. Robert Neville was in his hothouse collecting a basketful of garlic.

In the beginning it had made him sick to smell garlic in such quantity; his stomach had been in a state of constant turmoil. Now the smell was in his house and in his clothes, and sometimes he thought it was even in his flesh. He hardly noticed it at all.

When he had enough bulbs, he went back to the house and dumped them on the drainboard of the sink. As he flicked the wall switch, the light flickered, then flared into normal brilliance. A disgusted hiss passed his clenched teeth. The generator was at it again. He’d have to get out that damned manual again and check the wiring. And, if it were too much trouble to repair, he’d have to install a new generator.

Angrily he jerked a high-legged stool to the sink, got a knife, and sat down with an exhausted grunt.

First, he separated the bulbs into the small, sickle-shaped cloves. Then he cut each pink, leathery clove in half, exposing the fleshy center buds. The air thickened with the musky, pungent odor. When it got too oppressive, he snapped on the air-conditioning unit and suction drew away the worst of it.

Now he reached over and took an icepick from its wall rack. He punched holes in each clove half, then strung them all together with wire until he had about twenty-five necklaces.

In the beginning he had hung these necklaces over the windows. But from a distance they’d thrown rocks until he’d been forced to cover the broken panes with plywood scraps. Finally one day he’d torn off the plywood and nailed up even rows of planks instead. It had made the house a gloomy sepulcher, but it was better than having rocks come flying into his rooms in a shower of splintered glass. And, once he had installed the three air-conditioning units, it wasn’t too bad. A man could get used to anything if he had to.

When he was finished stringing the garlic cloves, he went outside and nailed them over the window boarding, taking down the old strings, which had lost most of their potent smell.

He had to go through this process twice a week. Until he found something better, it was his first line of defense.

Defense? he often thought. For what?

All afternoon he made stakes.

He lathed them out of thick doweling, band-sawed into nineinch lengths. These he held against the whirling emery stone until they were as sharp as daggers.

It was tiresome, monotonous work, and it filled the air with hotsmelling wood dust that settled in his pores and got into his lungs and made him cough.

Yet he never seemed to get ahead. No matter how many stakes he made, they were gone in no time at all. Doweling was getting harder to find, too. Eventually he’d have to lathe down rectangular lengths of wood. Won’t that be fun? he thought irritably.

It was all very depressing and it made him resolve to find a better method of disposal. But how could he find it when they never gave him a chance to slow down and think?

As he lathed, he listened to records over the loudspeaker he’d set up in the bedroom—Beethoven’s Third, Seventh, and Ninth symphonies. He was glad he’d learned early in life, from his mother, to appreciate this kind of music. It helped to fill the terrible void of hours.

From four o’clock on, his gaze kept shifting to the clock on the wall. He worked in silence, lips pressed into a hard line, a cigarette in the corner of his mouth, his eyes staring at the bit as it gnawed away the wood and sent floury dust filtering down to the floor.

Four-fifteen. Four-thirty. It was a quarter to five.

In another hour they’d be at the house again, the filthy bastards. As soon as the light was gone.

* * *

He stood before the giant freezer, selecting his supper. His jaded eyes moved over the stacks of meats down to the frozen vegetables, down to the breads and pastries, the fruits and ice cream.

He picked out two lamb chops, string beans, and a small box of orange sherbet. He picked the boxes from the freezer and pushed shut the door with his elbow.

Next he moved over to the uneven stacks of cans piled to the ceiling. He took down a can of tomato juice, then left the room that had once belonged to Kathy and now belonged to his stomach.

He moved slowly across the living room, looking at the mural that covered the back wall. It showed a cliff edge, sheering off to greenblue ocean that surged and broke over black rocks. Far up in the clear blue sky, white sea gulls floated on the wind, and over on the right a gnarled tree hung over the precipice, its dark branches etched against the sky.

Neville walked into the kitchen and dumped the groceries on the table, his eyes moving to the clock. Twenty minutes to six. Soon now.

He poured a little water into a small pan and clanked it down on a stove burner. Next he thawed out the chops and put them under the broiler. By this time the water was boiling and he dropped in the frozen string beans and covered them, thinking that it was probably the electric stove that was milking the generator.

At the table he sliced himself two pieces of bread and poured himself a glass of tomato juice. He sat down and looked at the red second hand as it swept slowly around the clock face. The bastards ought to be here soon.

After he’d finished his tomato juice, he walked to the front door and went out onto the porch. He stepped off onto the lawn and walked down to the sidewalk.

The sky was darkening and it was getting chilly. He looked up and down Cimarron Street, the cool breeze ruffling his blond hair. That’s what was wrong with these cloudy days; you never knew when they were coming.

Oh, well, at least they were better than those damned dust storms. With a shrug, he moved back across the lawn and into the house, locking and bolting the door behind him, sliding the thick bar into place. Then he went back into the kitchen, turned his chops, and switched off the heat under the string beans.

He was putting the food on his plate when he stopped and his eyes moved quickly to the clock. Six-twenty-five today. Ben Cortman was shouting.

“Come out, Neville!”

Robert Neville sat down with a sigh and began to eat.

* * *

He sat in the living room, trying to read. He’d made himself a whisky and soda at his small bar and he held the cold glass as he read a physiology text. From the speaker over t...

From AudioFile

In a world populated by disease-ridden vampires, Robert Neville (who is immune) tries to survive, using his wits, skill, and cunning to avoid becoming a victim of the bloodthirsty night-dwellers. The incomparable talents of Robertson Dean shine as he becomes Neville, and the listener can only follow his lead ever deeper into this nightmare world. Dean has a unique voice and manages to make the storytelling a personal experience. We are there with him, panicking one minute, sighing with relief the next, aching with intolerable loneliness, then facing terrifying clashes with the vampires. This is one of those magical audiobooks that you simply have to enjoy in one session, so be sure to set aside the time. B.D.J. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.
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