I.M. Pei

I.M. Pei is one of my favorite architects, so getting this DVD was a no-brainer. There actually aren't that many comprehensive works on Pei either in print or in video, but this DVD helps to make up for it very nicely, especially since Pei himself is the main narrator and you get two programs on one disc. There is perhaps nothing more fascinating than hearing a master speak about his work in his own words.

The first show, "First Person Singular", features I.M. Pei talking about the full range of his career, from his boyhood until the present day. He discusses his approach to architecture and surveys of some of his major works. Throughout the course of the show, Pei really comes across as a very intelligent, engaging, and elegant person.

The second program on the DVD, "Museum on the Mountain", follows Pei throughout his design, development, and construction of the Miho Museum in Japan. The viewer gets to see how a master designer progresses through the design process and how he approaches problems in detail, continuously making changes and refinements up until the last minute.

This DVD is an Absolute Must-Have for anyone interested in architecture or thinking of a career in the architectural profession.

J. Carter Brown, the late curator of the National Gallery of Art, called "First Person Singular: I. M. Pei", the finest film on architecture ever made. This DVD not only contains the full 86 minute story of I. M. Pei's life and work -- told by the architect himself -- but also the details of one of the most intriguing works of his life, the magnificent museum hidden in the hills near Kyoto which contains one of the world's finest collections of Asian and Near Eastern antiquities. In addition, this DVD or the VHS version contains a gallery of photos of Pei's most significant buildings. If you have any love for architecture, it's a must have for your personal collection, and a vital necessity for any institution that is interested in the field.

I am a fan of I.M. Pei and if you are a fan of Pei, I highly recommend that you see this dvd !

I see Pei thru John Hancock Building in Boston. This glass skyscraper has a blade-like black strip niched along the entire height of building. Seeing it from the ground level, one cannot but be amazed at the thickness/size/amount of steel panels used to make that simple strip perceivable from afar. The glass tower contrasts strikingly to the brick context of Back Bay and the strip turns the building into a razor-like crystal. Such intensity of focus on the essence of a problem is the nature of Pei. This amazing DVD, orated by Pei himself, portrays such character.

Early in his childhood, Pei lived in Suzhou (regarded as Venice of Asia) and he was exposed to rock farm artists. Pei provides a great anecdote on the practice of these artists. He claims his base of practice follows the heritage of those rock artists. To combine the man-made and nature-made and to regard "time" element as an quintessential aspect of creative enterprise.

Pei's life in Cambridge is a testimony to the exciting encounters with modern masters at MIT and Harvard. Life in NY with Zeckendorf, Donald Trump equivalent of that era, is an experience of seeing architecture from the real estate perspective. Finally, his own practice that ignited the blast of winning major competitions. All of these stories are well orchestrated in the film.

His major projects, such as Louvre and JFK museums, have great hidden stories. Miterand's vision for Paris was only possibly perfected by Pei's talent. Jacquiline's election of Pei among heroic Mies and Kahn is a contemporary drama.

Unlike a typical boring documentary film, oftentimes a person depicting divorced from his/her works, this DVD performs as a companion to his actual buildings. The film is a verbal oration of his spatial creation. Sometimes, the camera pulsates with light and texture of space, othertimes, the camera jazzes with background music to the tonal rythym of his space.

If there is an American Dream in architecture, here is a man who achieved it. If you liked this film, I highly recommend a film on Louis Kahn, 1996(?) version.

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