From Publishers Weekly
Exhaustive detailing of early 1970s popular/consumer culture in suburban New England provides the context for this archetypal tale of the American nuclear family in decline. The affluent WASP community of New Canaan, Conn., is home to the Hood and Williams families, neighboring two-parent, two-child households built around increasingly dysfunctional marriages. Benjamin Hood, plagued by a loss of importance at work and a growing drinking problem, pursues an ill-fated affair with Janey Williams; his wife, Elena, feels herself losing what little regard she has left for him. Meanwhile, the adolescent children of both families experiment with sex, alcohol and drugs to find identities and to overcome a ponderous sense of alienation. A neighborhood "key party," at which couples exchange mates by drawing keys out of a bowl, brings the action to a chaotic climax as an apocalyptic winter storm culminates in physical tragedy to match the emotional damage in the small community. Pop-cultural references of the time, from Hush Puppies to the film Billy Jack , pervade the text. Unfortunately, Moody, winner of the Pushcart Press Editors' Book Award for his first novel, Garden State , tends to use these details in a more encyclopedic than evocative manner. His depiction of these families, however, is insightful and convincing, penetrating the thoughts and fears of each individual. And the central tragedy of his tale remains resonant, though his decrying of our cultural wasteland seems a bit stale.
Copyright 1994 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Booklist
Moody's first novel,
Garden State, won the Pushcart Press Editors' Book Award in 1991. Now he takes readers back to a very Updikean version of the 1970s: upper-middle-class discontents expressed through fumbling adventures on the sexual frontier. Benjamin Hood and his wife, Elena, barely communicate, but their neighbors, the Williams, provide diversions for them, both in fantasy and reality. Simultaneously, the couples' children, young adults all, meet and play sexual games of their own. Moody can turn a phrase--"The past was so past it hurt"--and his description of what happens when hungover Benjamin Hood carries Mike Williams home is truly unforgettable. The theme of sexual adventure in the split-level suburbs, however, has lost a bit of its freshness. Moody is a talented writer in search of better material. Marginally recommended.
Eloise Kinney
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
