1.0 out of 5 stars
Reads like bad sci-fi channel drivel, Feb 19 2004
This book tries really hard to be intelligent and probably manages to fool most, but the story is too far-fetched to take itself so seriously. The characters are drawn up like soap opera stars we're supposed to envy, but it's hard to build up any respect for shallow, angsty teens with bad attitudes, with or without their superior intelligence. Top it off with a plot that can only be described as flat-out annoying, and you've got a big waste of time on your hands. Don't do it, folks.
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4.0 out of 5 stars
Intelligent and Thought-Provoking, Jan 10 2004
Nick Sagan's Idlewild is best described as a cross between Bret Easton Ellis, Chuck Palahniuk and Neil Gaiman. This futuristic tale is all about the power of mankind over its own fate and the way in which the human race is a self-destructive one. Sagan takes us into a bleak and uncertain future that has more questions than it has answers, that has more darkness than it has light.
Welcome to Idlewild, the school of the future, where young men and women are shaped to become the very best they can be. The book opens with Halloween, a young man suffering from amnesia. He awakens in a strange, video game-like world where everything seems to be just a little bit off. He believes he has murdered Lazarus, a friend of his, though he doesn't know how or why.
As Halloween stumbles through this world, trying to uncover his personality in order to deal with the strangeness that surrounds him, he slowly unearths a plot that will change not only his existence but also the life of everyone concerned with Idlewild.
Saying any more about Idlewild would be ruining and perfectly entertaining and often thought-provoking read. Like his father, the great Carl Sagan, Nick Sagan seems to understand technology and uses it with great ease. Through his book, he poses many questions about humanity and our place in the world, questions that will stay with you for quite some time. This isn't lite reading. It's the kind of book that will make you think and debate with yourself.
Unfortunately, the book does falter in its last third, where the story seams to stall for a while until it offers us a somewhat disappointing finale. But the book is worth reading for its first half alone, which gave me something completely different and new. Sagan's writing feels cold and removed, true, but that's only because Halloween distant and removed. And the story contains enough twists and turns to please any type of reader.
Idlewild isn't a masterpiece, but it does presents its readers with a bight new voice in speculative fiction. Sagan's vision of the future is both terrifying and enticing, intriguing and completely disturbing. A very good read.
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1.0 out of 5 stars
Approach with Skepticism, Jan 7 2004
This has everything going for it except the story itself. The jacket blurbs, cover art and author bio (I'll ignore his lineage, that really is unfair for a freshman effort) all point to an excellent, mysterious, thought-provoking story but instead you get a choppy, ill-paced, fairly flat plot.
There are a few intriguing ideas in here but the thinly veiled "twist" is actually more distracting than it is enthralling since the more read science fiction reader will have figured it out halfway through the book. Key points in the character's development are given very poor treatment, resorting to self-absorbed inner monologues and very static emotions. The ending feels rushed, as if Sagan realized nothing could save this story.
A young reader or someone fairly new to the genre might enjoy this but anyone else will most likely leave feeling at best unfulfilled or at worst angry at the time wasted.
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