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Ilium
 
 

Ilium [Hardcover]

Dan Simmons
4.2 out of 5 stars  See all reviews (100 customer reviews)

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Genre-hopping Dan Simmons returns to science fiction with the vast and intricate masterpiece Ilium. Within, Simmons weaves three astounding story lines into one Earth-, Mars-, and Jupiter-shattering cliffhanger that will leave readers aching for the sequel.

On Earth, a post-technological group of humans, pampered by servant machines and easy travel via "faxing," begins to question its beginnings. Meanwhile, a team of sentient and Shakespeare-quoting robots from Jupiter's lunar system embark on a mission to Mars to investigate an increase in dangerous quantum fluctuations. On the Red Planet, they'll find a race of metahumans living out existence as the pantheon of classic Greek gods. These "gods" have recreated the Trojan War with reconstituted Greeks and Trojans and staffed it with scholars from throughout Earth's history who observe the events and report on the accuracy of Homer's Iliad. One of these scholars, Thomas Hockenberry, finds himself tangled in the midst of interplay between the gods and their playthings and sends the war reeling in a direction the blind poet could have never imagined.

Simmons creates an exciting and thrilling tale set in the thick of the Trojan War as seen through Hockenberry's 20th-century eyes. At the same time, Simmons's robots study Shakespeare and Proust and the origin-seeking Earthlings find themselves caught in a murderous retelling of The Tempest. Reading this highly literate novel does take more than a passing familiarity with at least The Iliad but readers who can dive into these heady waters and swim with the current will be amply rewarded. --Jeremy Pugh

From Publishers Weekly

Hugo and Stoker winner Simmons (Hyperion) makes a spectacular return to large-scale space opera in this elegant monster of a novel. Many centuries in the future, Earth's small, more or less human population lives an enjoyable, if drone-like existence. Elsewhere, on some alternate Earth, or perhaps it's the distant past, the battle for Troy is in its ninth year. Oddly, its combatants, Hector, Achilles and the rest, seem to be following a script, speaking their lines exactly as Homer reported them in The Iliad. The Gods, who live on Olympus Mons on the planet Mars, may be post-humans, or aliens, or, well, Gods; it isn't entirely clear. Thomas Hockenberry, a late-20th-century professor of the classics from De Pauw University in Indiana, has, along with other scholars from his era, apparently been resurrected by the Gods. His job is to take notes on the war and compare its progress to Homer's tale, noting even the smallest deviations. Meanwhile, the "moravecs," a civilization of diverse, partially organic AIs clustered on the moons of Jupiter, have been disturbed by the quantum activity they've registered from the inner solar system and have sent an expedition to Mars to investigate. It will come as no surprise to the author's fans that the expedition's members include specialists in Shakespeare and Proust. Beautifully written, chock full of literary references, grand scenery and fascinating characters, this book represents Simmons at his best.
Copyright 2003 Reed Business Information, Inc.

Inside This Book (Learn More)
First Sentence
Rage. Sing, O Muse, of the rage of Achilles, of Peleus' son, murderous, mankiller, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. Read the first page
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Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews

100 Reviews
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Average Customer Review
4.2 out of 5 stars (100 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Combines The Tempest and The Iliad, Jun 30 2004
By 
Harriet Klausner - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: Ilium (Hardcover)
The Greek Gods prefer human fodder to serve as scribes rather than wasting energy by doing it. Thus they send Dr. Thomas Hockenberry and several scholarly peers from the future into the past to study the war at Troy that "launched a thousand ships".

Though the years of rebirth were painful, Thomas expects to have a grand old time of comparing reality to Homer. However being enslaved to the Greek Gods and a Muse is no fun, but worse is the reality on the Plains of Ilium. The romanticism of Homer and others seem out of place as Thomas sees the atrocities of the war and the idiocy of the legends. In fact he dreams of a B-52 dropping the A-bomb on these Plains to end the insanity. If that is not enough, adding to his dismay is that Aphrodite orders him to help her kill Athena.

While Thomas finds reality monstrously disappointing, robots research the terra-like created atmosphere of Mars and selfish people reside on a genetically different future Earth. Time means nothing in this universe.

Combine The Tempest and The Iliad into a strange well-written speculative fiction and what you have is ILIUM. The story line takes some adjustment with the anachronisms of Thomas and his transplanted peers discussing A-bombs while the pre BC Trojan War occurs. The cast is a delight and the three subplots blend together into a tremendous science fiction novel with fantasy elements that will elate the audience. However, don't tell your English teacher about Dan Simmons' chutzpah messing with the classics even if it is quite entertaining and successfully achieved.

Harriet Klausner

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Classic Science Fiction!, Jun 25 2004
By 
John D. Costanzo "johndc" (Bensalem, PA USA) - See all my reviews
(REAL NAME)   
This review is from: Ilium (Hardcover)
This is an original and well-written science fiction novel that jumps back and forth from Ancient Greece to the far future. Not only is it a richly imagined story of the future, but it also provides you with a refreshing insight into the main characters of Homer's Iliad.

Simmons combines chariots and spaceships, robots and Greek Gods, Earth and Mars, the moons of Jupiter and prehistoric Indiana, into an epic tale of mankind, past and future. This novel (and hopefully its sequel) should stand the test of time as one of the classic science fiction novels of this generation.

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Ilium is a really intriguing and exciting summer read!, Jun 22 2004
This review is from: Ilium (Hardcover)
As a rabid fan of the Hyperion novels and my barely contained excitment over a proposed movie...I wasn't sure at first if I would venture into this one. While I know the "Cleft notes" version of the Iliad, I have never read it myself much less studied it with the intensity Simmons has. But this was a very interesting take on the Iliad which makes me want to take out my very, very old antique version and actually read it.

Ilium follows the Simmons tradition of weaving high tech science fiction with low tech, pretty straightforward and well developed characters. The technology is profuse, and very cool when you picture it in your head. Readers of the Hyperion series will see similarities in a lot of it and there is, of course, the literary subplot with plenty of allusions. This time it is Shakespeare vs. Proust. The characters interact with each other intelligently and are written with distinctly separate personalities. You are going to forget you are reading and really get into the characters, even when they are only discussing something before a big battle. That makes picturing them easy, and the anticipation of forthcoming action even moreso. The stunningly vivid action scenes come into the mind's eye better than any multi-million dollar summer blockbuster. No one is perfect in Simmons' world and every hero/heroine in the book has his/her faults, foibles and has to completely earn his/her status. What a refreshing thing! Real characters. Nothing like the tedious, boring, glamour-gam novel "Shelters of Stone" by Jean M. Auel that I followed Ilium with. The Cro-Magnons might have well have had electricity and TV's. They had every other luxury and if they didn't, by golly, it was inadvertently invented by her absolutely perfect main character! Gads.

I fondly await the 2005 release of The Odyssey. However I have only a slightly curmudgeonly couple of things to say about future sci fi books. Once this series is finished, I would like Mr. Simmons to consider never doing again offered as a friendly "fresh" challenge to future sci-fi novels (unless I am treated to the "final" Hyperion novel to find out what happened to our hero!). I would like to see him not refer to any authors' work or use it as a subplot or character defining mechanism. I would like to see him never use same weaponry (flechette guns for ex.), or the word/idea of creche, resurrection, QT'ing (or the portal system as in Hyperion novels), and while challenging, characters based on very vague (and probably an medieval autistic adult's version of his world) manuscripts (the Voynix/Voynich connection...) etc. There are a couple of other things but space prevents. While Simmons is an amazingly diverse writer with tons of awards, I am concerned that he will run into the "Stephen King" syndrome. Part of the reason I no longer read King's books is because after a while, despite my love for the author, the characters and plots were recycled over and over again. For example, I could pretty much figure out who was going to be paired with the scared child, who was going to be the "sacrificed character" and so on. I really believe King was an amazing author but his retirement is not a surprise. Sometimes you just run out of things for your stock characters to do...(I really like the guy so don't kill me for my criticism!)

Mr. Simmons seems to be capable of weaving amazing worlds that make one yearn to be there. I want him to continue to do that but leave all the previous things behind so that every novel continues to be fresh, new and as great a read as this one (and the Hyperion novels). Brad Pitt ain't got nothing on HOCK-EN-BAR-EE!!

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