I'll Be Right There Paperback – Jun 3 2014
|New from||Used from|
Frequently Bought Together
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
"[I'll Be Right There is] a page-turner, such is Shin's gift for storytelling, as well as her careful cultivation of motifs." —New York Times Book Review
"Shin writes wonderfully about intimacy and the longing of lonely people. ...I'll Be Right There is a hopeful work about the power of art, friendship and empathy to provide meaning to people's lives." —LA Times
“Tender and mournful, the latest novel from best-selling South Korean novelist Shin (Please Look after Mom, 2011) considers young love and loss in an era of political ferment...Shin's uncomplicated yet allusive narrative voice delivers another calmly affecting story, simultaneously foreign and familiar." —Kirkus
"Shin can suggest profound implications in restrained detail, and though the story ends in tragedy, her frequent references to both Eastern and Western literature testify to the duty to hope and stay alive." —Publishers Weekly
"[I'll Be Right There] is full of beautiful and tragic moments between friends, a tender, complex exploration of shared stories, and, perhaps more important, the weight of a collective history on individual relationships." —SF Gate
“I'll Be Right There is as much about tender friendships as it is about the tragedies of a political uprising.” —The Huffington Post
"Through one tender scene after another, Shin shows us the comfort human connection offers." —Bookslut
"Quivering, hopeful, and heartfelt." —Bustle
“In this inspiring novel, Kyung-sook Shin argues that, faced with treachery, the moral person can be carrier and Christ to others.” —Minneapolis Star Tribune
“I’ll Be Right There is a haunting story of adolescent entanglements that will speak to readers everywhere.” —The Independent
“The shimmering, lucid tones and silver melancholy of I'll Be Right There give readers a South Korea peopled with citizens fighting for honor and intellectual freedom, and longing for love and solace. Kyung-Sook Shin’s characters have unforgettable voices—it’s no wonder she has so many fans.” —Susan Straight, author of Between Heaven and Here and National Book Award Finalist
"The novel brilliantly uses European literature to familiarize Western readers with Eastern turmoil. " —Flavorwire
"Shin's skill lies in her ability to transmute the specific into the universal." —Shelf Awareness
“A wonderful, heartbreaking story that lingered with me long after the last page was turned. As the powerful story unfolded, I enjoyed peeling away the complicated, dark layers of every character. Kyung-sook Shin’s beautiful depictions of love and sweet adolescent confessions will take you back in time to your first heartbreak.” —PP Wong, Editor-in-Chief, Banana Writers
“Known for her beautiful imagery and lyrical prose…in I’ll Be Right There, Shin utilizes vivid, searing imagery…balanc[ing] the gentle beauty of language with bold images throughout her writing…Shin’s passages are carefully crafted, as if they were from a book of poetry…Ultimately, I’ll Be Right There is a story of hope.” —Korean Quarterly
"An astounding meditation on living in time, both time lost and time gained, as well as...an expression of a philosophy of a way to live...I'll Be Right There immediately stands out as a book that supports, perhaps even needs, multiple readings." —Korean Literature in Translation
"Shin's perspective on relationships is nuanced; she doesn't shy away from what is complex, complicated or painful in everyday human connections...There is also vibrancy and richness in the lives of her characters, and an understanding of love and solitude that is universal." —Electric Literature
"Spectacular...Shin’s searing, immediate prose will remind readers of Nadeem Aslam’s The Blind Man’s Garden, Edwidge Danticat’s The Dew Breaker, and Aminatta Forna’s The Memory of Love, and their stories of ordinary lives trapped in extraordinary sociopolitical circumstances." —BookDragon
“A searing, literate portrayal of the cost of survival in a time of chaos, Shin nevertheless evokes a surprising amount of hope.” —Philadelphia Weekly
“Shin suggests that literature’s most valuable task may be to refresh principles so basic as to seem banal, to render them graspable even in the harshest rapids of modernization and development.” —Public Books
"Shin’s contemplative narrative...captures both the preciousness of life and a constant intermingling sorrow." —Bookreporter
"I’ll Be Right There is a gem of a novel, a quiet, masterful rendering of the emotional life of a young woman looking back on the formative years of her early twenties." —Rosemary & Reading Glasses
About the Author
Kyung-sook Shin, the author of seventeen works of is one of South Korea’s most widely read and acclaimed novelists. Her best seller Please Look After Mom has been translated into more than thirty languages. She has been honored with the Man Asian Literary Prize, the Manhae Prize, the Dong-in Literary Award, the Yi Sang Literary Prize, and France’s Prix de l’Inaperçu, as well as the Ho-Am Prize in the Arts, awarded for her body of work for general achievement in Korean culture and the arts.
Sora kim-Russell is a poet and translator originally from California and now living in Seoul, South Korea. Her work has appeared in Words Without Borders, Azalea: A Journal of Korean Literature and Culture, Drunken Boat, Pebble Lake Review, The Diagram, and other publications. She teaches at Ewha Womans University.
Most Helpful Customer Reviews on Amazon.com (beta)
The tale is somewhat of a controlled meander, and at times throughout I worried that I would lose interest among the woven story-lines and occasionally long chapters. Nope. Shin somehow manages to pull interest even though her tale does not contain the typical dramas authors use to make you turn the page. Even stranger is that I usually prefer a dose of cheesy suspense to maintain my interest, but found myself buried in this book without obvious motivations.
I'll Be Right There is drenched in philosophy without being overblown, and while tragic in its own right, I would say is less tear-jerker and more thoughtfully sad. As hinted before, timelines and perspectives dance around in this novel, something which usually throws a doofus reader like myself, however I rarely ever felt like I lost my way through the book, and when I did not for long.
Shin shows a unique talent in being able to tell a story where the depth of the characters experience plays dominates the front of the novel, rather than melodramatic events. I'll Be Right There, while admittedly sounding like a shallow romance is anything but.
Yoon and her friends are literate and self exploratory. This book highlights the fears of their lives being meaningless. Their struggles with grief are expressed beautifully and deftly in a way that fully engages the reader. Yoon's mother's death is highlighted in her haunting shadow of loss memory. She had been sent away by her mother who did not want Yoon to witness her painful death. Instead Yoon finds herself drawn to the cocooning and insulation of sharing losses with friends. The world's violent intrusions into their lives serve to deepen but stress the strength of their ties.
Still each friend believes that he/she has failed in "being there" in some key way. Strikingly, they had in fact given all they could give as flawed humans. The chaos of the setting serves in a bit of perversity to highlight the universality of feelings as they force their way to consciousness. The author has a gift for returning the reader to the storm of young adulthood while avoiding maudlin overstatement. This is a fine young writer living up to the promise of her first book. Her work is lovely.
Through a flashback, Jung Yoon then describes her college life, and many American readers will be startled by some of the cultural differences – and similarities – between her life and theirs as they “live” through the action of this novel. Family relationships and obligations, the interactions among friends, and the importance of being part of a group are all shown within the plot. Yoon, Myungsuh Yi (the male friend), Miru, his female friend (and later her sister Mirae) quickly become almost inseparable, and it is through their eyes that the reader sees what is happening politically and culturally, but also personally and emotionally.
All the students are searching for “answers,” and the professor keeps them thinking by using many different literary resources. A repeating story, which becomes symbolic, is that of Saint Christopher who was a “boatman with no boat,” who used his body to carry people across the river. After nearly dying while transporting a child during a storm, the boatman meets Jesus. The professor eludicates for the students that “Each of you is both Christopher and the child he carries on his back…Only the student who truly savors this paradox will make it safely across. Literature and art are not simply what will carry you; they are also what you must lay down your life for.” Among the many authors whose writings are quoted here are Romain Rolland, Emily Dickinson, Roland Barthes, and Rainer Maria Rilke. The sad story of Kitty Genovese in New York is also recalled here.
Though the novel is somewhat awkward at the beginning, with its many grand metaphysical statements, the complexities of the characters and their interactions soon take over, leading to a wonderfully rich and dramatic conclusion which explains some of the unusual decisions the characters make, especially regarding love. Ultimately, Yung Yoon herself “finally realized that I was not alone. Everything I saw and everything I felt belonged to [my departed friends], too…I was living their unfinished time with them,” an epiphany which gives some resolution to her own imperfect life.
Yoon recalls her 20-year-old self. Although still unmoored by her mother's death, she’s quietly determined to resume her university studies in Seoul after a year-long absence. Renting a rooftop studio apartment ("The first thing I unpacked was the soil from my mother's grave, still clumped together like a ball of rice”), she makes five promises to herself:
Start reading again.
Write down new words and their definitions.
Memorize one poem a week.
Do not go to Mom's grave before the Chuseok holiday.
Walk around the city for at least two hours every day.
A detached Yoon describes the atmosphere at the university for the arts as freewheeling. Drama majors "pos[ed] as if they were waiting for Godot," while photography students lugged around their heavy equipment, and classical Korean music students, playing their stringed gayageums, assumed prim expressions. However, with the city deeply impacted by layoffs, hunger strikes and mass demonstrations, not to mention disturbing reports of missing persons and suspicious deaths, the peaceful campus life is disrupted by the roar of shouting protesters and riot police.
Despite feeling like a runaway exile, Yoon forges friendships with two classmates: Miru, a sister-figure with a haunting past, and the attractive Myungsuh. The trio finds solace in each other’s company, exploring the changing city streets, crossing wooded paths and narrow market alleyways, taking in both people and scenery together. Miru conveys her enthusiasm for the vast expanses of sky (the dark and white clouds, blazing sunsets, haloes around the midnight moon), while Myungsuh studies the ruddy faces of manual laborers and groups of middle-aged women roasting fish in the marketplace, finding their images as compelling as Van Gogh’s character studies.
I’LL BE RIGHT THERE tells the evocative story of youth trying to find their place in the world. Shin’s contemplative narrative, expressed through letters, diaries, interior monologues and dialogue, captures both the preciousness of life and a constant intermingling sorrow. Despite carrying the weight of personal tragedy (from disappearances to deaths), each character attempts to heed their college professor’s sage advice: “Live. Until you are down to your final breath, love and fight and rage and grieve and live.”
Reviewed by Miriam Tuliao.