49 of 58 people found the following review helpful
3.0 out of 5 stars
Mesmerizing But Flawed, May 4 2010
By Mr. August "Literature lover" - Published on Amazon.com
This review is from: Imperial Bedrooms (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
If you read Less Than Zero, Bret Easton Ellis presents the sequel in a sharp, enthralling short novel. If you didn't read Less Than Zero it's OK, you will be introduced to the same characters but they are now adults. Set in Hollywood, Easton assures us that the movie industry scene has not changed. Narrated in a present tense stream of consciousness, Clay, our wealthy screenwriter, returns to L.A. during Christmas to supposedly help cast for his movie, The Listeners (The Informers?). He meets up with his old crowd, his good friend, Julian, old lover, Blair and ex-dealer, Rip. These teen-agers have not changed; they simply turned into middle-aged insecure, wandering souls. So it's again a blurry state of what are they really doing, what are they really saying?
The beginning of the story moves slowly and then it hits. As Ellis builds the plot through Clay's haze of alcohol and seduction, the story works itself into a mystery with no boundaries. Easton works his magic through a wannabe starlet, Rain Turner, a beautiful, no-talent actress. Well, she wants to be an actress and will do anything, and I mean anything, to get a callback. Clay who will do anything to get what he wants plays the game and strings her along with promises of a reading. It's not joyful. The sex, the extreme violence and the Hollywood scene are real; any talent or courtesy is strictly bogus. Ellis teaches us that Hollywood equals conspicuous consumption. The behavior of Clay and his crowd demands overindulgence in alcohol and ambition. Clay's drinking is evident in almost every scene, whether it is fantasy, reality or the devil. But the meaning is hard to capture and at some point toward the last 50 pages, I stopped trying. If I have to work too hard to decipher the meaning, maybe the timing of a character's epiphany is not meaningful.
I read the book in two sittings - I wanted to see where Ellis was going and the end of the book is shocking in its violence and denouement. He is a genuine writer with original ideas, and I have not read anyone who can match his style. His run-on sentences were often annoying and over the top, but his ability to set a tone is unmatched.
3 of 3 people found the following review helpful
5.0 out of 5 stars
Loved it., Aug 31 2011
By bionichands "procrastinator" - Published on Amazon.com
This review is from: Imperial Bedrooms (Hardcover)
I don't get all the bad reviews on here. Its not like Ellis just went off the reservation and wrote something completely different. Imperial Bedrooms is just like the rest of his books. You either like his style or you don't.
As for me, I've enjoyed pretty much everything Ellis has written to date. Having said that, I was most worried about opening this book ever since I heard he had written a sequel to Less than Zero. That could have been a recipe for disaster. Probably should have been. Like having your favorite band from the 80s decide to reform in 2010 and put out a terrible new record and ruin all of the great memories of them that you had.
I loved the length of the book. Its a super quick read that you can finish over an evening or two, and it just works. You get glimpses of the backstory, hints at other pieces of these characters, etc; Its just really well done.
3 of 3 people found the following review helpful
3.0 out of 5 stars
When Indifference Has Turned To Cruelty--Older, But No Wiser, May 10 2010
By K. Harris "Film aficionado" - Published on Amazon.com
This review is from: Imperial Bedrooms (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
I was a bit surprised to hear Bret Easton Ellis had chosen to revisit the characters first introduced 25 years ago in "Less Than Zero." It is, after all, one of the more quintessential novels about disaffected teens to have come out of the eighties. So specific to time, place, and subculture--"Less than Zero" presented a mind numbing odyssey through the soulless wasteland of LA's over-privileged youth populated by indifference, unrepentant drug use, and meaningless sexual encounters. Capturing the ennui of kids with too much money and too much freedom, "Zero" was more of an experience than anything else, and I think it's fair to say that it polarized its audience with Ellis's stark depiction of moral bankruptcy.
So, to say the least, I was intrigued to see where Ellis might pick up his narrative in "Imperial Bedrooms." The introduction is an absolute delight--a playful riff on the prior novel, its true author, and the movie made from the account. It's a wicked send-up blurring the line between fact and fiction for those who read the initial novel and saw the subsequent, and much maligned, film version. But after the zippy intro, there is a shift in tone more in keeping with expectations. We're reintroduced to the principles of "Less Than Zero" led by Clay (now a successful film writer) returning to his Hollywood home. And while I didn't expect the characters to be unrecognizable, it would have been nice to see some sign of humanity in anyone two decades later. If anything, their indifference has turned to cruelty.
"Imperial Bedrooms" does a nice job of recapturing some of the flavor of "Zero"--however, its sense of story is a lot stronger. This might be welcome to some readers put off by "Zero's" meanderings or loathed by others for its far-fetched contrivance. Much more plot-driven, "Bedrooms" is "Zero" refashioned into a neo-noir piece--replete with mystery, murder, blackmail, and manipulation. My problem with "Imperial Bedrooms" is its complete lack of anyone to root for. While "Less Than Zero" was content to set a mood, "Imperial Bedrooms" story elements beg for a protagonist with at least a few redeeming features. Ultimately, it seems like unpleasantness for the sake of unpleasantness. The kids you may remember are certainly older, but absolutely no wiser. Not a one. And it's a disappointment. A small amount of redemption, or hope even, might have balanced the unsavory aspects of "Imperial Bedrooms." The lack of any depth or character development makes me wonder what the point of Ellis's new enterprise is. KGHarris, 5/10.