- Paperback: 384 pages
- Publisher: Oxford Paperbacks; annotated edition edition (Sep 14 2008)
- Language: English
- ISBN-10: 0199537984
- ISBN-13: 978-0199537983
- Product Dimensions: 19.3 x 12.7 x 2.3 cm
- Shipping Weight: 259 g
- Average Customer Review: 4.0 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: #240,945 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
Review
'In a Glass Darkly, now published in the World Classics series, still makes for uneasy reading late at night.' Moy McCory, The Times Magazine
Book Description
`the ideal reading...for the hours after midnight' Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant. This makes for spine-chilling reading. The five stories presented here have been collected by Dr Hesselius, a `metaphysical' doctor, the forerunner of the modern psychiatrist, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience.
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Most helpful customer reviews
4.0 out of 5 stars
Great stories!,
By A Customer
This review is from: In a Glass Darkly (Paperback)
I disagree with the previous reviewer. I thought "The Room at the Dragon Volant" was one of the better stories. It was a little longer than it could have been, and yes, you figured out very quickly what was going on, but that didn't negate my enjoyment of it. (In fact, in most of the stories you have an idea of what's going to happen before it happens--like the end of "The Watcher.") You can enjoy it if you put yourself in the place of the (admittedly dorky) protagonist and read it as straight adventure."Carmilla" is a classic. I'd be amazed if it didn't provoke an outcry for its frank lesbian content. It must have been shocking at that time.
5.0 out of 5 stars
Simply A Must Have - Here's Why...,
By
This review is from: In a Glass Darkly (Paperback)
In A Glass Darkly is comprised of 5 lengthy short stories that are loosely woven together by the figure of Dr. Martin Hesselius, a "psychic doctor." Three of the five stories, "Green Tea," "Justice Harbottle," and "Carmilla," are classics of the Victorian ghost story genre, and are frequently anthologized. In my opinion, it is best to read them as they originally appeared, along with "The Watcher," and "A Room in the Dragon Volant," because Le Fanu had his reasons for ordering these five tales the way he did. This Oxford edition is better than the cheaper Wordsworth edition, and has great end notes. Also, Robert Tracy's introduction to Le Fanu is very accurate and well said. In conclusion, if you haven't read the first story, "Green Tea," then you don't know the full depths of Victorian horror fiction, and in my opinion, to get the fullest effects of "Green Tea," read "In A Glass Darkly" all the way through. You will not be disappointed--but you will get the shivers!
0 of 1 people found the following review helpful
3.0 out of 5 stars
3 truly chilling tales; 1 eerie rite-of-passage; 1 real bore,
This review is from: In a Glass Darkly (Paperback)
While the likes of Dickens and George Eliot were pretending to be God, diagnosing the ills of society and showing us how to live better, despised sensationalists like Sheridan le Fanu were busy creating modern literature. 'In a Glass Darkly' is a perfect example of this, with its unreliable narrators, fractured narratives, mysteries, ambiguities, terrors, obsession with failures of the mind and body, and disruptive sexualities. There is one story here which is told at five - five! - removes from the original experience, a Chinese whisper a long way from the dogmatic certainties of Dickens. A collection of five stories, linked as the posthoumous papers of a seriously flawed proto-psychologist, the first three are the best, brief, compressed masterpieces of atmosphere and genuine terror: le Fanu may not be a great writer, but some of his visual coups are incomparable, the nightmare visions of 'Lord Justice Harbottle' being particularly vivid. The final tale, 'Carmilla', the collections' most famous, is an extraordinary coming of age tale, in which burgeoning sexuality and fear of the vampiric unknown are inextricably linked in a work of an overt lesbianism unthinkable for its time. The longest story, 'The Room at the Dragon Volant', is barely readable, interminably dragged out, full of deadening padding - there are some excellent scenes, such as the masked ball, but the hero is an unbearably self-regarding idiot, and the 'twist' is obvious to everyone but him after the first couple of pages, that the rest is just a tedious, suspenseless waiting for his dim enlightenment (which, admittedly, is brilliantly done). The introduction by Robert Tracy provdes some good insights into le Fanu's work as expression of national and colonial fears, but, perversely, he seems less interested in the tales' powerful sexual and gender drives.
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