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In his first commercially published book (following the small-press appearance of Three Stories and Ten Poems in 1924), Hemingway was still wearing his influences on his sleeve. The vignettes between each story smack of Gertrude Stein, whose minimalist punctuation and clodhopping rhythms he was happy to borrow. "My Old Man" sounds like Huck Finn on the Grand Tour: "Well, we went to live at Maisons-Lafitte, where just about everybody lives except the gang at Chantilly, with a Mrs. Meyers that runs a boarding house. Maisons is about the swellest place to live I've ever seen in all my life." But in the "The Battler" or "Indian Camp" or "Big Two-Hearted River," Hemingway finds his own voice, shunning the least hint of rhetorical inflation and sticking to just the facts, ma'am. His reluctance to traffic in high-flown abstraction has often been chalked up to postwar disillusion--as though he were too much of a simpleton to make deliberate stylistic decisions. Still, nobody can read "Soldier's Home" without drawing a certain connection between the two. Returning home to Oklahoma, the hero finds that his tales of combat are now a bankrupt genre:
Even his lies were not sensational at the pool room. His acquaintances, who had heard detailed accounts of German women found chained to machine guns in the Argonne forest and who could not comprehend, or were barred by their patriotism from interest in, any German machine gunners who were not chained, were not thrilled by his stories.If we are to believe Michael Reynolds and Ann Douglas, this passage reflects the author's own dreary homecoming as a member of the lost generation. It's also a fine example of a surprisingly rare phenomenon, at least at this point in his career: Hemingway being funny. --James Marcus
Book Description
When In Our Time was published in 1925, it was praised by Ford Madox Ford, John Dos Passos, and F. Scott Fitzgerald for its simple and precise use of language to convey a wide range of complex emotions, and it earned Hemingway a place beside Sherwood Anderson and Gertrude Stein among the most promising American writers of that period. In Our Time contains several early Hemingway classics, including the famous Nick Adams stories "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler," and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose -- enlivened by an car for the colloquial and an eye for the realistic that suggests, through the simplest of statements, a sense of moral value and a clarity of heart.
Now recognized as one of the most original short story collections in twentieth-century literature, In Our Time provides a key to Hemingway's later works.
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Most helpful customer reviews
1 of 1 people found the following review helpful
4.0 out of 5 stars
IN OUR TIME,
This review is from: In Our Time (Paperback)
In Our Time is a great collection of Ernest Hemingway's early short stories, which he wrote when he was at his peak as a writer. I love the way he uses simple descriptions and dialogue to narrate them, giving a more natural feel to the stories. You can see his tough writing style beginning to show already at this point of his career. Most parts will be confusing to the novice reader because Hemingway really wants you to infer what the stories are about - he will not go right out and tell you. There really is no single theme to this whole book, but it basically shows how life was back in the 1920's. Many of Hemingway's works were based on his own experiences in life, which is very interesting. "The Doctor and the Doctor's Wife" was based on the author's own father, who was, in Hemingway's mind, a coward. "Soldier's Home" is an excellent story of a distressed soldier coming home from The Great War. "A Very Short Story" was based on Hemingway's own romance with a nurse while he was overseas during the war. "Indian Camp" and "The Battler" are two of my favorites. It has been said that the character Nick Adams was really Hemingway, and when you read the Nick Adams stories along with a biography on Hemingway's life, it is easy to see why. Each story in this collection has a meaning unto itself, and I highly recommend that you read all of them.
3.0 out of 5 stars
READ THE WHOLE BOOK -- ALL OF IT!,
By
This review is from: In Our Time (Paperback)
A number of reviewers on these pages seem upset because they cannot find one connecting theme that ties these stories and vignettes together. I can only suggest that you develop the habit of reading the entire book, cover to cover. If you did, you'd notice that Hemingway thanks SEVERAL magazines for permission to REPRINT some of the stories. Of course there's no overall theme. He wrote the stories at different times, for different audiences, and gave them the appropriate slant for the periodical he hoped would publish them. This is an anthology of his early works, each of which was meant to stand on its own. Even the Nick Adams stories can be read on a stand alone basis.Some of the stories do, in fact, reflect his love of outdoor sports such as fishing, camping, hiking, skiing, etc. In these, along with his bull-fighting vignettes, you can certainly see the beginnings of the Hemingway style of terse, to the point writing which accounts for much of his later fame. Reading his A MOVEABLE FEAST, in which he discusses the early years of his career, might further clarify things for you.
5.0 out of 5 stars
The best of Hemingway's career...,
By Yuri Kuzyk (Toronto, Ontario Canada) - See all my reviews
This review is from: In Our Time (Paperback)
I think this book was the best effort from Hemingway. Both the structure, with the stories interspersed with the bits of commentary, and the style seem far beyond any of his other work, in my opinion.The Nick stories are particularly apt and the overall emotional impact of the book almost makes one forget Hemingway's irritating personality. Yes, this is not a socially-correct work but I think it defines the general American (and probably Canadian) mentality of the time. McGuane has tried to revive the Hemingway tradition - see "To Skin a Cat" - but doesn't quite come to the same level as this book.
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