From Amazon
Inquisition is as effective a second volume of a trilogy as
Heretic was an opener; Anselm Audley recomplicates his take on political intrigue and the role of religion with some real understanding of the mechanics and psychology of power. His Hamlet-like narrator-hero Cathan is ineffectual because of his rational virtues, but some of the villains who walk all over him have hardly less brilliance; his friend turned fanatic enemy the Inquisitor Sarhaddon is a gifted orator whose subtle misrepresentation of historical fact, backed as it is with overwhelming brutal force, provides a goodish reason for many minor characters to capitulate to his church. The magician/emperor Orosius sneers at Cathan as he tortures him from afar for indecisiveness and respect for others--Cathan's reaction is to worry about whether his family resemblance to Orosius indicates some moral corruption yet to surface in him. Even Cathan's female allies, Palatine and Ravenna, get irritated with his reasonableness from time to time. Audley's sequence works some interesting spins on stock sf and fantasy tropes; what makes it interesting, though, is the worried sceptical tone of its narrator. Not only the plot here, but the style, are effectively character-driven.
--Roz Kaveney
From Publishers Weekly
ublicists aren't doing Audley a favor by stressing how young he is (19) and comparing him to Robert Jordan and George R.R. Martin. Expectant readers will find a competent, appealing but rather standard sword-and-super-science tale. On Aquasilva, a water-planet with physical laws that vary somewhat from Earth's, society is split into rival cities and clans. A fanatical priesthood tries to keep control by murdering all who don't worship its elemental god, but the heretics organize devious counterplots and train young people in "magic" mind powers that use natural elements. The narrator, Cathan, is a young nobleman who just happens to be a phenomenally gifted natural mage, able to manipulate several elements at once. Audley successfully suggests a complex society through a bewildering mass of historical and political details, but he's less adept at showing how the society actually functions. In particular, it's hard to imagine how hand weapons have developed only as far as swords and crossbows while high-tech submarines launch "flame lances" and torpedoes at each other. He's also better, so far, at presenting characters frozen in uncertain pondering than he is at describing direct action. Still, the size and scope of this novel demonstrate Audley's energy and ambition. It will be interesting to see how his characters explore Aquasilva in subsequent books. At the very least, a 20-something's second novel won't be burdened with the extravagant hype of a teenager's first. Agent, James Hale.
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