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Inside Out Live

3.9 out of 5 stars 27 customer reviews

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58th Annual GRAMMY Awards
Discover this year's nominees on CD and Vinyl, including Album of the Year, Artist of the Year, Best New Artist of the Year, and more. Learn more

Product Details

  • Audio CD (Oct. 9 2001)
  • Number of Discs: 1
  • Format: Live
  • Label: Universal Music Canada
  • ASIN: B00005ND35
  • Other Editions: Audio CD
  • Average Customer Review: 3.9 out of 5 stars 27 customer reviews
  • Amazon Bestsellers Rank: #53,286 in Music (See Top 100 in Music)
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1. From The Body
2. Inside Out
3. 341 Free Fade
4. Riot
5. When I Fall In Love

Product Description

Product Description

Inside Out' picks up where 'Changeless' (ECM1392) left off, 13 years ago. 'Inside Out' is a re-immersion in the swirling waters of free playing that the group of Jarratt with Gary Peacock and Jack DeJohnette (the "Standards Trio") are renowned for.


It may be a little misleading to credit Inside Out as a Keith Jarrett album, because the cover and CD spine list Jarrett, bassist Gary Peacock and drummer Jack DeJohnette in equal type-size. However, the people who witnessed these July 2000 concerts in London's Royal Festival Hall were coming to see the pianist first and foremost, and it's fair to assume that CD purchasers will have a similar motivation. The contrast between Jarrett's playing here and with the1960s Charles Lloyd is striking. Way back then, he was a more fluent, more daring and more imaginative player. The music on Inside Out is like the representation of a man in intense dialogue with himself, while two other people provide intelligent and sympathetic commentary. This may well be sufficient a recommendation for Jarrett fans to immediately purchase this CD, and it would be foolish to argue that the music here is inferior to that of Lloyd's group. But it's very different, and there have been losses as well as gains. --Keith Shadwick

Customer Reviews

Top Customer Reviews

Format: Audio CD
This is a damn good piano trio album. While not as "out there" as some of the free jazz you may find, the Keith Jarrett trio captures both accessibility and some very profound free moments.
This album is essential if only for the first and third tracks, where the improvisation carries the musicians into some downright profound sonic bliss. The first song, "From the Body" is a definite high point. In the beginning of its 21 minutes, Keith Jarrett plays a simple, catchy, odd-timed modal melody. The others join, immediately cohering their minds to create an open, extra-sensory means of communication. Quite simply, it's uncanny how well they play together, their collegiality informing every note they play. For nearly 12-minutes they carry on without a dull moment, but it only gets better. Towards the end it shifts into a subdued, high speed shimmering pointillist whirl and it's spine-tinglingly energetic. It swells to Keith Jarrett bringing down a majestic piano performance of classical power.
Then there is "341 Free Fade", my other favorite piece on the album. It opens with Peacock's heavy solo, then the others join him and they weave through a telepathically flowing jazz improv. It gradually shifts into more abstract territory, finally becoming an avant-sounding clatter that carries on for eight minutes or so, decidedly unjazzy -- un*anything* -- with DeJohnette's drums clacking, Jarrett's atonal piano plinking in odd time signatures, and Peacock's bass erratically thumping and buzzing.
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Format: Audio CD
Some music can be played as both background music and "foreground music". Most modern music is in this category. Other types of music is only suitable as foreground music, i.e music that demands an active listener.
"Inside Out" is of this type. Keith Jarrett, Gary Peacock, and Jack DeJohnette it at it again, producing gorgeous music. The trio has played standards in many years in a free way. On this album they have gone one step further to so-called "free" playing. Each of them has experimented with it in the 60s, so it's not a new experience for them.
The first tune on the album, "From The Body", begins with Jarrett playing a theme-like introduction, the others then follow. The next tune, "Inside Out", is blues-inspired, at least after a while. The songs don't follow a strict scheme in any way, it's up to each of them to form the music as he likes while of course paying atttention to the overall direction and flow. Most often it's Jarrett who begins with new ideas. But the other two has as much to say as him. The album ends with a standard, as if to say, "we still can play standards!" It's to beutifully played that it leaves the listener wanting more.
This popular trio has went a new way, making some listeners displeased, others pleased. If you like free music or this trio and are open to different types of music, you will like this album. But some concentration and active listening is required to appreciate the music. If this type of music is new to you, pour yourself a cup of coffee, sit down and relax and concentrate. Then let the music speak.
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Format: Audio CD
This is not the first time that the Standards Trio has stretched itself outside of it's traditional niche of lovingly interpreted jazz classic. But when working with musicians of this high caliber it seems natural that they don't always needs an overt structure. This has been proven before on the Changless album and on one of the cuts on Bye Bye Blackbird. But this album is probably a bit more adventurous than the other free form outings, and also maybe a bit less successful. Jarrett, Peacock and DeJohnette have an almost preternatural ability to anticipate, compliment and counterpoint each other...creating and almost chamber music like intensity. But some of these cuts begin to wander after a while. You tend to wish for a bit more concision in the playing. And while Jarrett is characteristicly ecstatic, he doesn't reach the heights of his best solo performances such as Vienna or La Scala.
It's still a good album, don't get me wrong. It's just not my favorite work by this incredible supergroup.
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Format: Audio CD
Keith Jarrett ha dado al formato de trio de jazz con piano una dimensión que nunca, incluso en los tiempos de B. Evans, había conocido. Sus interpretaciones de Standars habían alcanzado tal grado de perfección que, dificilmente podía superarse. Sin embargo esta formula mágica se ha repetido en exceso y, durante 15 años, el trío ha estado sacando disco tras disco con muy pocas novedades. La enfermedad de Jarrett en los últimos años nos había privado, por otra parte, de su faceta principal: las improvisaciones de piano en concierto. Siendo un gran fan de Jarret, había llegado un momento en el que adquirir el nuevo CD del pianista era un ejercicio rutinario en el que, de antemano, ya se sabía lo que se iba a oir: nuevos o viejos standares pulcramente realizados y con el mínimo riesgo, absolutamente perfectos y absolutamente previsibles. Con Inside Out, por fin, se inicia lo que parece ser una nueva época en la que los conciertos improvisados de piano se trasladan al formato de trio. Nos encontramos ante un disco, sin duda, mucho más imperfecto que los anteriores, en ocasiones repetitivo y carente de la lucidez que ha mostrado Jarrett en improvisaciones anteriores, pero tambien nos hallamos ante un disco impredecible, que hay que escuchar con atención, en el que nunca sabes que camino va a tomar, y sobre todo, nos encontramos ante el portal de lo que puede ser, una nuevo y fructifero formato.
Ya estaba bien de standares. ¿Quién necesita un nuevo disco del Jarrett Trio bajo ese concepto?. Francamente, hoy en día, soy incapaz de distinguir un disco de otro de los ya cerca de 20 que tiene en esta vía.
A falta de conciertos de piano solo y de aventuras más arriesgadas (que lejos están los tiempos del cuarteto americano), bienvenido sea este "nuevo" Jarrett Trio.
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