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The Insider (Widescreen)
 
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The Insider (Widescreen)

Avec : Al Pacino, Russell Crowe Réalisateur : Michael Mann MPAA Rating: R
4.3étoiles sur 5  Voir tous les commentaires (236 évaluations de client)
Price: CDN$ 16.99 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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As revisionist history, Michael Mann's intelligent docudrama The Insider is a simmering brew of altered facts and dramatic license. In a broader perspective, however, the film (cowritten with Forrest Gump Oscar-winner Eric Roth) is effectively accurate as an engrossing study of ethics in the corruptible industries of tobacco and broadcast journalism. On one side, there is Jeffrey Wigand (Russell Crowe), the former tobacco scientist who violated contractual agreements to expose Brown & Williamson's inclusion of addictive ingredients in cigarettes, casting himself into a vortex of moral dilemma. On the other side is 60 Minutes producer Lowell Bergman (Al Pacino), whose struggle to report Wigand's story puts him at odds with veteran correspondent Mike Wallace (Christopher Plummer) and senior executives at CBS News.

As the urgency of the story increases, so does the film's palpable sense of paranoia, inviting favorable comparison to All the President's Men. While Pacino downplays the theatrical excess that plagued him in previous roles, Crow is superb as a man who retains his tortured integrity at great personal cost. The Insider is two movies--a cover-up thriller and a drama about journalistic ethics--that combine to embrace the noble values personified by Wigand and Bergman. Even if the details aren't always precise (as Mike Wallace and others protested prior to the film's release), the film adheres to a higher truth that was so blatantly violated by tobacco executives seen in an oft-repeated video clip, lying under oath in the service of greed. --Jeff Shannon



Review

A riveting, controversial true story handled with tangible class and a documentary feel by director Michael Mann, this real-life drama was nominated for seven Academy awards. Juggling such monolithic issues as corporate responsibility, journalistic ethics, one's moral duty to the truth, and the politics of class, the film is a stew of sober intelligence and one of the best whistleblower dramas ever made. Al Pacino certainly calls upon some of his acting standards as the crusading news producer Lowell Bergman. But he also displays a new prickliness, a smug self-righteousness that balances out his heroism. Most astonishingly, in a time when stars want to portray characters of unmitigated courage, he doesn't back down from the narrative's assertion that he is crassly manipulative. That's a thoroughly unlikable quality flowing from the character's growing cynicism and self-interest, and while it may not be unrealistic, it is extraordinary to find that kind of veracity in a major, mainstream motion picture. Balancing him is Russell Crowe as the titular hero, pulling off a seemingly Robert De Niro-inspired physical, vocal, and behavioral transformation that fans of Crowe's award-winning turn in Gladiator (2000) will have to see to believe. Christopher Plummer earns high marks as Mike Wallace, but the film's greatest asset isn't its fine, notable performances. The Insider (1999), despite press reports attacking the film for its factual lapses, is actually about something important, providing a four-course meal of cinematic food for thought. Arguably Mann's best film to date, The Insider is worth its weight in gold, especially in an era of visceral moviemaking that encourages an audience to check its collective brain at the ticket counter. ~ Karl Williams, All Movie Guide

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4.3étoiles sur 5 (236 évaluations de client)
 
 
 
 
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2 internautes sur 2 ont trouvé ce commentaire utile :
4.0étoiles sur 5 ah! the world of journalism, Aoû 5 2007
Par Francesca Jourdan (Montreal, Canada) - Voir tous mes commentaires
(TOP 500 REVIEWER)    (REAL NAME)   
This is the true story of Jeffrey Wigand (Russell Crowe), a man who signed a confidentiality agreement before getting fired from a big tobacco company. Hotshot *60 minutes* producer Bergman (Al Pacino) asks Wigand to decipher some technical documents, and soon realizes there's a bigger story hiding inside Wigand.
On top of that, Wigand is recruited to testity in Mississippi for a case that claims cigarettes *are* addictive.
The *60 minutes* piece will eventually be pulled because of corporate pressure. Wigand deals with his personal dilemma, and Bergman battles the corporation.
Both men will struggle against Big Tobacco's attempts to silence them and against the CBS television network's cowardly complict preference of putting money as a higher priority over the truth.

True colors of journalism are shown throughout the film. Director Michael Mann has done a great job portraying journalistic realism. The actors are marvelous, no exception.

An emotionally intense drama which reveals the consequences of standing up for the truth.
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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 What's Wrong With This Picture?, Fév 2 2004
Par H. F. Corbin "Foster Corbin" (ATLANTA, GA USA) - Voir tous mes commentaires
(TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: Insider, the (VHS Tape)
For the most part this movie is superbly acted and well filmed. Russell Crowe, one of the best things that ever happened to Australia, is perfectly cast as Jeffrey Wigand, the scientist whistle-blower who is fired from Brown & Williamson Tobacco Company. Christopher Plummer actually resembles the character he plays, Mike Wallace of CBS Sixty Minutes. Al Pacino should tone down his shouting performance a notch or two, however. The movie got all kinds of nominations for Oscar awards when it was released.

So what's wrong with this picture? The same thing that's wrong with another Russell Crowe movie "A Beautiful Mind" and Oliver Stone's earlier movie about the Kennedy assassination. They are all--what an awful word--"docudramas." The viewer is told as the credits go up at the end of this movie that some things have been fictionalized for the "sake of drama." This is a cruel irony since the movie is all about integrity. Surely the "real" story of the cruel joke tobacco companies have played on an unwitting public for years would have been enough to intrigue an audience and sustain a hard-hitting documentary.

The movie is so well-done. I just wish I knew what is real and what isn't here--if we only had a fire wall between fiction and investigative journalism/movies in this country-- surely we are sophisticated enough to handle such a division.

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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 Murky story - but the leads take us in, Janv. 26 2004
This review is from: Insider, the (VHS Tape)
Russel Crowe is Jeff Wigand, "The Insider", a research scientist for a cigarette manufacturer who goes up against his boss. When the flick opens, we see his well manicured family and his pretty life, but we have the sense that it's already over for him. He's clearly had enough of his employers, but knows he could lose a severance package negotiated to keep him silent about the workings of his ex-employer's marketing tactics. Al Pacino as Lowell Bergman, a producer for 60 Minutes proves, at about the same time, that he's not afraid to put his personal safety on the line for the story. Christopher Plummer is a surprisingly effective Mike Wallace, one of a small strike force of tele-journalists fearless in the face of intimidation from anybody. In the "Insider", they come together in a sort of manipulative morality tale about corporate greed and nicotine. Though there's no secret about the health risks of chain smoking, Wigand threatens to expose the industry's dark secret - that they actively design cigarettes to be more addictive. Unfortunately, Wigand's attempts to expose his former employers - through both legal action and through an expose on "60 Minutes" make him a target. Losing his severance package and soon his pretty family, Wigand's life is turned upside down. On Bergman's end, his efforts to air Wigand's expose are morphed from a complex story involving well-meaning journalists rendered powerless by questionable law - into a simpler story of noble journalist Davids against the might of corporate Goliaths (the flick shamelessly touts "corporate" as if it were a profane word, as in "did CBS News cave in to CBS Corporate?"). Mike Wallace and Don Hewitt, who probably had no power to resist CBS's initial ban against the Wigand story, are now seen as craven corporate lackeys (Wallace, who is fearless in the face of an Hizbollah bigwig early in the movie, cowers at the thought that he may be reduced to doing NPR if he disobeys orders). Played by Pacino, Bergman is the hero here (the script seems to credit him for leaking the banned story to the print media, even though WSJ is credited with doing it themselves), while Wigand is well meaning to the point of martyrdom.

Unfortunately, this account of dirty tricks and cigarette makers is undone by its own murky paranoia - just how do these menacing guys manage to hold onto their political power the way nicotine holds onto smokers? Least convincing is speed with which the editorial staff at "60 Minutes" caves into corporate pressure to dump the story. It's never really explained how guys who regularly face-off against government bureaucrats, corporate honchos and terrorist leaders in the darkest corners of the new century crumble like a house of cards before big tobacco. The film, by never explaining the stranglehold of the cigarette industry implicitly supports them - that the "big" in big-tobacco is a myth created by the self-righteous of the media and government to explain their own inability to deal with America's nicotine problems.

For all its murkiness, the film remains evocative, a collection of great scenes, like Crowe's epiphany in a hotel room, and Pacino's giving a hotel attendant long-distance instruction in the art of talking like Al Pacino. Remember this as the movie in which TV action fixture Wings Hauser played a lawyer for the tobacco industry.

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