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The International is actually two movies in one: A highbrow thriller about a sprawling bank that resorts to murder and arms sales to retain its power, and a sleek visual essay on how architecture and interior design shapes your perceptions. Interpol agent Louis Salinger (Clive Owen, still not quite a star despite Inside Man and Children of Men) has been on the brink of conclusive evidence against the villainous international bank, but his sources always end up dead. With the aid of a Manhattan district attorney (Naomi Watts in a woefully underwritten part), he stumbles on the trail of the bank's favorite hit man, who might provide the (literally) smoking gun Louis needs. The International starts out smooth and silky, with visual style to burn and Owen's intense fervor. The plot gradually bogs down in incoherent moralizing, but along the way there are some taut sequences, including a bloody shootout in the Guggenheim Museum where alliances shift unexpectedly. But what makes The International worth seeing is director Tom Tykwer's astute eye for public space: Chic postmodern buildings, broad Italian plazas, Turkish rooftops like mountain paths--Tykwer orchestrates actors through these architectural shapes, his hypnotic visual sense creating far more tension and excitement than the plot. Also featuring Armin Mueller-Stahl (Eastern Promises) and Ulrich Thomsen (The Celebration) as malevolent Europeans. --Bret Fetzer --This text refers to the DVD edition.
it was an alright movie. I am mixed on the movie. not quite sure how I really feel on it. may take another time or two watching it.Published on Aug. 4 2013 by H. Dole
The main character of this movie really is the architecture. It imposes itself into the story making the main actors little more than pawns to be moved between fantastically... Read morePublished on Nov. 19 2009 by Brian Maitland