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Introduce Yourself Import


Price: CDN$ 34.95
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Product Details

  • Audio CD (Oct. 17 2000)
  • Number of Discs: 1
  • Format: Import
  • Label: Sony
  • ASIN: B00004YLAO
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (15 customer reviews)

Product Description

Product Description

Amazon.ca

Just like the folks who prefer David Lee Roth's Van Halen over Sammy Hagar's, some fans like the Chuck Mosely version of Faith No More over FNM's Mike Patton-fronted successor. With Mosely at the vocal helm, the San Francisco band's funk-metal rap felt fresher and less calculated. After hitting locally with a self-titled 1985 debut album, Faith No More were picked up by Slash Records for this Steve Berlin/Matt Wallace-produced follow-up. Introduce Yourself reprises its predecessor's anthemic "We Care a Lot," which remained a live staple throughout the band's career. Alongside it are other seminal FNM tracks such as "Anne's Song" and "Chinese Arithmetic," wherein the band's signature sound already lurks thanks to Roddy Bottum's classically nuanced keyboards and Jim Martin's crunchy guitar work. Still, it's Mosely's casual punk-ass attitude that carries the show. "Can I get a transfer, man?" he whines at the start of "Death March." "Ninety-five cents?! Fuck you, I'll skate to the beach and I'll look better getting there!" And while time has not been kind to some of the more generic tracks here, a band such as Limp Bizkit could still learn a lot from Introduce Yourself. The fact that it clocks in at a mere 38 minutes means you have that much more time to spin it again. --Bill Forman

Customer Reviews

4.5 out of 5 stars
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Most helpful customer reviews

Format: Audio CD
Hmmm. I would guess that the reviews I've seen can be split into those who heard "The Real Thing" (or later) first, and those who were familiar with "Introduce Yourself" and "We Care A Lot". I was clearing out my garage a month or so back and came across this gem. I hadn't heard it in 10 years (no joke) and I was immediately blown away again! This is the sound of a band at the absolutely peak of their powers. The songs are barely contained in their intensity. "We Care A Lot" is patchy but shows promise and here it pays off, big time! In fact, for me, even 15 years after I first heard it, the opening chords of "The Real Thing" still ring in my head, for the simple reason that I thought they'd dropped the ball! From then on, FNM were a rock band, and a great one at that, but here they melded any music genre you could name, and did it brilliantly. Punk, metal, rap, sweeping electronica, it's all here. An awesome band and a, literally, awe inspiring album. If only all music was this good!
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Format: Audio CD
I consider this to be one of the top ten greatest albums of all time.
This 1987 release is more than a decade ahead of its time with its blend of rap, metal and punk, with a soul and a power that blows away today's Limp Bizkits like so many dry, dead leaves.
Why do I love this album? For one, this band has an understanding of the principle of dynamics, something that even technically gifted bands like Metallica tend to lack. This album lifts you to the heights of head-banging ecstasy, fully on a level with newly-appreciated (thanks to Mike Myers) breakdown in Queen's Bohemian Rhapsody-- then it drops you into a cool pond of still water, where you lie, floating for a moment, before being grabbed by the collar and thrown against the wall. All of this is done within the space of a single song, using the most sophisticated and subtle musical devices.
Overall, this album is superior to the band's other efforts, in terms of musical greatness, technical execution and strength of emotion. It is one of those rare, seemingly divinely inspired and powerfully executed works of art that truly warrants the overused and now diluted term of "genius."
The only band today to which I could compare FNM on this album, at least in terms of emotional delivery and sheer power, is the mighty System Of A Down, who has achieved comparable moments of greatness, although not quite as consistently or thoroughly as FNM does on this tour de force. I do believe that SOAD has the potential to put out an album this good some day.
I won't state a position on the "which singer is better" issue. Mike Patton and Chuck Mosley have completely different styles and musical personalities. I will mention, though, that Chuck Mosley provides a raw insanity, beautifully balanced with a sense of humor.
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Format: Audio CD
Listening to Patton-era FNM, one can't help but notice that Bill Gould's bass is f**king AMAZING and Roddy Bottum's keyboards add a lot. Furthermore, one can't help but notice that neither are really used to their full potential.
Here, however, they are. Jim Miller's guitar is hardly even noticeable on several tracks, and Chuck Mosley's vocals are less of a centerpiece of the sound as Mike Patton's would come to be (although Chuck's unorthodox vocals are a wonderfully enjoyable breath of fresh air). It's almost entirely the Gould and Bottum show. And it is good. Damn good.
It is fairly disturbing that this album came out in 1987, as it contains elments of every single popular hard rock/metal band from the past 5 years. These guys were too ahead of their time.
Is it as good as the Patton-era albums? Well, I'd say its about on the same level as Angel Dust, and better than Album of the Year, but not as good as The Real Thing or King For A Day... Fool For A Lifetime.
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Format: Audio CD
Even though Mike Patton might have been the final key to the Faith No More glory, Chuck Mosely - era FNM still wasn't so bad. In fact, this is a brilliant album! For example, tracks like "Faster Disco", "Anne's Song", "Introduce Yourself", "We Care A Lot" or "Chinese Arithmetic" easilly equal the likes of "Zombie Eaters", "The Morning After", or "What A Day", for example. Chuck Mosely might not be the most talented vocalist in the business, but his attitude is impressive and his vocals often suite almost perfectly with the music. With Introduce Yourself, FNM achieved the groovy, funk-rhtyhm sound they are often known for. Especially on tracks like "Faster Disco", "Anne's Song", "Chines Arithmetic", "We Care A Lot" and "The Crab Song" you can hear what accomplished musicians Bordin, Gould, Bottum & Martin reaaly were - already. All in all, this is were the FNM sound reaaly took over. It's not really inferior at all compared to some of the Patton - era music. Enjoy!!!
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By A Customer on June 10 2001
Format: Audio CD
This is the first Faith No More with Chuck Mosely as the lead singer. Now, I'll admit that I think replacing Chuck with Mike Patton was one of the smartest things that FNM ever did, but nevertheless, this album still rocks. Rather than describing Introduce Yourself in general, I've decided to write a song by song review. Enjoy! :
1.Faster Disco - Awkwardly enough this is actually a rather slow song but it's still a good opener with well performed instuments and Chuck Mosely's simple singing capabilities.
2.Anne's Song - Very melodical Bass line with a very cool Chorus and the end of this song will probably confuse the hell out of you on your first listen. :-)
3.Introduce Yourself - A short n' fast song that kicks in immidiately after track 2 is finished which works well with track 2's ending. :-)
4.Chinese Arithmetic - Starts out with a nice instrumental which is shortly joined by well harmonized bass and guitar lines that work with eachother. Good Song.
5.Death March - The begining of this song is a monologue of Chuck Mosely trying to get a ticket for a bus (I think) and then getting pissed and deciding to skate to the beach. Then the actual song starts which is a loud song that has kind of a doomsday feeling to it.
6.We Care A Lot - Cool Loud Rocking song with great bass (which I thougt was deep piano keys the first time I listened) and all the other instruments work together to produce a very good sound. With its lyrics I kind like to think of it as Green Peace's theme song.
7.R N' R - Great song overall with a really oddly but well tuned bass. One thing that bothered me for a while was that this song borrows some lyrics from Chinese Arithmetic(track #4), but I don't mind it anymore.
8.
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