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Invisible Man (Penguin Modern Classics) Paperback – Oct 1 2007


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Product Details

  • Paperback
  • Publisher: Penguin Books, Limited (UK) (Oct. 1 2007)
  • Language: English
  • ISBN-10: 0141184426
  • ISBN-13: 978-0141184425
  • Product Dimensions: 12.9 x 2.7 x 19.8 cm
  • Shipping Weight: 458 g
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (234 customer reviews)

Product Description

Paperback. Pub Date :2001-08-02 Pages: 624 Language: English Publisher: Penguin Books The lives of countless millions are evoked in Ralph Ellisons superb portrait of a generation of black Americans. Invisible Man. This Penguin Modern Classics edition includes an introduction by John F. Callahan. as well as an introduction by the author. Ralph Ellisons blistering and impassioned first novel tells the extraordinary story of a man invisible simply because people refuse to see me. Published in 1952 when American society was in the cusp of immense change. the powerfully depicted adventures of Ellisons invisible man - from his expulsion from a Southern college to a terrifying Harlem race riot - go far beyond the story of one individual. As John Callahan says. In an extraordinary imaginative leap. he hit upon a single word for the different yet shared condition of African Americans...

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3 of 3 people found the following review helpful By Chris Gannon on June 25 2005
Format: Paperback
Ralph Ellison's Invisible Man is at its core a treatise on man's inhumanity to man. What could cause people to put up with the horrifying "Battle Royal" depicted early in the novel. It's very simple, actually, as Ralph Ellison repeatedly lets us know. Most human beings treat their fellow men as pawns to be manipulated in order to fulfill certain selfish means. We see this again and again in the novel. The white benefactor to the college views the main character and his university as nothing more than another tax write-off or an antidote to his nagging conscience. When he is confronted with the reality of the deep South, when the horror of the true conditions of most blacks is revealed to him during the road trip, the main character is expelled for exposing these members of society the dean wants to keep "invisible." The Communist Party also views blacks as nothing more than a special interest group that they can keep in check and manipulate through their rhetoric. To them, the main character, with his great legitimate success and intelligence, is a greater threat than Ras the Destroyer, a mindless thug. Ras is helping the blacks stay invisible, but the main character is pushing them to succeed and forcing society to deal with them as human beings, which the party finds unacceptable. Upon realizing this, the main character at first tries to "defeat them with yeses" as his father advised him and withdraws from the people who cannot see his inner being. However, he concludes that such an acceptance is a betrayal of himself. He decides to learn to start "saying yes and saying no" to the roles that are thurst upon him.
What is the universal message here?
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1 of 1 people found the following review helpful By A Customer on July 22 2004
Format: Paperback
Having grown up in the South during the civil rights era, I thought I knew all there was to know about the black/white relationship, or lack thereof. But lately, probably due to the aging process and a desire to revisit my (and other's) past, I've been delving into books that take me someplace different and offer a different perspective. The first book I read was "Raising Fences"--totally captivating and alive with emotion. Then I read "The Bark of the Dogwood"--a tale of the heroics of an African-American housekeeper in Alabama during the 60s. Then I came across "Invisible Man." Boy was this one an eye opener. First of all, this book could stand alone on the writing style--it's great. But couple this with the author's handling of the materials and you've got what should be termed "a classic." "Invisible Man" was something of a sensation when it first appeared, albeit in smaller than normal circles, but over the years it appears to have picked up steam. The reason for this is simple: it's a great book. Also recommended: Raising Fences and The Bark of the Dogwood
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By R. Nguyen on April 19 2004
Format: Paperback
He is an invisible man, not that he is physically invisible, but because people refuse to see him as he is, or so the story starts.
The story is about a youthful, unnamed black man, who starts off naive and full of idealism. Throughout the book, he faces different ordeals, transforms himself several times, and makes many discoveries about the society in which he lives, each time growing as an individual and trying to find his identity.
The reason I liked this book so much because the way in which it was written makes you care about something you otherwise might not, let alone know about, how blacks weren't even paid attention to in the United States in the period before the Civil Rights movement of the 1960s. They weren't so much oppressed or hated, but rather ignored altogether, which, when you think about it, is much worse. It shows just a taste of how much blacks have been wronged, by whites as well as blacks. It also helped my on my path to finding who I was, even though I am not black myself.
The only thing I really disliked about this book was the slow pacing. In my opinion, the story could have been told in less detail and in less time, while still having the same effectiveness.
This is a book that deals with racism and blacks in society, so know what you're getting into when you read it. Ellison uses a lot of Southern or uneducated diction, which can be confusing at times if you've never heard it spoken before. He also uses a lot of symbols, which I thought were well used and added greatly to the book. This great American novel, though quite lengthy at 500+ pages, is worth the read, even if you're like me and not really into that sort of stuff.
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Format: Paperback
Ralph Ellison's INVISIBLE MAN tackles an issue that frankly is so huge and complex that you wouldn't think it could be captured in a single novel. However, Ralph Ellison pulls off the nearly impossible. Unlike other stories about the suppression/oppression of African-Americans which usually depict the protagonist as a victim of circumstance who is viewed as an enemy of the white people (read NATIVE SON), Ellison depicts the more real and punishing truth. That truth is that the African-American is hardly viewed at all by the white race. The African-American is unseen, his/her needs not addressed, his/her existence not acknowledged. This is a sentiment (if it can be called that) which is echoed in King's "Letter from Birmingham Jail".
Ellison's nameless and blameless protagonist isn't viewed as a person by anyone. He is seen as a source of entertainment, or a source of athleticism, or a case to be tended to... anything except a human being. Ellison's story is devestating, and yet not fatalistic. The protagonist's continuing sense of decency, self-assertion (in his own way) and humanity is not squelched, even at the end. The fact that he bothers to tell his story indicates a hope for an audience to his drama. Perhaps there is hope for all of us.
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